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Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
Tommy is an unemployed mechanic who spends most of his time in a bar (Trees Lounge) in a small blue collar town. He seems to always be thinking, "If only X then I could stop drinking".
Director:
Steve Buscemi
Stars:
Steve Buscemi,
Carol Kane,
Mark Boone Junior
When his only friend dies, a man born with dwarfism moves to rural New Jersey to live a life of solitude, only to meet a chatty hot dog vendor and a woman dealing with her own personal loss.
Director:
Thomas McCarthy
Stars:
Peter Dinklage,
Patricia Clarkson,
Bobby Cannavale
Satirical comedy follows the machinations of Big Tobacco's chief spokesman, Nick Naylor, who spins on behalf of cigarettes while trying to remain a role model for his twelve-year-old son.
Five high school students, all different stereotypes, meet in detention, where they pour their hearts out to each other, and discover how they have a lot more in common than they thought.
This is the story of Enid and Rebecca after they finish the high school. Both have problems to be related with people and they spend their time hanging around and bothering creeps. When they met Seymour who is a social outsider who loves to collect old vinyl records, the life of Enid will change forever. Written by
eric from Mexico City
Enid's notebook drawings were done by Sophie Crumb, Robert Crumb and Aline Kominsky's daughter (mentioned in closing credits). The production team reached out to Sophie Crumb after Daniel Clowes insisted to Terry Zwigoff that Enid's work had to be created by a female artist (Clowes insisted he should not do the drawings). See more »
John Ellis:
[noticing Enid's green hair and leather jacket]
Oh my God, didn't they tell you?
Enid:
Tell me what?
John Ellis:
Punk rock is over.
Enid:
I know it's over, asshole, I'm not even...
John Ellis:
You really want to fuck up the system? Go to business school. That's what I'm going to do. Get a job in some big corporation and, like, fuck things up from the inside.
Enid:
You know, I'm not even trying...
John Ellis:
Yeah, yeah, yeah, yeah yeah. Hey, do you have my money?
[...] See more »
Crazy Credits
After all the credits roll, there's another take of the scene where Seymour (Steve Buscemi) gets attacked by Doug in the minimart. Only this time, Buscemi's characer easily wins the fight, choking Doug with his own weapon, and stomps out triumphantly. He finishes with a bunch of Mr. Pink type dialogue. See more »
Connections
References Jurassic Park (1993)
Enid wears a Raptor t-shirt that looks like a merchandising tie-in with this film.
See more »
Soundtracks
"You're Just My Type"
Written by Davidson Nelson and Joseph "King" Oliver
Performed by Vince Giordano and The Nighthawks See more »
For those of us who tire of standard teen movies, here's the film to brighten our day. It's a monkey wrench in the cranks of the tedious genre that features actors in their mid-twenties portraying stereotypical high-school characters shamelessly indulging predictable plots of frivolous romance. Where most movies set in high schools find resolve in romantics, "Ghost World" dares to be different.
Yet it contains all the usual ingredients-aimless main characters, one-dimensional side characters, high school graduation, moronic parents, sexual revelations, a romance-but it tastes different. This movie doesn't believe high school is the root of youth complications; it knows that school isn't where the confusion lies-it's after graduation when the complexities begin.
The movie opens as a high school senior dances along with a music video. Sounds like a typical teenager? Well, not really. The music this girl listens to isn't exactly mainstream. Nothing about Enid (Thora Birch from "American Beauty") is ordinary.
The same goes for her best friend, Rebecca (Scarlett Johansson). She is slightly more focused than the aimless Enid, but, as they graduate from high school in the opening scenes, neither of them know what they want out of life.
Rebecca and Enid find interesting people to follow, exploit, and embarrass, just for their own leisure, but even this loses its edge. Making the most (or least) of their situation, the girls stumble upon an outstandingly pathetic personal ad. As a joke, they respond. However, when they meet this man, Enid becomes infatuated with him.
In their post high school days, Enid and Rebecca find themselves slowly drifting apart. Rebecca is eager to get an apartment and get on with her life, while Enid lives by the day, following one infatuation after another. As their attitudes gradually change from cynical to sober, Enid and Rebecca's emerging differences become blatantly obvious, but painfully realized.
"Ghost World" refers to the world in which these characters live, a town slowly being overcome by shopping malls and coffee shops; a town that slowly loses its distinctions and becomes a ghost of what it once was.
My small town of Mason, MI speaks for itself. Once a minuscule farming suburb of the state's capital, it's now a breeding ground for new subdivisions, factories, stores, gas stations, trailer parks, and businesses. Before you know it, it will be a densely populated city like the capital itself.
"Ghost World" makes harsh points, but it never loses its sense of humor. Enid is so full of bitter cynicism that we have to laugh. She indulges the dialogue. It's often tactlessly frank, savoring every opportunity to bash, thrash, ridicule, or insult anyone or anything for any reason.
