Yesterday, amid a crush of sweaty people desperate for last-minute props, I visited a local Halloween superstore with my daughter, looking for a Pikachu mask. Well, there wasn’t much to choose from in the Cute Kid Division. But this particular hall of Halloween hell definitely had the adult sensibility covered. Of course there were the usual skimpy or otherwise outrageous costumes for purchase —ladies, you can dress up like a sexy Kim Kardashian-esque vampire out for a night of Hollywood clubbing, and gents, how about impressing all the sexy Kim Kardashian vampires at your party by dressing up like a walking, talking matched set of cock and balls! It’s been a while since I’ve shopped for fake tools of terror, but it seems there’s been a real advance in sophistication in the market for “Leatherface-approved” (I swear) chainsaws with moving parts and authentic revving noises,...
- 10/30/2016
- by Dennis Cozzalio
- Trailers from Hell
Anyone anxious to jump into the low-budget movie scene will find a cautionary tale in Matthew Howe’s new book Film Is Hell, coming next month from Laurelton Media. In its pages, Howe (writer and director with Howard S. Berger of the ’90s underground shocker Original Sins) recalls his post-film-school years working for Sultan Film Productions, a purveyor of action and horror cheapies (its fright credits include The Bog Creatures, Fort Doom and Blood Relic).
“My association with Sultan began as a dream—a chance to make my living making independent movies—but quickly turned nightmarish,” Howe tells Fango. “I got on board just as the bottom dropped out of the international film market. I worked harder than I ever have in my life for Sultan, but all in vain. Not only did I not manage to make much money during those years, but the movies we produced during that period redefined horrible.
“My association with Sultan began as a dream—a chance to make my living making independent movies—but quickly turned nightmarish,” Howe tells Fango. “I got on board just as the bottom dropped out of the international film market. I worked harder than I ever have in my life for Sultan, but all in vain. Not only did I not manage to make much money during those years, but the movies we produced during that period redefined horrible.
- 6/19/2009
- by no-reply@fangoria.com (Michael Gingold)
- Fangoria
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.