Early in 1953, the "art theater" in the north end of Columbus, Ohio, as movie houses specializing in British and other import films were known at the time, announced that it would no longer charge admission, thus avoiding payment of the admissions tax. They hoped to attract enough customers to keep them in business on sales of popcorn and sodas. I don't know how this worked out because my family moved from Columbus before we had an opportunity to try out the new plan.
The movie is deliciously amateurish in its presentation, all the "witnesses" being theater operators or local business people affected by theater closings, not actors. Even the principal narrator is a representative of an exhibitors' trade association.
The statistics are shocking, but gloss over the effects of the infant television industry -- which is mentioned without much emphasis -- and other social changes occurring in the nation at the time, blaming all the problems on the abominable tax.
It's a really well done little propaganda piece, and especially interesting in the present era of the huge multi-screen movie complexes that have sprung up in shopping malls and as free-standing installations in the last 30 years or so. Virtually all the neighborhood houses and a large portion of the downtown theaters are gone, but we now have more "screens" than ever. (And less that's worth watching -- but that's another subject.)
The movie is deliciously amateurish in its presentation, all the "witnesses" being theater operators or local business people affected by theater closings, not actors. Even the principal narrator is a representative of an exhibitors' trade association.
The statistics are shocking, but gloss over the effects of the infant television industry -- which is mentioned without much emphasis -- and other social changes occurring in the nation at the time, blaming all the problems on the abominable tax.
It's a really well done little propaganda piece, and especially interesting in the present era of the huge multi-screen movie complexes that have sprung up in shopping malls and as free-standing installations in the last 30 years or so. Virtually all the neighborhood houses and a large portion of the downtown theaters are gone, but we now have more "screens" than ever. (And less that's worth watching -- but that's another subject.)