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Boys Don't Cry (1999)
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Overview
User Rating:
Release Date:
29 October 1999 (Canada) moreTagline:
A true story about finding the courage to be yourself.Plot:
The story of the life of Brandon Teena, a transgendered teen who preferred life in a male identity until it was discovered he was born biologically female. full summary | full synopsisAwards:
Won Oscar. Another 41 wins & 27 nominations moreNewsDesk:
(56 articles)
Lori Petty's Directorial Debut to Hit Screens on July 17 (From Cinematical. 4 July 2009, 1:02 PM, PDT)
Inside the Sundance Labs: Michelle Satter, Director of the Feature Film Program
(From Movieline. 29 June 2009, 5:30 PM, PDT)
User Comments:
Sometimes they do moreCast
(Cast overview, first billed only)| Hilary Swank | ... | Brandon Teena | |
| Chloë Sevigny | ... | Lana Tisdel | |
| Peter Sarsgaard | ... | John Lotter | |
| Brendan Sexton III | ... | Tom Nissen | |
| Alicia Goranson | ... | Candace | |
| Alison Folland | ... | Kate | |
| Jeanetta Arnette | ... | Lana's Mom (as Jeannetta Arnette) | |
| Rob Campbell | ... | Brian | |
| Matt McGrath | ... | Lonny | |
| Cheyenne Rushing | ... | Nicole | |
| Robert Prentiss | ... | Trucker | |
| Josh Ridgway | ... | Kwik Stop Cashier | |
| Craig Erickson | ... | Trucker in Kwik Stop | |
| Stephanie Sechrist | ... | April | |
| Jerry Haynes | ... | Judge |
Additional Details
MPAA:
Rated R for violence including an intense brutal rape scene, sexuality, language and drug use.Parents Guide:
View content advisory for parentsRuntime:
118 minCountry:
USALanguage:
EnglishColour:
ColourAspect Ratio:
1.85 : 1 moreSound Mix:
Dolby DigitalCertification:
Canada:18 (Nova Scotia) | Canada:18+ (Quebec) | Canada:18A (British Columbia) | Canada:R (Alberta/Manitoba/Ontario) (Canadian Home Video rating) | USA:R (Approved No. 36926) (edited for re-rating) | Philippines:R-18 | USA:TV-MA (TV rating) | Argentina:18 | Australia:R | Finland:K-16 (director's cut) | France:-16 | Germany:16 (bw) | Hong Kong:IIB | Italy:VM18 | Japan:PG-12 | Netherlands:16 | New Zealand:R18 | Norway:15 | Portugal:M/18 | Singapore:R(A) | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:18 | USA:NC-17 (original rating) | Brazil:18 | Iceland:16Fun Stuff
Trivia:
When Hilary Swank was living as a man to prepare for the role of Brandon Teena, she was so convincing that her neighbors believed that the young man coming and going from Swank's home (Swank in male character) was a visiting brother of hers. moreGoofs:
Continuity: John removes his shirt during the bumper skiing. The next time we see him he has his shirt on. moreSoundtrack:
Tuesday's Gone moreFAQ
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This movie really made me think about sexual differences and what it means to have a sex change or to want one, or to be trapped in a gender you don't want. It was very effective to have us see Hilary Swank (who plays Brandon Teena/Teena Brandon) with short hair and male facial expressions and gestures without giving us a glimpse of her as Teena. (Actually we did get a brief glimpse in a photo.) Swank looks like a boy, acts like a boy, in fact works hard to be a boy; indeed that is (sadly) part of what this movie is about, what it means to be a boy in middle America as opposed to being a girl. And then when we have the scene with the tampons and the breast wrapping and we see her legs, the effect is startling, an effect possibly lost on those who knew that the person playing Brandon was a woman. It was when I saw her legs and could tell at a glance that she was a woman with a woman's legs that I realized just how subtle, but unmistakable are the anatomical sexual differences, and how convincing Swank's portrayal was.
I was reminded as I watched this of being a young person, of being a teenager and going through all the rituals and rites, unspoken, unplanned, without social sanction, that we all go through to prove our identity, because that is what Brandon was so eager to do, to prove his identity as a boy. I thought, ah such an advantage he has with the girls because he knows what they like and what they want. He can be smooth, and how pretty he looks. It was strange. I actually knew some guys in my youth who had such talent, and the girls did love them.
The direction by Kimberly Peirce is nicely paced and the forebodings of horror to come are sprinkled lightly throughout so that we don't really think about the resolution perhaps until the campfire scene in which John Lotter shows his self-inflicted scars and tosses the knife to Brandon. Then we know for sure, something bad is going to happen.
Hilary Swank is very convincing. Her performance is stunning, and she deserved the Academy Award she won for Best Actress. She is the type of tomboy/girl so beloved of the French cinema, tomboyish, but obvious a girl like, for example, Zouzou as seen in Chloe in the Afternoon (1972) or Élodie Bouchez in the The Dreamlife of Angels (1998), or many others. Indeed, one is even reminded of Juliette Binoche, who of course can play anything, or going way back, Leslie Caron in Gigi (1958). Chloe Signvey, who plays Lana Tisdel, the girl Brandon loves, whom I first saw in Palmetto (1998), where she stole a scene or two from Woody Allen and Elisabeth Shue, really comes off ironically as butch to Swank, yet manages a sexy, blue collar girl next door femininity. She also does a great job. Peter Sarsgaard is perfect as John Lotter, trailer trash car thief and homophobic redneck degenerate.
Very disturbing is the ending. If you know the story, you know the ending. Just how true this was to the real life story it is based on is really irrelevant. I knew nothing about the story, but I know that film makers always take license to tell it the way they think it will play best, and so it's best to just experience the film as the film, independent of the real story, which, like all real stories, can never be totally told.
Obviously this is not for the kiddies and comes as close to an "X" rating as any "R" movie you'll ever see. It will make most viewers uncomfortable, but it is the kind of story that needs to be told.