| Photos (see all 25 | slideshow) | Videos |
| Glenn Close | ... | Camille Dixon | |
| Julianne Moore | ... | Cora Duvall | |
| Liv Tyler | ... | Emma Duvall | |
| Chris O'Donnell | ... | Jason Brown | |
| Charles S. Dutton | ... | Willis Richland | |
| Patricia Neal | ... | Jewel Mae 'Cookie' Orcutt | |
| Ned Beatty | ... | Lester Boyle | |
| Courtney B. Vance | ... | Otis Tucker | |
| Donald Moffat | ... | Jack Palmer | |
| Lyle Lovett | ... | Manny Hood | |
| Danny Darst | ... | Billy Cox | |
| Matt Malloy | ... | Eddie 'The Expert' Pitts | |
| Randle Mell | ... | Patrick Freeman | |
| Niecy Nash | ... | Wanda Carter | |
| Rufus Thomas | ... | Theo Johnson | |
| Ruby Wilson | ... | Josie Martin | |
| Preston Strobel | ... | Ronnie Freeman | |
| Ann Whitfield | ... | Mrs. Henderson / Herodias | |
| Hank Worsham | ... | Tigellinus | |
| Kenny Pillow | ... | Soldier #1 | |
| Derek Guyer | ... | Soldier #2 | |
| Emily Sindelar | ... | Marlene | |
| Heath Lail | ... | Prop Boy | |
| Shari Schneider | ... | Mrs. Tippit | |
| John M. Sullivan II | ... | Mr. Tippit (as John Sullivan) | |
| Red West | ... | Mr. Henderson | |
| Ferguson Reid | ... | Deputy | |
| Christopher Coulson | ... | Deputy (as Chris Coulson) | |
| Cheryl Cole | ... | Picnic Lady | |
| Fred Sanders | ... | Guitarist | |
| Jimmy Ellis | ... | Drummer | |
| Solomon McDaniel | ... | Keyboardist | |
| Terris Tate | ... | Bass Guitarist | |
| rest of cast listed alphabetically: | |||
| John Lomenick | ... | Boy in Baseball Cap (uncredited) | |
Directed by | |||
| Robert Altman | |||
Writing credits(WGA) | ||
| Anne Rapp | (written by) | |
Produced by | |||
| Robert Altman | .... | producer | |
| Willi Bär | .... | executive producer (as Willi Baer) | |
| David Levy | .... | co-producer | |
| James McLindon | .... | co-producer | |
| Ernst Etchie Stroh | .... | producer (as Etchie Stroh) | |
Original Music by | |||
| David A. Stewart | |||
Cinematography by | |||
| Toyomichi Kurita | (director of photography) | ||
Film Editing by | |||
| Abraham Lim | |||
Casting by | |||
| Pam Dixon | (as Pam Dixon Mickelson) | ||
Production Design by | |||
| Stephen Altman | |||
Art Direction by | |||
| Richard L. Johnson | (as Richard Johnson) | ||
Set Decoration by | |||
| Susan Emshwiller | (as Susan J. Emshwiller) | ||
Makeup Department | |||
| Susan Buffington | .... | assistant hair stylist | |
| Martial Corneville | .... | key hair stylist | |
| Linda Melazzo | .... | makeup artist | |
| Manlio Rocchetti | .... | key makeup artist | |
| Aldo Signoretti | .... | wig designer | |
| Gloria Belz | .... | makeup artist (uncredited) | |
Production Management | |||
| Barbara A. Hall | .... | unit production manager | |
Art Department | |||
| Kevin Bakeksdale | .... | laborer | |
| Louis Bernard | .... | painter | |
| Sean Bernard | .... | paint foreman | |
| Chris Coulson | .... | lead man | |
| Steven T. Duke | .... | swing gang | |
| 'Turk' Edwards | .... | swing gang | |
| Terry Hopkins | .... | propmaker | |
| Dedrick Lesure | .... | laborer | |
| Anthony Maccario | .... | property master | |
| James Passanante | .... | construction coordinator | |
| Steve Powers | .... | propmaker | |
| Douglas Roberts | .... | propmaker | |
| Robert Shelby | .... | propmaker | |
| Phillip Thoman | .... | on-set dresser | |
| Kristin Webb | .... | art department coordinator | |
| Bruce White | .... | swing gang | |
Special Effects by | |||
| Thomas Kittle | .... | special effects coordinator | |
| Ken Gorrell | .... | special effects (uncredited) | |
Visual Effects by | |||
| Steven Fagerquist | .... | digital effects artist (uncredited) | |
Casting Department | |||
| Barbara Allen | .... | casting associate | |
Costume and Wardrobe Department | |||
| Dona Granata | .... | costumes | |
| Mitzi Haralson | .... | set costumer | |
| Susan Kaufmann | .... | costume supervisor | |
| Michele Kohnhorst | .... | costume assistant | |
| Earlene Naylor | .... | seamstress | |
Editorial Department | |||
| Susan Fitzer | .... | assistant editor | |
| Melisa Kashiwahara | .... | apprentice editor | |
| Christine Lee | .... | assistant editor (as C.Y. Lee) | |
| Dan Muscarella | .... | color timer | |
| Tyson Sawyer | .... | post-production assistant | |
Music Department | |||
| Helena Lea | .... | music editor | |
| Stephen McLaughlin | .... | music producer: Gohl McLaughlin Prods. | |
| Chucho Merchan | .... | musician: double bass | |
| Patrick Seymour | .... | musician: harmonium | |
| David A. Stewart | .... | musician: guitar | |
| The Edge | .... | musician: guitar | |
Transportation Department | |||
| Debra Baker | .... | driver | |
| Russell Davis | .... | driver | |
| Roy A. Grace | .... | driver (as Roy Grace) | |
| Jerry Jackson | .... | driver | |
| Skip Long | .... | driver | |
| Steve Moffit | .... | driver (as Steve Moffitt) | |
| Tom Moore | .... | transportation captain | |
| Carole Nance | .... | driver | |
| Ken Nevin | .... | driver (as Ken Nevin Jr.) | |
| Ken Nevin | .... | transportation co-captain (as Ray Nevin) | |
| Billy Parker | .... | driver | |
| Bill Pitts | .... | transportation coordinator | |
Thanks | |||
| Wren Arthur | .... | special thanks: Sandcastle 5 Productions | |
