The White River Kid (1999) User Reviews

Aims for the Coen Brothers, but fails

[BloodTheTelepathicDog · 5/10 · 16 May 2005]

From the beginning, this film has a feel of a pseudo Coen Brothers flick, rich with eccentric characters and southern appeal. But the writing fails to deliver the same wit as Ethan and Joel.

Bob Hoskins owns this film, with support from an over the top Antonio Banderas. Wes Bentley and Kim Dickens were truly horrible in their roles. Neither brought any emotion or depth to their characters, strictly playing their roles blandly.

In the proper hands, this could have been on the same playing field as Raising Arizona, but the scriptwriting failed to take advantage of the eccentric southern setting, and Bently and Dickens just destroyed any decent feelings I had for this film.

All that being said, it is a decent rent. Bob Hoskins shines, overshadowing Antonio and Swoosie Kurtz was riot as an Elvis obsessed yokel, but the writing just missed one opportunity after the other.

I liked this

[bryanthomas · 12 August 2003]

It is quirky, yes, but I enjoyed it's offbeat sense of humor and unique storytelling. The characters were wacky, and so was the story, but I liked it. So it's not a total waste of time despite the other person's feelings. For some people anyway. I watched it because Wes Bentley and I worked together recently, and I am glad I did.

What on earth????

[seamanm · 1/10 · 25 February 2001]

A movie with Hoskins, Banderas, Barkin & Bentley. Can't be bad, you might think. You would be wrong. I only saw it through to the end because I was suffering from the flu, my back was welded to the sofa and my kids were out of shouting distance to pass me the remote. In all seriousness, I cannot think of any reason to suggest that anyone should watch this, it is just plain ludicrous.

Yes, it's a BAD movie, but AR is OK

[echobucket · 1/10 · 5 December 2006]

Part of this movie was filmed in my hometown and I made the final cut as an extra. It's the only reason I even knew the film existed and I went to great lengths to find it. I wish I hadn't. The acting (even mine) is bad, and the writing is worse. Antonio Banderas was an executive producer on the project and that could explain why he always looked miserable on set. There was one really nice scene of Randy Travis(the cliché singing sheriff) crooning, but that apparently got left on the cutting room floor. Oh, yea, and nobody feeds humans to hogs in Arkansas. They are fed to alligators in Louisiana, just kidding. If you want to see a film about how utterly backward Arkansas is, try Sling Blade. But, honestly, we're not all simple minded hillbillys and rednecks...don't let the accent fool you.

A consummate disaster that should be avoided at all costs

[lucaz · 1/10 · 13 May 2000]

This is surely the worst film I've seen in the last decade or two. It is difficult to imagine that there is a book on which it was based because there are no characters, no plot and no purpose whatsoever. It is a master class on how NOT to write a script and on how NOT to direct a movie. Arne Glimcher had given us in 1992 "The Mambo Kings", with the same Antonio Banderas. This was a very pleasant film and we could expect for a similar result here. But due to the chaotic situation shown it is difficult to say what went wrong here. Of course, the main fault is with the script that amasses a bunch of loose characters and incidents that never relate to each other in any meaningful way. People come and go out of the film without stating what they are doing or what they were called for. If any praise should be bestowed upon anyone at all, that should go to the actors and actresses involved for the bravura and conviction with which they deliver their lines even if these lines don't mean a thing at all. A consummate disaster that should be avoided at all costs.

An Quietly Entertaining Tale

[kiddhowe · 7/10 · 7 August 2007]

The White River Kid is an enjoyable movie. It is not an edge of the seat or nail biter, but the story is engaging. Bob Hoskins as Brother Edgar draws you into the story and as he begins to be interested in the other members of this story so do you. Antonio Bandaras brings a certain charm and sympathy to a character with less admirable ambitions. I would comment on each actors role but instead I will say that each one took hold of the character they played and caused you to see each one in an interesting way. I was particularly fond of Miss Eva Nell (Ellen Barkin) and Randy Travis as Sheriff Becker. All in all I really liked this movie.