Society tends to repress our caustic desire to insult a fellow man, but "Ghost World" doesn't hesitate. It takes a lot of risks, but never steps in the wrong direction. It connects us with these characters. They are so casually antisocial that we can't help but to love them. At times, the movie doesn't require dialogue. It simply examines the character's surroundings. We get to know these people so well, we know exactly what they're thinking before they say it. They are a part of our instincts to react on impulse.
But a character is only as good as the actor behind it. "Ghost World" features enormously engaging performances. Brad Renfro gives his nobody store clerk a raw blandness. Illeana Douglas injects a kind of controlled eccentricity into her role as an art teacher. Steve Buscemi creates a hopeless record player collector out of repressed emotion, and lack thereof.
Scarlett Johansson gives Rebecca a dry, depressed mood. Thora Birch steals the whole show with a straightforward, fearless performance. Although the movie never defines the relationship between Enid and Rebecca, the actors themselves make it clear. They create an enticing charisma that gradually turns to an awkward tension.
"Ghost World" captures part of our journey from childhood to adulthood with poetic grace and cynical wit. Though it's not really a coming-of-age film, where a young character finally takes a place in the world. Enid never finds her place, decides her future, or chooses a path. By the end of the story, she simply becomes aware of her possible options. This movie is just the beginning of her story.
98 of 129 people found this review helpful.
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GHOST WORLD / (2001) **** (out of four)
For those of us who tire of standard teen movies, here's the film to brighten our day. It's a monkey wrench in the cranks of the tedious genre that features actors in their mid-twenties portraying stereotypical high-school characters shamelessly indulging predictable plots of frivolous romance. Where most movies set in high schools find resolve in romantics, "Ghost World" dares to be different.
Yet it contains all the usual ingredients-aimless main characters, one-dimensional side characters, high school graduation, moronic parents, sexual revelations, a romance-but it tastes different. This movie doesn't believe high school is the root of youth complications; it knows that school isn't where the confusion lies-it's after graduation when the complexities begin.
The movie opens as a high school senior dances along with a music video. Sounds like a typical teenager? Well, not really. The music this girl listens to isn't exactly mainstream. Nothing about Enid (Thora Birch from "American Beauty") is ordinary.
The same goes for her best friend, Rebecca (Scarlett Johansson). She is slightly more focused than the aimless Enid, but, as they graduate from high school in the opening scenes, neither of them know what they want out of life.
Rebecca and Enid find interesting people to follow, exploit, and embarrass, just for their own leisure, but even this loses its edge. Making the most (or least) of their situation, the girls stumble upon an outstandingly pathetic personal ad. As a joke, they respond. However, when they meet this man, Enid becomes infatuated with him.
In their post high school days, Enid and Rebecca find themselves slowly drifting apart. Rebecca is eager to get an apartment and get on with her life, while Enid lives by the day, following one infatuation after another. As their attitudes gradually change from cynical to sober, Enid and Rebecca's emerging differences become blatantly obvious, but painfully realized.
"Ghost World" refers to the world in which these characters live, a town slowly being overcome by shopping malls and coffee shops; a town that slowly loses its distinctions and becomes a ghost of what it once was.
My small town of Mason, MI speaks for itself. Once a minuscule farming suburb of the state's capital, it's now a breeding ground for new subdivisions, factories, stores, gas stations, trailer parks, and businesses. Before you know it, it will be a densely populated city like the capital itself.
"Ghost World" makes harsh points, but it never loses its sense of humor. Enid is so full of bitter cynicism that we have to laugh. She indulges the dialogue. It's often tactlessly frank, savoring every opportunity to bash, thrash, ridicule, or insult anyone or anything for any reason.
Society tends to repress our caustic desire to insult a fellow man, but "Ghost World" doesn't hesitate. It takes a lot of risks, but never steps in the wrong direction. It connects us with these characters. They are so casually antisocial that we can't help but to love them. At times, the movie doesn't require dialogue. It simply examines the character's surroundings. We get to know these people so well, we know exactly what they're thinking before they say it. They are a part of our instincts to react on impulse.
But a character is only as good as the actor behind it. "Ghost World" features enormously engaging performances. Brad Renfro gives his nobody store clerk a raw blandness. Illeana Douglas injects a kind of controlled eccentricity into her role as an art teacher. Steve Buscemi creates a hopeless record player collector out of repressed emotion, and lack thereof.
Scarlett Johansson gives Rebecca a dry, depressed mood. Thora Birch steals the whole show with a straightforward, fearless performance. Although the movie never defines the relationship between Enid and Rebecca, the actors themselves make it clear. They create an enticing charisma that gradually turns to an awkward tension.
"Ghost World" captures part of our journey from childhood to adulthood with poetic grace and cynical wit. Though it's not really a coming-of-age film, where a young character finally takes a place in the world. Enid never finds her place, decides her future, or chooses a path. By the end of the story, she simply becomes aware of her possible options. This movie is just the beginning of her story.