| Joshua Astrachan | .... | special thanks: Sandcastle 5 Productions | |
| Brad Athey | .... | special thanks | |
| Frederick Bakey | .... | special thanks | |
| Jon Beatty | .... | special thanks | |
| Tom Boone | .... | special thanks: director, Holly Springs Utility Department | |
| Vicki Bowlin | .... | special thanks: Bell South | |
| Suzanne Calvert | .... | special thanks | |
| May Chan | .... | special thanks | |
| Hal Cohen | .... | special thanks | |
| John Paul Daniel | .... | special thanks | |
| Marilyn Deighton | .... | special thanks: costume department, Mississippi State University | |
| James Q. Dickerson | .... | special thanks: district engineer, Mississippi Department of Transportation | |
| Kenneth A. Dickerson | .... | special thanks: sheriff, Marshall County Sheriff's Office | |
| Kenneth Dixon | .... | special thanks | |
| Michael Drucker | .... | special thanks: associate council, Collegiate Licensing Company | |
| Ward Emling | .... | special thanks: director, Department of Economic and Community Development, Mississippi Film Office | |
| Bert Foregger | .... | special thanks: University of Mississippi | |
| Peter Graham | .... | special thanks | |
| Bea Green | .... | special thanks: First State Bank of Holly Springs | |
| Eileen Gregory | .... | special thanks | |
| Kenneth L. Holbrook | .... | special thanks: fire chief, Holly Springs Fire Department | |
| Heather Holst | .... | special thanks | |
| George Humphreys | .... | special thanks: superintendent, Holly Springs Utility Department | |
| Kate Jones | .... | special thanks | |
| Michael Kasher | .... | special thanks: Moonstone Entertainment | |
| Clint Mahle | .... | special thanks: University of Mississippi | |
| Greg Majerus | .... | special thanks: Moonstone Entertainment | |
| Laurie McBride | .... | special thanks | |
| Jean Miller | .... | special thanks: Moonstone Entertainment | |
| Mark Miller | .... | special thanks: Miller's Department Store | |
| Sherri Mills | .... | special thanks | |
| Ritchie Montgomery | .... | special thanks | |
| Marie S. Moore | .... | special thanks: Holly Springs Marshall County Film Commission | |
| Luz Moretti | .... | special thanks: Moonstone Entertainment | |
| Susan Muir | .... | special thanks | |
| Thomas Hal Phillips | .... | special thanks | |
| Gale Rice | .... | special thanks: Bell South | |
| Lauren Sanders | .... | special thanks: Moonstone Entertainment | |
| Leah Sanders | .... | special thanks: Moonstone Entertainment | |
| Diane Sellers | .... | special thanks | |
| Linn Sitler | .... | special thanks: director, Memphis & Shelby County Film, Tape and Music Office | |
| Eddie Lee Smith | .... | grateful acknowledgment: mayor of Holly Springs | |
| Sgt. Johnnie C. Smith | .... | special thanks: police coordinator, Holly Springs Police Department | |
| Danielle Sotet | .... | special thanks: Sandcastle 5 Productions | |
| Art Stribley | .... | special thanks (as Arthur Stribley) | |
| Yael Stroh | .... | special thanks: Moonstone Entertainment | |
| Janis Tingle | .... | special thanks: licensing manager, Mississippi State University | |
| Michael Toji | .... | special thanks: Moonstone Entertainment | |
| Chris Turner | .... | special thanks: National Cellular Rentals | |
| Jack West | .... | special thanks | |
| Dana Williams | .... | special thanks: Moonstone Entertainment | |
| Dr. Kenneth Williams | .... | special thanks | |
| Reverend R. Milton Winter | .... | special thanks: First Presbyterian Church of Holly Springs | |
| Brian Wong | .... | special thanks: The Travel Circuit | |
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| In the Heat of the Night | The Liberation of L.B. Jones | Intruder in the Dust | Big Fish | Romeo + Juliet |
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Cookie shoots herself. Glenn Close discovers the body and the suicide note. Being a theatrical director, she decides this will not do... She invents a scenario for how a burglar might have murdered her. What she didn't expect was for the police to find a suspect...
Everything just goes completely right in Cookie. The atmosphere really gels, the cast are cohesive, the plot situation is interesting and its subtextual implications on suicide is also fascinating. Its actually an Altman film you feel like delving into. The amateur production of Salome the community are putting on is one of his most interesting devices. It gets you thinking of rhythms that run through the film, of suicide and human existence.
Also, Glenn Close's being a theatrical director, and carrying those skills into everyday life, to fairly extreme measures in the film, is an interesting subtext - commenting on the director/author as God.
Altman's regular themes of the small town and the weather are here - the weather once again reminding us of a higher force we have no control over.
I thought it was a fascinating, enjoyable film. I laughed out loud many times - mainly at just fun little aspects of the characters. Which is why it was such a pleasant surprise that Cookie's Fortune was not only an enjoyable movie, its actually a really great one.
10/10. One of Altman's best, and my favourites so far.