keep away from that film

[gombro · 3/10 · 10 February 2007]

gee I mean come on a comedy should be funny,and if not intelligent at least funny, Bob Hoskins really sucks at that film and Antonio probably did not read the script gee its really hopeless I felt that I should tell you the truth in case someone tried to watch the film :) gee I mean come on a comedy should be funny,and if not intelligent at least funny, Bob Hoskins really sucks at that film and Antonio probably did not read the script gee its really hopeless I felt that I should tell you the truth in case someone tried to watch the film :) gee I mean come on a comedy should be funny,and if not intelligent at least funny, Bob Hoskins really sucks at that film and Antonio probably did not read the script gee its really hopeless I felt that I should tell you the truth in case someone tried to watch the film :)

Surprise!

[skycreatoR · 7/10 · 8 November 2003]

This is a great movie! Sorry, but the plot is inzanely weird, the acting is just funny and the style of the directing, editing and scenes is amazing.

I have never been so surprised over a movie, as i have with the White River Kid!

What Movies Are For

[lpryor · 10/10 · 9 February 2002]

When I go see a movie, or rent it, I am always hoping for a transcendent experience. I am happy enough to be entertained, but when a movie really moves me I am truly grateful. The White River Kid really moves me. It is truly transcendent. Someone once commented to Matisse that a painting of his, with a lady as it's subject, did not look like a lady at all. Matisse pointed out that the object in question, his creation, was NOT a lady- it was a painting. Movies are a form of art. A movie is a movie. Movies are at their best when they cannot be said to be in any way "realistic." So called "reality" surrounds us. It is, in fact, only perception, and actually no more "real" than is a movie. But a movie should be something altogether different than what we call "reality." It ought to offer an alternative, and equally valid, reality. This is what "White River Kid" does with unsurpassed excellence. It is touching, soaringly entertaining, uplifting, warming, encouraging, healing, and relieving. Having seen it, one's outlook is permanently altered in a small way. This is the hallmark of a great movie.

First true portrayal of Arkansas

[bison-3 · 5 February 2002]

As a dyed in the wool Southerner bred in Arkansas, I am happy to see that someone has finally made a movie that portrays Arkansas like it is. Arne Glimcher has done a fine job capturing all of the nuances of Southern culture, and Bob Hoskins--whom has always been a terrific and often underrated actor in my eyes--does a great job adopting a believable Arkansas accent despite his thick British accent. In fact, I think Bob somehow managed to come up with an accent that transcends both cultures, and is uncannily unrecognizable as belonging to either. Mike Thomas, in particular, does a great supporting turn. The only thing this movie was missing is a buck-toothed banjo player and Tia Carrere, but I guess maybe Elie was divorced from her by the time it was made. (Okay, actually, we all know this movie is really just not that good, and if any of you want to explain how this happened--because I really am curious--please e/m me here in Los Angeles.)

what's wrong with it?

[Zebrawoman · 10/10 · 25 December 2006]

This movie was so much fun. I looked it up right away, once I recovered from feeling sad about a certain sad thing I won't give away-- and I'm so startled by the hostility in the comments. In fact this movie does contain a gang of hogs, some poor people who are happy and kind, and a prostitute, and these elements seem to trigger fear in many viewers that they are being conned by a derivative movie or if they are rural people, that someone is putting them down. Some movies aren't that kind of movie and anyway, they should try being black or Chinese if they want to experience rampant powerlessness of that kind. They don't know the half of it. Anyway, why are none of the "reviewers?" bothered by the presentation of this boy(the Kid) who's been abandoned and lived alone by the river all his life, I wonder? They don't say "Unfair to say that about rural life!" Or, "we don't treat kids that way in Arkansas!" Anyway, this movie is engrossing-- though nothing of the kind may have happened to you or me so what? I will never forget the huge hole where the factory was, and the way Bob Hoskins' keeps presenting himself as a ruthless conman but can't help himself if it would mean harming anyone else the tiniest bit. Isn't it always a bargain to see these good actors? Isn't it funny to hear about the Mile-High Pie? How can anyone say Swoosie Kurtz didn't look good in that Elvis pompadour wig which was taller than she was herself? I thought she was glamorous and I believe Beau Bridges did too, which was what made this movie great.

