Directed by
| Julian Jarrold | ||
Writing Credits (in alphabetical order)
| Allan Cubitt | ||
Cast (in credits order)
Produced by
| Blair Breard | ... | line producer |
| Emma Burge | ... | producer |
| Rebecca Eaton | ... | executive producer |
| Helen Mirren | ... | associate producer |
| Gub Neal | ... | executive producer |
Music by
| Peter Salem | ||
Cinematography by
| Peter Middleton | ||
Editing by
| Chris Gill | ||
Casting By
| Gail Stevens | ||
Production Design by
| Stephen Fineren | ||
Art Direction by
| Shawn Carroll | ... | (new york unit) |
| Tim Farmer | ||
| Nick Wilkinson | ||
Costume Design by
| Joey Attawia | ||
Production Management
| Blair Breard | ... | production manager: US |
| Des Hughes | ... | production manager |
| Bill Leather | ... | production executive |
| Susy Liddell | ... | production associate |
Second Unit Director or Assistant Director
| Linda Perkins | ... | second assistant director |
| Liz Reeve | ... | third assistant director |
| David Reid | ... | first assistant director |
| Simon Turner | ... | second assistant director |
Art Department
| Brian Bird | ... | dressing props |
| Phil Buckley | ... | graphic designer |
| Trevor Devoy | ... | production buyer |
| Keith Eccleston | ... | carpenter |
| Michael Gleeson | ... | dressing props |
| Tony Mills | ... | chargehand asm |
| Terry Nixon | ... | stand-by props |
| Peter Phillips | ... | graphic designer |
| Mark Roberts | ... | painter |
| Roy Vivash | ... | dressing props |
Sound Department
| Colin Chapman | ... | supervising sound editor |
| Mario Mooney | ... | boom operator |
| Chris Nuttall | ... | post-sound assistant / sound |
| Mike Turner | ... | sound |
| Aad Wirtz | ... | re-recording mixer |
Special Effects by
| Ian McKelvie | ... | special effects |
| Steve Tomkow | ... | Armourer / special effects |
Stunts
| Andy Bradford | ... | stunt coordinator |
| Gerry Crampton | ... | stunt coordinator |
| Nick Powell | ... | stunt coordinator |
Camera and Electrical Department
| Tony Burslem | ... | lighting gaffer |
| Paul Devlin | ... | electrician |
| Mike Fisher Jr. | ... | assistant grip |
| J. Alan Hostetter | ... | gaffer |
| Chris Jones | ... | lighting gaffer |
| Keith Jones | ... | electrician |
| Ian Maghie | ... | grip |
| Eddie McCarthy | ... | electrician |
| Andrew McDonnell | ... | focus puller |
| Howard Smith | ... | steadicam operator |
| Alan Stewart | ... | additional cinematographer: second unit |
| Steve Woods | ... | clapper loader |
Costume and Wardrobe Department
| Chloe Aubry | ... | wardrobe assistant |
| Rosa Diamond | ... | key costumer |
| Paul Gregory | ... | dresser |
| Rosa Leo | ... | dresser |
| Ruth Willis | ... | wardrobe supervisor |
Location Management
| Steve Cheers | ... | location scout |
| Becky Jones | ... | location scout |
| Ken Mair | ... | location manager |
| Chris Morgan | ... | location manager |
Music Department
| Steve Parr | ... | music mixer / music recordist |
Script and Continuity Department
| Jean Bourne | ... | script supervisor |
| Anna Price | ... | script editor |
Additional Crew
| Sara Forfar | ... | production secretary |
| Maria Grimley | ... | researcher |
| Rachel Leonard | ... | production secretary |
| Mariette Masters | ... | unit publicist |
| Cathy McLoughlin | ... | production coordinator |
| Vivien Philpot | ... | production finance (as Viv Philpot) |
| Jason Potter | ... | production runner |
