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| Thur. July 24 | 4:35 PM | MAX |
| Will Smith | ... | Bagger Vance | |
| Matt Damon | ... | Rannulph Junuh | |
| Charlize Theron | ... | Adele Invergordon | |
| Bruce McGill | ... | Walter Hagen | |
| Joel Gretsch | ... | Bobby Jones | |
| J. Michael Moncrief | ... | Hardy Greaves | |
| Lane Smith | ... | Grantland Rice | |
| Peter Gerety | ... | Neskaloosa | |
| Michael O'Neill | ... | O.B. Keeler | |
| Thomas Jay Ryan | ... | Spec Hammond | |
| Trip Hamilton | ... | Frank Greaves | |
| Dermot Crowley | ... | Dougal McDermott | |
| Harve Presnell | ... | John Invergordon | |
| Danny Nelson | ... | McManus | |
| Bob Penny | ... | Laidlaw | |
| Michael McCarty | ... | Delahunty | |
| Carrie Preston | ... | Idalyn Greaves | |
| Turner Green | ... | Eugene James | |
| Blake King | ... | Wilbur Charles | |
| Andrea Powell | ... | Mary Jones | |
| John Bennes | ... | Citizen | |
| Jonathan Green | ... | Citizen | |
| Shane Brown | ... | Citizen | |
| J. Don Ferguson | ... | Citizen | |
| E. Roger Mitchell | ... | Aaron | |
| Charles Riffenburg IV | ... | Card Player (as Charles Riffenberg IV) | |
| Leon Lamar | ... | Card Player | |
| Cory Carbaugh | ... | Card Player | |
| Charles Seabrook | ... | Card Player | |
| Bilaal Salaam | ... | Card Player | |
| Charles Ward | ... | Man #1 | |
| Julie Jones | ... | Woman #1 | |
| Valanie Lang | ... | Girl #1 | |
| Bernard Hocke | ... | News Photographer | |
| Dan Beene | ... | Willy | |
| Elliott Street | ... | Carter | |
| Wilbur Fitzgerald | ... | Roy (as Wilbur T. Fitzgerald) | |
| Sonny Seiler | ... | Sonny the Boarder | |
| Joseph P. Reidy | ... | Photographer (as Joseph Reidy) | |
| Tannis Stoops | ... | Anna Mae | |
| Dearing Paige Hockman | ... | Hagen Girl | |
| Erika Mounts | ... | Hagen Girl | |
| Neil Gonzaga | ... | Bar Patron | |
| Ronald Steppe | ... | Bar Patron | |
| Hugh Baggett | ... | Bar Patron | |
| Jabulani Brown | ... | Jones' Caddy | |
| Vijay Patel | ... | Hagen's Caddy | |
| rest of cast listed alphabetically: | |||
| George Green | ... | Man #2 | |
| Malia Herrick | ... | Hagen girl (scenes deleted) | |
| Ricardo Bunge | ... | American Soldier (uncredited) | |
| Jon Drew | ... | Groundskeeper (uncredited) | |
| Jim Keisler | ... | Groundskeeper (uncredited) | |
| Jack Lemmon | ... | Narrator / Old Hardy Greaves (uncredited) | |
| Todd Soley | ... | Doughboy #1 (uncredited) | |
| Ray Wineteer | ... | Counsilman Ellis (uncredited) | |
| Kenneth Wonderley | ... | First fan on stage (uncredited) | |
Directed by | |||
| Robert Redford | |||
Writing credits(WGA) | ||
| Steven Pressfield | (novel) | |
| Jeremy Leven | (screenplay) | |
Produced by | |||
| Chris Brigham | .... | co-producer | |
| Jake Eberts | .... | producer | |
| Michael Nozik | .... | producer | |
| Robert Redford | .... | producer | |
| Joseph P. Reidy | .... | co-producer (as Joseph Reidy) | |
| Karen Tenkhoff | .... | executive producer | |
Original Music by | |||
| Rachel Portman | |||
Cinematography by | |||
| Michael Ballhaus | (director of photography) | ||
Film Editing by | |||
| Hank Corwin | |||
Production Design by | |||
| Stuart Craig | |||
Art Direction by | |||
| Angelo P. Graham | |||
| W. Steven Graham | |||
Set Decoration by | |||
| Jim Erickson | |||
| Michael Seirton | |||
Costume Design by | |||
| Judianna Makovsky | |||
Makeup Department | |||
| Pierce Austin | .... | hair stylist | |
| Wayne Herndon | .... | hair stylist: Charlize Theron | |
| Linda Kamp | .... | background makeup supervisor | |
| Deborah K. Larsen | .... | makeup artist: Charlize Theron | |
| Dennis Liddiard | .... | makeup artist | |
| Gary Liddiard | .... | head makeup artist | |
| Diane Maurno | .... | makeup artist | |
| Bunny Parker | .... | head hair stylist | |
| Betty Lou Skinner | .... | hair stylist | |
| Kathe Swanson | .... | hair stylist | |
| Chris Varosky | .... | makeup artist | |
| Beka Wilson | .... | assistant hair stylist (uncredited) | |
Production Management | |||
| Denise Pinckley | .... | production manager | |
| Michael Stricks | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Anne Carroll | .... | dga trainee | |
| Douglas Plasse | .... | assistant director | |
| Joseph P. Reidy | .... | first assistant director | |
| Chris Surgent | .... | assistant director | |
Sound Department | |||
| Michael Axinn | .... | foley editor | |
| Jessica Bellfort | .... | assistant adr editor | |
| Steve Bowerman | .... | boom operator | |
| Lindakay Brown | .... | dialogue editor | |