Good to watch these great actors have fun in this movie

[nyedxus · 7 November 2011]

As long as you aren't looking for a serious drama and can go along for the ride then you will enjoy this goofy movie. Great actors and hilarious situations make up for the confusing plot twist, and sub-par editing in this all around fun movie to watch. Although filmed in 99' it looks like a movie from the early 80's, like "The Legend of Billy Jean" and the plot moves along allot like that same movie. Dizzying pace of character introduction and plot twist. Still it is so much fun to watch these actors give it there all, with a somewhat vaporous understanding of there roles. Give it a try, it is worth it. Hope this makes some people take a look at this goofy movie.

The White River Kid (1999) - A Quirky Road Trip Comedy with a Dark Twist

[alexpeychev · 10/10 · 25 March 2024]

"The White River Kid," directed by Arne Glimcher, is a quirky and offbeat comedy that takes viewers on a wild ride through the American South. Released in 1999, the film follows the eccentric exploits of Brother Edgar, a young man with a troubled past, as he embarks on a road trip with the enigmatic con artist known as the White River Kid.

At the center of the story is Brother Edgar, portrayed with charm and wit by Antonio Banderas. Estranged from his family and disillusioned with his life, Edgar sees the road trip as an opportunity for adventure and redemption. Along the way, he forms an unlikely bond with the White River Kid, a charismatic and cunning trickster played by Kim Coates.

The film's narrative unfolds as Edgar and the White River Kid encounter a colorful cast of characters and get caught up in a series of bizarre and comedic situations. From encounters with eccentric locals to run-ins with law enforcement, their journey is filled with unexpected twists and turns that keep viewers guessing and laughing along the way.

One of the film's standout features is its unique blend of comedy and dark humor. While "The White River Kid" delivers plenty of laughs with its zany antics and witty dialogue, it also explores deeper themes of redemption, forgiveness, and the search for identity. As Edgar and the White River Kid confront their pasts and come to terms with their flaws, they undergo personal growth and transformation, adding depth and complexity to the story.

The performances in "The White River Kid" are top-notch, with Banderas and Coates displaying great chemistry as they navigate the ups and downs of their characters' tumultuous relationship. Ellen Barkin and Bob Hoskins also shine in supporting roles, bringing depth and humor to their respective characters.

Visually, "The White River Kid" captures the beauty and eccentricity of the American South, with stunning cinematography that showcases the region's unique landscapes and cultural landmarks. The film's soundtrack, featuring a mix of blues, country, and rockabilly music, adds to the atmosphere and enhances the overall viewing experience.

In conclusion, "The White River Kid" is a delightful and entertaining road trip comedy that offers a fresh take on the genre. With its quirky characters, sharp humor, and underlying themes of redemption, it is sure to delight audiences looking for a lighthearted yet thought-provoking cinematic experience.

Embarrassing...

[NewYorkLondonParisMunich · 15 April 2000]

"The White River Kid" just came out on video in Bulgaria. It's usually a warning sign when an American movie is released on video in Bulgaria before its theatrical release in the USA. This movie is no exception to that rule, and the embarrassed actors are probably hoping that the movie never makes it back to its country of origin.

I'm not sure what the movie was about. Basically, it requires a group of somewhat talented actors to play ridiculous, one-dimensional stereotypes and interact with each other. A fake priest, a serial killer, a diner waitress, a money-grubbing wetback, a family of hillbillies, a country-singin' local sheriff, and so on. I should mention that a female hillbilly wears an enormous Elvis wig and claims to pray to Elvis. And a couple of "Deliverance" extras are eaten by a herd of killer pigs. I'm not making this up.

I think the filmmakers were shooting for "wacky", or "madcap", or "screwball"...instead, they didn't achieve anything more than "embarrassing for all involved".

One for real movie-lovers!

