This surprisingly good debut from director Paul Oremland follows the story of bare-knuckle fighter Craig (impressively acted by British amateur featherweight champion, Steve Bell) as he abandons his violent life in Blackpool's underworld and finds love and disillusionment in London's gay clubland.
As with many debuts, part of the fun of this film is trying to trace Oremland's influences. There are heavy reworkings of the "Breaking Glass" scenario (1980: Brian Gibson), with the action of "Like It Is" relying on the same devices: the buying of records from particular stores in order to make a record enter the music charts (a hideously corny nineties style boy -band); the predatory boss-figure (played with worrying believability by Roger Daltrey); and the casual drug-taking. Elsewhere, the relationship between Ian Rose's record producer and the naive Bell reminds us of that between the Gordon Warnecke and Daniel Day Lewis characters in "My Beautiful Launderette" (1985: Stephen Frears) although, like all Oremland's 'borrowings' this is given a powerful nineties twist, concerning itself not with a racial divide between the lovers, but a cultural one in the macho, 'don't call me queer' stance of the Northerner and the 'glad to be gay' hipness of the Londoner.
This is a slightly awkward film but Oremland cleverly sidesteps the usual cliches that so often marr well-intentioned yet cringe-worthy gay drama. The performances of both Bell and Daltry are absolutely first-rate, whereas Rose is satisfactory even if I couldn't quite believe someone throwing up their life to follow him across the country after a one-night stand. Behr is just plain annoying -- although, it must be said, her character is anything but likeable, so how much of this lies with the actress herself is open to debate.
As a coming-out tale, "Like It Is" is a little too sugar-coated for my tastes: I found the reaction of Bell's elder brother, on finding out his predilections ("Thank God!") rather unbelievable -- as was Rose's telling him in the first place. Surely, as an experienced gay-man, Rose would have more sense than to go into a strange man's home and out his brother -- especially when the aforementioned stranger is standing between him and the door.
But these are minor niggles -- as a debut film, this is a highly enjoyable effort and well worth seeing. Contains swearing, drug-taking, nudity and sex scenes. 3½ out of 5.
As with many debuts, part of the fun of this film is trying to trace Oremland's influences. There are heavy reworkings of the "Breaking Glass" scenario (1980: Brian Gibson), with the action of "Like It Is" relying on the same devices: the buying of records from particular stores in order to make a record enter the music charts (a hideously corny nineties style boy -band); the predatory boss-figure (played with worrying believability by Roger Daltrey); and the casual drug-taking. Elsewhere, the relationship between Ian Rose's record producer and the naive Bell reminds us of that between the Gordon Warnecke and Daniel Day Lewis characters in "My Beautiful Launderette" (1985: Stephen Frears) although, like all Oremland's 'borrowings' this is given a powerful nineties twist, concerning itself not with a racial divide between the lovers, but a cultural one in the macho, 'don't call me queer' stance of the Northerner and the 'glad to be gay' hipness of the Londoner.
This is a slightly awkward film but Oremland cleverly sidesteps the usual cliches that so often marr well-intentioned yet cringe-worthy gay drama. The performances of both Bell and Daltry are absolutely first-rate, whereas Rose is satisfactory even if I couldn't quite believe someone throwing up their life to follow him across the country after a one-night stand. Behr is just plain annoying -- although, it must be said, her character is anything but likeable, so how much of this lies with the actress herself is open to debate.
As a coming-out tale, "Like It Is" is a little too sugar-coated for my tastes: I found the reaction of Bell's elder brother, on finding out his predilections ("Thank God!") rather unbelievable -- as was Rose's telling him in the first place. Surely, as an experienced gay-man, Rose would have more sense than to go into a strange man's home and out his brother -- especially when the aforementioned stranger is standing between him and the door.
But these are minor niggles -- as a debut film, this is a highly enjoyable effort and well worth seeing. Contains swearing, drug-taking, nudity and sex scenes. 3½ out of 5.