| Mick Davies | .... | utility sound | |
| Tony Eckert | .... | foley mixer | |
| Sean England | .... | machine room operator | |
| Andre Fenley | .... | supervising assistant sound editor | |
| Richard Hymns | .... | supervising sound editor | |
| Peter F. Kurland | .... | production sound mixer | |
| Frank 'Pepe' Merel | .... | foley recordist (as Frank Merel) | |
| Shannon Mills | .... | assistant sound designer | |
| Shannon Mills | .... | sound effects editor | |
| Richard Quinn | .... | dialogue editor | |
| Gary Rizzo | .... | additional sound re-recording mixer | |
| Gary Rydstrom | .... | sound designer | |
| Gary Rydstrom | .... | sound re-recording mixer | |
| Gary Rydstrom | .... | supervising sound editor | |
| Susan Sanford | .... | foley editor | |
| Gary Summers | .... | sound re-recording mixer | |
| Dennie Thorpe | .... | foley artist | |
| Ethan Van der Ryn | .... | sound effects editor | |
| Doug Winningham | .... | assistant sound effects editor | |
| Mary Works | .... | assistant dialogue editor | |
| Gwendolyn Yates Whittle | .... | adr supervisor | |
| Jennifer Barin | .... | sound re-recordist (uncredited) | |
| Brian Magerkurth | .... | machine room operator (uncredited) | |
| Juan Peralta | .... | digital sound mix technician (uncredited) | |
Special Effects by | |||
| Rodney M. Byrd | .... | special effects foreman | |
| Burt Dalton | .... | special effects coordinator | |
| G. Heath Hood | .... | special effects technician | |
Visual Effects by | |||
| Gianni Aliotti | .... | resource coordinator | |
| Michael A. Chang | .... | studio technical supervisor: PDI | |
| Richard Chuang | .... | visual effects supervisor | |
| Debbie Fought | .... | compositor: PDI | |
| Jonah Hall | .... | digital artist | |
| John Hanashiro | .... | visual effects editorial | |
| Albert Hastings | .... | digital artist: PDI | |
| Jason Heapy | .... | visual effects coordinator: PDI | |
| Les Hunter | .... | visual effects producer: PDI | |
| Mel Kangleon | .... | color grader: PDI | |
| Kat Kelly | .... | visual effects editorial | |
| Kristy King | .... | visual effects production assistant | |
| Michael Macias | .... | digital paint artist: PDI | |
| George Merkert | .... | visual effects executive producer | |
| Chris Milano | .... | production assistant: PDI | |
| Bertrand Ong | .... | animator: PDI | |
| Thomas Pushpathadam | .... | animator: PDI | |
| Federico Rivia | .... | digital effects artist | |
| Krzysztof Rostek | .... | animator: PDI | |
| Jeffrey Roth | .... | matte painter: PDI | |
| Greg Snyder | .... | visual effects editorial | |
| Alan Sonneman | .... | matte painter: PDI | |
| David Stephan | .... | storyboard artist | |
| Rahul Thakkar | .... | software development | |
| Chris Trimble | .... | digital compositor: PDI | |
| Mark R. Wilkins | .... | technical supervisor: PDI | |
| Erik Winquist | .... | digital artist: PDI | |
| Marlon Montgomery | .... | animation technology (uncredited) | |
| Stephen Sobisky | .... | virtual effects project manager (uncredited) | |
Stunts | |||
| Davis Bates | .... | stunts | |
| Scott Dale | .... | stunts | |
| Cal Johnson | .... | stunt double: Matt Damon | |
| Cal Johnson | .... | stunts | |
| Anderson Martin | .... | stunts | |
| Phil Neilson | .... | battlefield sequence coordinator | |
| Phil Neilson | .... | stunt coordinator | |
| Bill Scharpf | .... | stunts | |
| Todd Warren | .... | stunts | |
Camera and Electrical Department | |||
| Ismael Aranjo Jr. | .... | grip | |
| Florian Ballhaus | .... | camera operator | |
| Florian Ballhaus | .... | director of photography: second unit | |
| Derek Bruyere | .... | second assistant camera: "b" camera | |
| J. Patrick Daily | .... | key grip | |
| Lee Donaldson | .... | grip | |
| David James | .... | still photographer | |
| Thomas Lappin | .... | assistant camera | |
| Dwight Joseph Lavers | .... | dolly grip | |
| Michael McGuire | .... | rigging key grip | |
| Charlie McIntyre | .... | rigging gaffer (as Charles H. McIntyre III) | |
| Daniel P. Moore | .... | video operator | |
| Charles 'Chaz' Norcross | .... | electrician | |
| Andrew Rowlands | .... | camera operator | |
| Darrell B. Sheldon | .... | dolly grip: "b" camera | |
| Rob Springer | .... | epk camera operator | |
| Susan Starr | .... | assistant camera | |
| Phillip Todd | .... | additional assistant camera | |
| James R. Tynes | .... | chief lighting technician | |
| Tom Fendley | .... | electrician (uncredited) | |
| Jamie A. Marlowe | .... | assistant camera (uncredited) | |
