Cure (1997)

User Rating:

7.4/10   

Director:

Kiyoshi Kurosawa

Writers:

Kiyoshi Kurosawa (novel)
Kiyoshi Kurosawa (screenplay)

Release Date:

8 July 2001 (USA)

Genre:

Crime | Horror | Thriller

Tagline:

Madness. Terror. Murder.

Plot:

A wave of gruesome murders is sweeping Tokyo. The only connection is a bloody X carved into the neck of each of the victims...

Plot Keywords:

Murder | Tokyo Japan | Philosophy | Mystic | Psychological Drama

Awards:

9 wins & 1 nomination

Cast

Kôji Yakusho	...	Kenichi Takabe
Masato Hagiwara	...	Kunio Mamiya
Tsuyoshi Ujiki	...	Makoto Sakuma
Anna Nakagawa	...	Fumie Takabe
Yoriko Douguchi	...	Dr. Akiko Miyajima
Yukijirô Hotaru	...	Ichiro Kuwano
Denden	...	Oida
Ren Ôsugi	...	Fujiwara
Masahiro Toda	...	Tôru Hanaoka
Misayo Haruki	...	Tomoko Hanaoka
Shun Nakayama	...	Kimura
Akira Otaka	...	Yasukawa
Shogo Suzuki	...	Tamura
Toshi Kato	...	Psychiatrist
Hajime Tanimoto	...	Takabe no shachô

Also Known As:

Cure (International: English title)
Kyua (Japan) (alternative title)
The Cure (UK)

Runtime:

111 min | Taiwan:115 min

Country:

Japan

Language:

Japanese

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Stereo

Certification:

France:-12 | South Korea:15 (DVD rating)

Company:

Code Red

Goofs:

Continuity: When the detective first goes to Mamiya's apartment, the landlord tells him he has not seen Mamiya for six months. Yet, when the detective enters the dark, long deserted apartment, the "lab" animals are still perfectly healthy. No explanation is offered as to how they survived with their owner gone for so long.

Movie Connections:

References The Silence of the Lambs (1991)

Remarkable Craft

This movie has a simple premise and a simple story that is nevertheless explored in an incredibly delicate and talented way. Kiyoshi Kurosawa is an extremely talented individual and perhaps the only writer/director who is able to simultaneously scare and mentally challenge me at the same time (note that very few are capable of doing one or the other). Although the writing is very good (story and dialogue), Kurosawa's real strength is his ability to represent visually the progressive denouement of his story. He rather subtly show you and let your imagination and intellect figure it out for you than to spell out bluntly what the straightforward storyline should be. It does not, however, get to the point of chaotic untidiness or pointlessness, for he is able to guide you slowly along the way (I would then say that he is slightly easier to follow than David Lynch is, but then again who is not). He uses here a strikingly effective technique where he shows you a room from one angle and later lets you discover that room more and more as the movie advances. His camera shots are always well planned and he is thus able to draw you in the movie bit by bit-quite an eerie sensation.

The acting is generally good and believable. The camera-work is a stand out.

There are many scenes where you will be able to appreciate this superior artistic and technical quality. The music is good and tenseful, but it is sparse and what is used instead is a contrast of minimalist and grossly amplified everyday sounds that vibrate through the movie. When there is no sound, you often find yourself holding your breath. This is not used strictly as a ploy, but rather creates a mood and further pulls you in the general atmosphere of the movie. Most of all, again, the directing is top notch. The pace which is slow enough for you to have the time to both think and be afraid is not slow enough that it gets boring, although you should not expect a North American expeditious run through the film. Everything is there, but it comes to you in slow, meticulously chosen dosage. Only, at the end can you truly see the masterpiece that has been drawn stroke by stroke in front of you.

One of the reason this movie actually works is that it is designed to play with your mind and trigger fear and reaction based not only on emotion, but on reason. People are dying, but everything is calm, rational. The tone and story are pretty much realistic and, at the end of the experience, you may feel beyond your volitional control that you are actually convinced of the "strange" things in the movie. Hopefully this feeling will subside...