The plot was reused in Coffee House (1960), with beatniks and poems instead of zoot suits and jiving.
Final cartoon directed by Bill Tytla
Bluto is attired in the very latest in sartorial splendor, a zoot suit and two toned jazz style oxford shoes.
One of the few times Bluto is shown minus his trademark beard, though he sports a five o'clock shadow and a villain style mustache.