Casting Department | |||
| Robin Carlan | .... | extras casting assistant | |
| Marty Cherrix | .... | extras casting associate (as Marty Keener Cherrix) | |
| Michael Hothorn | .... | casting assistant | |
| Kim McCray | .... | extras casting assistant | |
| Kim Petrosky | .... | extras casting | |
| Manny Poulos | .... | casting associate | |
| Terri Taylor | .... | casting associate | |
| Matt Woodard | .... | extras casting assistant | |
| Debra Zane | .... | casting | |
Costume and Wardrobe Department | |||
| Cynthia Black | .... | costumer | |
| Layne Brightwell | .... | key costumer | |
| David Butler | .... | costume production assistant | |
| Celeste Cleveland | .... | tailor | |
| Kate Edwards | .... | key costumer | |
| Julian J. Filiberti | .... | set costumer | |
| K. Drew Fuller | .... | costumer | |
| Dorothy Masters | .... | stitcher | |
| Janet Melody | .... | seamstress | |
| Barnaby Smith | .... | key set costumer | |
Editorial Department | |||
| Sam Adelman | .... | assistant editor | |
| Liza D. Espinas | .... | associate editor (as Liza Espinas) | |
| Dale E. Grahn | .... | color timer | |
| Thomas M. Harrigan | .... | assistant editor | |
| Anthony L. Jamison | .... | assistant editor | |
| Carter Reedy | .... | assistant editor | |
| Yvonne Valdez | .... | first assistant editor | |
Music Department | |||
| Bill Abbott | .... | music editor | |
| Jeff Atmajian | .... | orchestrator | |
| Barney Bigard | .... | composer: song "Mood Indigo" | |
| John Bissell | .... | music supervisor | |
| Andrew Crowley | .... | musician: trumpet | |
| George Hamer | .... | music contractor | |
| Todd Homme | .... | executive in charge of music | |
| Lesley Langs | .... | assistant music editor (as Leslie Langs) | |
| Denise Okimoto | .... | assistant music editor | |
| Rachel Portman | .... | orchestrator | |
| David Snell | .... | conductor | |
| Tony Stanton | .... | music copyist | |
| Clarence Williams | .... | composer: song "E Flat Blues" | |
Transportation Department | |||
| Robert Buckman | .... | transportation coordinator | |
| Michael Hyde | .... | transportation coordinator | |
| Robert 'Bull' Maher | .... | driver | |
| Ken Nevin | .... | transportation co-captain (as Ray Nevin) | |
| Mike Robinson | .... | special driver | |
| Hank Van Apeldoorn | .... | driver | |
| Susan Van Apeldoorn | .... | transportation | |
Thanks | |||
| James Redford | .... | thanks | |
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It has been a long time since I have enjoyed a movie as much as I did this one. We all watch movies for a lot of reasons besides the obvious reason of "entertainment." While THE LEGEND OF BAGGER VANCE does it in a most charming and entertaining way it is all about Redemption. Each of us faces adversity in our daily life and how we face it marks the quality of the life that we live. Junuh has faced personal demons for more than ten years since he fought in WW I. The "Loss of his swing" is more than an athletic loss that he refers to. He has lost his faith in himself and his ability to face life after his return from the war.
The role of Bagger Vance, ably played by Will Smith, was not as God like as the character described by Steven Pressfield in his book from which this film was adapted. In the movie Vance had the ability to help people think beyond the obvious and to reach back for something special. In Junuh he helps reinstill a personal belief and an appreciation of life. In the Pressfield book, Vance WAS a God.
All of the roles were well played and the young boy playing Lemmon in his youth stole the show. It was also good to see Jack Lemmon in his final movie role. I thought it was an interesting coincidence that Lemmon's final role was in a mystical movie just as Burt Lancaster's was in THE FIELD OF DREAMS. The score was also especially moving and the music fit the movie to a "T." This is a different kind of movie but still qualifies as a "feel good" movie. We don't always have an opportunity to go back and take a second stab at life and that is the beauty of this movie.
It is a wonderful thing to be able to go back and make amends for mistakes we have made in our lives and to come out on the other side as a better person. That is what Junuh was able to achieve and that made me feel very good when the credits rolled. For those of you who thought this was a golfing movie that is not the case. It is a movie about life and the chance to make a fresh start which is always important for those who struggle to overcome adversity.