| Jean-Marc Barr | ... | Captain Jacques de Keroual de Saint-Yves | |
| Miranda Richardson | ... | Susan Gilchrist | |
| Richard E. Grant | ... | Major Farquhar Chevening | |
| Anna Friel | ... | Flora Gilchrist | |
| Michael Gough | ... | Comte de Saint-Yves | |
| Cécile Pallas | ... | Mathilde | |
| Jason Isaacs | ... | Alain de Keroual de Saint-Yves | |
| Vernon Dobtcheff | ... | Bonnefoy | |
| Tim Dutton | ... | François | |
| Barney Craig | ... | Linlithgow | |
| Desmond Barrit | ... | Biggerstaff | |
| Patrice Melennec | ... | Couperin | |
| Adrian Scarborough | ... | Le Bon | |
| Chris McHallem | ... | Gautier (as Christopher McHallem) | |
| Enda Oates | ... | Duelling Office | |
| Eileen McCloskey | ... | Prostitute | |
| Noel O'Donovan | ... | Sim | |
| Ger Carey | ... | Captaine | |
| Mario Rosenstock | ... | Captaine | |
| Donncha Crowley | ... | Captaine | |
| Jonathan Cavendish | ... | Johnny Elfinstone | |
| Nathaniel Duncan | ... | British Soldier | |
| Mal Whyte | ... | Minister | |
| Fraser Cains | ... | Batman | |
| Alistair Findlay | ... | Officer | |
| Joe Gallagher | ... | Scots Guard | |
| Leann Gordan | ... | Young Flower Girl | |
| David Heap | ... | Clausel | |
| Jimmy Keogh | ... | Jean | |
| Brian de Salvo | ... | Attendant | |
| Daniel André Pageon | ... | Theatre Manager | |
| Oliver Byles | ... | Young St. Ives | |
| Charlie Byles | ... | Young Alain | |
| Anna-Marie Bisset | ... | St. Ives' Mother | |
| Dominic Harvey | ... | St. Ives' Father | |
| Louis Roden | |||
| Ken Rice | |||
| Tom Kane | (as Tommy Kane) | ||
| John O'Kane | |||
| rest of cast listed alphabetically: | |||
| Wesley Murphy | ... | Byfield (uncredited) | |
| Gerry O'Brien | ... | Coachman (uncredited) | |
Directed by | |||
| Harry Hook | |||
Writing credits(in alphabetical order) | ||
| Allan Cubitt | writer | |
| Robert Louis Stevenson | short story "St. Ives" | |
Produced by | |||
| Jonathan Cavendish | .... | producer | |
| T. Celal | .... | co-producer | |
| Ralph Kamp | .... | executive producer | |
| Jean Labib | .... | co-producer | |
| James Mitchell | .... | producer | |
| Martha O'Neill | .... | co-producer | |
| Christine Ruppert | .... | co-producer | |
| David M. Thompson | .... | executive producer: BBC | |
| Paul Tucker | .... | executive producer | |
Original Music by | |||
| John E. Keane | (as John Keane) | ||
Cinematography by | |||
| Robert Alazraki | |||
Film Editing by | |||
| John MacDonnell | |||
Casting by | |||
| Michelle Guish | |||
Production Design by | |||
| Rob Harris | |||
Art Direction by | |||
| Anna Rackard | |||
Set Decoration by | |||
| Tina Jones | |||
Costume Design by | |||
| Susannah Buxton | |||
Makeup Department | |||
| Anja Dehn | .... | assistant hair stylist: Germany | |
| Anja Dehn | .... | assistant makeup artist: Germany | |
| Carole Dunne | .... | hair stylist | |
| Manuela Franke | .... | assistant hair stylist: Germany | |
| Manuela Franke | .... | assistant makeup artist: Germany | |
| Sandra Kelly | .... | assistant hair stylist | |
| Ailbhe Lemass | .... | makeup artist | |
| Sarah Monzani | .... | hair designer | |
| Sarah Monzani | .... | makeup designer | |
| Louise Myler | .... | makeup artist | |
| Christina Paul | .... | hair stylist: Germany | |
| Christina Paul | .... | makeup artist: Germany | |
| Isolde Pisot | .... | assistant hair stylist: Germany | |
| Isolde Pisot | .... | assistant makeup artist: Germany | |
| Uschi Schmalenbach | .... | assistant hair stylist: Germany | |
| Uschi Schmalenbach | .... | assistant makeup artist: Germany | |
| Kelly Tuohy | .... | assistant makeup artist: UK | |
Art Department | |||
| Tommy Bassett | .... | construction manager | |
| Graeme Bird | .... | art department trainee | |
| Colman Corish | .... | assistant art director | |
| Cathy Cosgrove | .... | production buyer | |
| Derek Drew | .... | stand-by carpenter | |
| Gerry Drew | .... | supervising carpenter | |
| John Fitzgerald | .... | stagehand | |
| Ulrike Gojowczyk | .... | set dresser: Germany | |
| Wolfgang Gosberg | .... | carpenter: Germany | |
