Thirteen Days (2000)

Director:

Roger Donaldson

Writers (WGA):

David Self (written by)
Ernest R. May (book) ...

Release Date:

12 January 2001 (USA)

Genre:

Drama | History | Thriller

Tagline:

You'll Never Believe How Close We Came

Plot:

The film is set during the two-week Cuban missile crisis in October of 1962, and it centers on how President John F. Kennedy, Attorney General Robert Kennedy, and others handled the explosive situation.

Plot Keywords:

Missile | Cuba | 1962 | Blockade | Soviet Union

Awards:

3 wins & 7 nominations

Cast

Shawn Driscoll	...	U-2 Pilot
Kevin Costner	...	Kenny O'Donnell
Drake Cook	...	Mark O'Donnell
Lucinda Jenney	...	Helen O'Donnell
Caitlin Wachs	...	Kathy O'Donnell
Jon Foster	...	Kenny O'Donnell, Jr.
Matthew Dunn	...	Kevin O'Donnell
Kevin O'Donnell	...	NPIC Photo Interpreter
Janet Coleman	...	Evelyn Lincoln
Bruce Thomas	...	Floyd
Stephanie Romanov	...	Jacqueline Kennedy
Bruce Greenwood	...	John F. Kennedy
Frank Wood	...	McGeorge Bundy
Dakin Matthews	...	Arthur Lundahl
Liz Sinclair	...	Kenny's Assistant #1

Also Known As:

13 Days (USA) (alternative spelling)
Thirteen Days (USA)

MPAA:

Rated PG-13 for brief strong language.

Runtime:

145 min

Country:

USA

Language:

English | Russian

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

New Zealand:M | Iceland:L | Philippines:PG-13 | South Korea:12 (DVD rating) | South Korea:All | Netherlands:6 (DVD rating) | Argentina:13 | Australia:M | Canada:PG | Chile:14 | Denmark:7 | Finland:K-11 | France:U | Germany:12 | Hong Kong:IIA | Netherlands:AL | Norway:11 | Portugal:M/12 | Spain:7 | Sweden:7 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:12 | USA:PG-13 | Singapore:PG

Filming Locations:

Glendale, California, USA

Company:

New Line Cinema

Trivia:

According to the film maker commentary, Bruce Greenwood and 'Steven Culp', who portray John F. Kennedy and Robert F. Kennedy, respectively, would engage each other in arguments off screen in their Kennedy personas to help keep in character.

Goofs:

Factual errors: Although the name of Chicago Mayor Richard J. Daley is properly spelled in a prop banner during the film, he is referred to as Mayor "Daly" in the closing credits.

Quotes:

Kenny O'Donnell: [about journalist who says Ortsac - Castro spelt backwards - is a military action] Kinda simple for the Pentagon.

Movie Connections:

Referenced in "The Sopranos: Pine Barrens (#3.11)" (2001)

Soundtrack:

Yellow Rose Of Texas

Thrilling Examination Of A Tense Moment In History

The fact of JFK's assassination, and especially the highly mysterious circumstances surrounding it, has resulted in a very distinct historical niche being carved around him. However, the majority of written examinations have concerned his assassination. The man's presidency, short though it was, was fraught with fascinating events and, both in literature and in film, they remain frustratingly under-examined. Which is why "Thirteen Days" is such a treat.

What the film essentially does is offer us a clearly partly-fictionalised but fairly true to the events account of the thirteen days of the Cuban Missile Crisis in 1962. It's a fascinating close-up on a fascinating man, who might have been a truly great president if he had gotten a proper chance. Of course, the filmic portrayal of JFK may be just a tad overly sympathetic, and the treatment of the military a tad overly harsh, and the importance of Kenny O'Donnell, played by Kevin Costner, is probably exaggerated, but these are minor quibbles. What this film really does is show us just how complicated and multi-faceted was the problem of Russian nuclear missiles being installed in Cuba. Not only did the president have to face the dim and distant threat of a faceless Russian bureaucracy, he had to deal with the multiple and conflicting options constantly being advanced to him, the dangers posed by certain special interests in military and intelligence and the popular opinion of the American people. The repercussions of any number of different courses of action were almost unthinkable. Tilting the hand seemingly in the American favour in one place, say in Cuba, would destabilise another danger zone, such as Berlin. Despite the fact that we all know how the events played out in the end, it can't be denied that this film keeps adding to the tension constantly, occasionally letting off a little and then piling on a whole lot more. It's a wonderful portrayal.

At its core, however, the film is an intelligent study of the ultimately paralysing effects of power, and the stark horror of mutual destruction as made possible by the harnessing of atomic power. The discovery of nuclear fission reactions has forever changed the face of warfare, because there now exists an ultimate solution so terrible it is almost beyond contemplation. In the comparatively safer times in which we now live, it is easy to forget how possible, perhaps even likely, the threat of nuclear war. America was then, and remains now, the most powerful nation on the planet, and yet a single wrong move could have ended all that, and at the cost of millions of innocent lives. Bearing the weight of decisions which could cost so much must have been a horrible burden to Kennedy, and, if nothing else, we should thank our lucky stars that he didn't buckle under the multifarious pressures placed on him. This film is a tribute to reason over hotheadedness, and peace over war. We should not forget the lessons that time has to impart, and if this represents a way to remember, then everyone ought to watch it.