[JohnHowardReid · 9/10 · 12 January 2015]

Much to my surprise, I really enjoyed this movie. It was quirky, yes, very quirky, but that was part of its charm. You can't say that The White River Kid was reminiscent of any other movie at all. The script takes grand swipes at Roman Catholicism and rural values as well as throwing the dirt at rustics, crooked sheriffs, sleazy businessmen and aspiring wanna-bes. The acting is well-nigh perfect with Bob Hoskins as an engagingly crooked friar narrowly leading the way from crooked stumble-bum, Antonio Banderas, quick-on-the-trigger outlaw, Wes Bentley and keen-to-be-re-elected sheriff, Randy Travis. The males don't have all the best lines, though they do tend to dominate the action. But who will forget Ellen Barkin as the blind prostitute or Swoosie Kurtz as the bewigged Mummy Weed or young Kim Dickens who makes such a lithe and engaging heroine? The movie was beautifully photographed by Michael Chapman on some really arresting Arkansas (?) locations. Available on an excellent Columbia Tristar DVD under the title, "White River".

P U ! This movie stinks up the room!

[JThomas-2 · 29 October 2001]

Whoever green lighted this film should be canned immediately. It sucks! Not only is it terrible, but the acting is terrible. When a film is shelved for several years before finally being released in the U.S. (and even then only on cable and video) you know it's got to be bad. This film seems to be the Hollywood Squares of films: where once decent actors go when they're past it. Or in Wes Bentley's case: where overly hyped and overrated actors start out (watch out Wes, outside of American Beauty, you've done nothing but act badly in several rotten films).

Incredibly funny!!!

[lynnhenson-45869 · 10/10 · 21 November 2019]

Love the Arkansas scenery. Love seeing a young Antonio and Bob Hopkins. A little dark! Too cute...

This is a big turkey

[Richard-87 · 3 February 2001]

Startz finally released this turkey on American television tonight. This film is a waste of good talented actors. Bob Hoskins seems lost in the film as a fake monk. In fact, I could not believe that in one scene he was dancing what is called the Texas Dance in his monk robes in an Arkansas dance hall.

The movie is a series of road vinettes that really don't make much sense. I wonder if these actors got paid for the roles. Antonio Banderos was listed as the producer. What got into him. Swoosie Kurtz a good actress was awful in her Presley hair do. No wonder this did not get a theater release.

The worst movie I have ever seen.

[emory-1 · 6 April 2001]

This is honestly the worst movie i have ever seen the only reason i watched it was because i know Daniel Treat the actor that played Elvis Wood. If it weren't for that i would have changed it quickly. please do not waste two hours out of your life change the channel when it comes on The Movie Channel.

admirable

[Kirpianuscus · 15 April 2022]

I loved this film. A nice - weird story, great acting, absurd situations, craziness in very rich forms , irony against cliches , Wes Bentley and admirable Bob Hoskins, flavours of South and a lot of ingenuity. Short, just great.

a comedy

[Vincentiu · 5 September 2013]

basic problem of film remains the expectations, to high, of public. because it is real strange to use a splendid cast for a kind of joke without beginning or end, story or credible characters. but that is it !a comedy about nothing. isles of bizarre scenes, few beautiful images, Bob Hoskins in search of his character credibility and Antonio Banderas in a parody of Hispanic stereotype. but the worse thing is the punishment for poor Wes Bentley who must become a version of fake James Dean, charming boy with dark past , victim of a form of romantic teenager stupidity. an easy comedy about nothing. that is all. only hope - the fun for the film team.because for public remains not seductive crumbs.

Misguided production ruins a great story

[allison-11 · 25 September 2003]

I am actually in this movie (a tiny scene with Antonio Banderas) and I still think it's one of the worst movies of all time. The feeling I got while filming and while watching was that the producers and the production crew considered this entire project beneath them. That's a shame, because the book this film is based on is sharply witty, funny, well-written, and contains a truckload of bizarre characters that should be relished by actors and moviegoers alike. Instead we get yet another stupid movie about how many rednecks we have in the South. If the actors had been encouraged to make their characters real instead of ridiculous stereotypes, the characters would be loved for their oddities, and the movie could have become a big hit, as well as a benchmark for character actors to measure future performances by. I would love to see this done by the Coen brothers, or Christopher Guest, or maybe even Tim Burton! Do yourself a favor and read the book "The Little Brothers of Saint Mortimer" by John Fergus Ryan. I wish I had a producer, I'd love to direct this story the right way.