| Martin Gray | .... | stagehand | |
| Paul Hedges | .... | property master | |
| Eamonn Hill | .... | carpenter (as Eamon Hill) | |
| Katherine Hooker | .... | art director: UK | |
| Jimmy Irwin | .... | plasterer (as James Irwin) | |
| Jason Kelly | .... | stand-by stagehand | |
| Martin Kelly | .... | dressing props | |
| Seamus Kelly | .... | dressing props | |
| Rolf Köhler | .... | props buyer: Germany | |
| Tom Lundy | .... | stand-by painter (as Tom Lundy Jr.) | |
| Eva Müller | .... | props: Germany | |
| John Nelligan | .... | stand-by props trainee | |
| Tony Nicholson | .... | chargehand dressing props (as Anthony Nicholson) | |
| Des O'Neill | .... | plasterer | |
| Irina Pawassar | .... | stand-by props | |
| Richard Phelan | .... | carpenter | |
| John Rawsthorn | .... | painter: Germany | |
| Philip Richardson | .... | dressing props (as Phillip Richardson) | |
| Alexander Scherer | .... | art director: Germany | |
| Nick Walker | .... | prop man: UK | |
| Boris Bartholomäus | .... | carpenter (uncredited) | |
| Mario Matic | .... | carpenter (uncredited) | |
| Britta Sassmannshausen | .... | painter (uncredited) | |
Sound Department | |||
| Nick Berry | .... | additional sound editor | |
| Paul Conway | .... | adr editor | |
| Tony Curran | .... | sound transfer | |
| Anthony Faust | .... | additional sound editor | |
| Michael Feinberg | .... | foley editor (as Mike Feinberg) | |
| Richard Fettes | .... | sound effects editor | |
| Steve Hancock | .... | sound camera operator | |
| David Harris | .... | sound trainee | |
| Stefan Henrix | .... | supervising sound editor | |
| Maurice Hillier | .... | sound recordist: UK | |
| Hector Rogers | .... | sound transfer | |
| Liam Ryan | .... | boom operator: UK | |
| Peter Slater | .... | boom operator | |
| Hugh Strain | .... | dubbing mixer | |
| Simon J. Willis | .... | sound mixer | |
Special Effects by | |||
| Brendan Byrne | .... | special effects supervisor: Team FX Ltd. | |
Visual Effects by | |||
| Peter Govey | .... | opticals | |
Stunts | |||
| Terry Walsh | .... | fight coordinator | |
| Steve Whyment | .... | fight coordinator | |
| Philippe Zone | .... | stunt coordinator | |
| Donal O'Farrell | .... | stunts (uncredited) | |
Casting Department | |||
| Françoise Menidrey | .... | casting: France | |
| Frank Moiselle | .... | casting: Ireland | |
Costume and Wardrobe Department | |||
| Liza Bracey | .... | wardrobe assistant | |
| Alison Byrne | .... | wardrobe supervisor (as Allison Byrne) | |
| Jill Graves Power | .... | wardrobe trainee (as Jill Graves Bower) | |
| Henrike Luz | .... | wardrobe supervisor: Germany | |
| Andrea Metzger | .... | wardrobe assistant: Germany | |
| Tessa Murray | .... | assistant costume designer | |
| Almuth Wolf | .... | wardrobe assistant: Germany | |
Editorial Department | |||
| Stuart Davies | .... | second assistant editor | |
| Adam Masters | .... | first assistant editor | |
| Mike Stainer | .... | color grader | |
| Adrian Trent | .... | first assistant editor | |
Music Department | |||
| Alastair Blayden | .... | musician: cello, The London Pops Orchestra, United Kingdom unit | |
| Carlos Bonell | .... | musician: guitar, The London Pops Orchestra, United Kingdom unit | |
| Roz Colls | .... | music clearances: United Kingdom unit | |
| Catherine Manson | .... | musician: violin, The London Pops Orchestra, United Kingdom unit | |
| Krysia Osostowicz | .... | musician: violin, The London Pops Orchestra, United Kingdom unit | |
| Steve Price | .... | music mixer: UK | |
Transportation Department | |||
| Gerard Cunningham | .... | unit driver | |
| John Douglas | .... | driver: camera car | |
| Peadar Gaffney | .... | transportation supervisor | |
| Hermann Graf Hatzfeld | .... | driver: props car, Germany | |
| Willie Kelly | .... | driver: makeup bus | |
| Mark Laidlaw | .... | driver: generator car, UK | |
| David Lawlor | .... | driver: honeywagon | |
| Howard Lee | .... | driver: camera car, UK | |
| Denis Luby | .... | facilities driver | |
| Denis Minogue | .... | driver: dining bus | |
| Christian Neu | .... | unit driver: Germany | |
| Jörg Peter | .... | unit driver: Germany | |
| Hans-Werner Seehafer | .... | driver: props car, Germany | |
| Pat Smallwood | .... | driver: wardrobe truck | |
| Pat Tipper | .... | driver: minibus | |
| Holger Trappe | .... | unit driver: Germany | |
| Manuela Vogt | .... | unit driver: Germany | |
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First of all, 'St. Ives' the film is only fairly loosely based on the Robert Louis Stevenson story of the same name, but for once, this is not a criticism. The original novel was a work-in-progress, unfinished at the author's death, and in freely adapting it and giving it an ending, the film-makers have brought to life some endearing characters who, although different from Stevenson's originals, would, I am sure, have charmed and amused him.
It is 1813: Capitaine Jacques de Kéroual de Saint-Yves is a Breton aristocrat, orphaned by the Revolution's guillotine, now serving as a hussar in Napoleon's army. We meet him going out for the evening, claiming that since a hussar who is not dead by 30 is "a blackguard", he, at 34, is now "on borrowed time"! Certainly, as he faces a string of challenges to duels, our dashing hero seems in danger, but a surreal prank on his Colonel provides him a way out of the duels and into the bed of a beautiful courtesan/singer. Unfortunately, it also results in losing his commission... Further misadventures result in him being taken prisoner by the British, and sent to a POW camp in a Scottish castle.
While carving toys and boxes, Jacques catches the attention of Flora, the young niece of Miss Susan Gilchrist, a well-travelled woman of the world who lives at Swanston Cottage. They fall in love, and most of the story concerns Flora helping Jacques to escape and to find his emigré grandfather, the old Comte. Of course, there is a problem. Jacques' older brother, Alain, a dissolute alcoholic, is - perhaps understandably - far from pleased when Grandfather disinherits him in front of the whole household, the very instant that Jacques has appeared... Cue treachery! There is also an entertaining subplot of the romance between the awkward, naïf but good-hearted Major Farquhar Chevening and Aunt Susan, who has travelled through most of the Ottoman Empire and been a prisoner of the Turks.
Even allowing for a natural prejudice in favour of any film in which the heroines share my surname, 'St. Ives' is magic! It combines splendidly swashbuckling swordfights, a balloon-flight, comedy and romantic adventure. I would recommend it to anyone who loves 'the kind of film they don't make anymore' - Fairbanks, Colman, Flynn, & co. The acting is splendid. Anna Friel makes Flora a spirited and appealing heroine, and Jean-Marc Barr is delightful as Jacques, a genuinely lovable hero. Miranda Richardson and Richard E. Grant are already great favourites of mine, and have great fun as Susan and Farquhar, whose relationship runs as a comic counterpoint to that of the leads. As the rakish, scheming, but ultimately tragic Alain, Jason Isaacs shows, as he did more recently in 'The Patriot', that he has the classic swashbuckling style, besides the dashing good looks! Please, please will someone cast him as a *hero* in the genre?!!!
My main quibbles with the film concern settings and costumes. In the book, the castle in which Jacques is a prisoner is clearly Edinburgh, but the film, shot in Ireland, Germany and France has 'Highlandised' the setting, making the retention of place names such as Swanston, Inveresk and Queensferry decidedly incongruous. The costumes too are a real hotch-potch, from 1780s through to the period in which it is set. While this would not be implausible with more down-market characters "making do", it seems odd for well-to-do ladies such as the heroines to be wearing 1780s gowns in 1813. Clearly, the costuming decision was æsthetic: these earlier styles are visually far more appealing and elegant than Regency fashions, and they work in the idealised world of the film. As a whole, 'St. Ives' is 90 minutes of pure delight.