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André Bijelic (written by) &
Vincenzo Natali (written by) ...
(more)
11 July 1998 (Netherlands) more
Fear... Paranoia... Suspicion... Desperation more
7 complete strangers of widely varying personality characteristics are involuntarily placed in an endless kafkaesque maze containing deadly traps. full summary | full synopsis
13 wins & 6 nominations more
New Clip and Hi-Res Image from ‘Splice’
(From Screen Rant. 15 October 2009, 9:32 AM, PDT)
Sitges '09: My Sitges Story - Part 4
(From Fangoria. 9 October 2009, 11:26 AM, PDT)
You ever get stuck in an elevator? Multiply that emotion by 1,000 more (618 total)
| Nicole de Boer | ... | Leaven | |
| Nicky Guadagni | ... | Holloway | |
| David Hewlett | ... | Worth | |
| Andrew Miller | ... | Kazan | |
| Julian Richings | ... | Alderson | |
| Wayne Robson | ... | Rennes | |
| Maurice Dean Wint | ... | Quentin |
Directed by | |||
| Vincenzo Natali | |||
Writing credits | ||
| André Bijelic | (written by) (as Andre Bijelic) & | |
| Vincenzo Natali | (written by) and | |
| Graeme Manson | (written by) | |
Produced by | |||
| Colin Brunton | .... | executive producer | |
| Mehra Meh | .... | producer | |
| Betty Orr | .... | producer | |
Original Music by | |||
| Mark Korven | |||
Cinematography by | |||
| Derek Rogers | |||
Film Editing by | |||
| John Sanders | |||
Production Design by | |||
| Jasna Stefanovic | |||
Art Direction by | |||
| Diana Magnus | |||
Costume Design by | |||
| Wendy May Moore | |||
Makeup Department | |||
| Susann Greenwood | .... | hair stylist | |
| Susann Greenwood | .... | makeup artist | |
| Louise Mackintosh | .... | hair designer | |
| Louise Mackintosh | .... | makeup designer | |
| Cheryl Ross | .... | hair consultant | |
| Patty White | .... | additional hair stylist | |
| Patty White | .... | additional makeup artist | |
Production Management | |||
| William Phillips | .... | post-production supervisor | |
| Norah Wakula | .... | production manager | |
Art Department | |||
| Gene Alexander | .... | property master | |
| Peter Atto | .... | art department assistant | |
| Luke Ballon | .... | daily carpenter | |
| John Cameron | .... | daily carpenter | |
| Bob Ceh | .... | scenic artist | |
| Mario D'Amaral | .... | art department assistant | |
| Darren Doyle | .... | art department assistant | |
| Mike Fearnall | .... | daily carpenter | |
| Brian Fowler | .... | head carpenter | |
| Lino Frutti | .... | daily carpenter | |
| Rod James | .... | daily carpenter | |
| Brian Jones | .... | daily carpenter | |
| Marty Kay | .... | daily carpenter | |
| Dana Kearns | .... | on-set props | |
| Jane Kim | .... | art department assistant | |
| Cheryl Ladrillo | .... | scenic artist | |
| Allan MacIssac | .... | daily carpenter | |
| Joe Madziak | .... | construction head (as Joe Madziuk) | |
| Raoul Martinez | .... | daily carpenter | |
| Anastasia Masaro | .... | assistant art director | |
| Evelyn Mitsou | .... | on-set props | |
| Sue Motahedin | .... | art department assistant | |
| Mark Newman | .... | art department assistant | |
| Jesse O'Connor | .... | daily carpenter | |
| Hubert Peddle | .... | first assistant carpenter | |
| John Rice | .... | daily carpenter | |
| Grant Rowland | .... | daily carpenter | |
| Andrew Rucklidge | .... | assistant art director | |
| Greg Sigurdson | .... | assistant art director | |
| Cathy Smith | .... | daily carpenter | |
| Doug Stensrud | .... | daily carpenter | |
| Susan Tanton | .... | scenic artist (as Susan E. Tanton) | |
| Stephen Willetts | .... | scenic artist (as Steve Willetts) | |
| Jamie Williamson | .... | art department assistant | |
Special Effects by | |||
| Russell Cate | .... | special makeup & physical effects: Caligari | |
| Louise Mackintosh | .... | special makeup & physical effects: Caligari | |
| Raymond Mackintosh | .... | special makeup & physical effects: Caligari (as Ray Mackintosh) | |
Visual Effects by | |||
| Lisa Bechard | .... | digital effects producer: C.O.R.E. | |
| Derek Grime | .... | digital artist: C.O.R.E. | |
| John Mariella | .... | digital effects director | |
| Moris Molino | .... | digital artist: C.O.R.E. | |
| Bob Munroe | .... | digital effects director | |
| Emily Roach | .... | digital animator: C.O.R.E. | |
| Costa Roussakis | .... | digital systems guy: C.O.R.E. | |
| Stephen Segal | .... | digital effects producer: C.O.R.E. | |
| Ralph Sevazlian | .... | digital artist: C.O.R.E. | |
| Brian A. Smeets | .... | digital artist: C.O.R.E. | |
| Claude Theriault | .... | digital paint artist: C.O.R.E. | |
| Yves Therrien | .... | digital animator: C.O.R.E. | |
| Tracey Vaz | .... | digital paint artist: C.O.R.E. | |
| David Willows | .... | digital artist: C.O.R.E. | |
| Dennis Berardi | .... | digital film technician (uncredited) | |
| Jamie Hallett | .... | optical cameraman (uncredited) | |
Stunts | |||
| Regan Moore | .... | stunt double | |
| Regan Moore | .... | stunt rigger | |
| John Stoneham Jr. | .... | stunt coordinator | |
| Rebecca Stoneham | .... | stunt double (as Rebecca Moore) | |
Casting Department | |||
| Deirdre Bowen | .... | casting consultant | |
Costume and Wardrobe Department | |||
| Tamara Rigby-Funke | .... | wardrobe mistress | |
| Madelaine Vieira | .... | wardrobe graphic designer | |
Editorial Department | |||
| Davina A. Bailey | .... | apprentice editor | |
| Elizabeth E. Bailey | .... | apprentice editor | |
| Jason PJ Deschamps | .... | apprentice editor | |
| Debbie Holland | .... | video colorist | |
| Chuck Kahn | .... | apprentice editor | |
| Frank Leone | .... | color timer | |
| Rob MacKinnon | .... | first assistant editor | |
| Mark Stokes | .... | second assistant editor | |
| Geoff Tunnard | .... | first assistant editor | |
| Wiebke von Carolsfeld | .... | associate editor | |
| Steve Weslak | .... | consulting film editor | |
| Catherine Rankin | .... | negative cutter (uncredited) | |
| Joanne Rourke | .... | colorist (uncredited) | |
Other crew | |||
| Dennis Angel | .... | title search and clearance: Joan Pearce Research Association | |
| Monica Babic | .... | mechanical effects: JJamb | |
| Doug Barrett | .... | lawyer: McMillan Binch | |
| Lisa Burling | .... | script supervisor | |
| Diana Cafazzo | .... | lawyer: McMillan Binch | |
| Linda Darras | .... | production secretary | |
| Ion Dumitrescu | .... | mechanical effects: JJamb | |
| Hugh Graham | .... | story editor | |
| Michelle Howes | .... | nurse | |
| John Jackson | .... | mechanical effects: JJamb | |
| Lisa Jackson | .... | on-set craft | |
| Patricia Joyes | .... | daily script supervisor (as Pat Joyes) | |
| Rob Kingston | .... | unit publicist | |
| Deborah Kiss | .... | production coordinator | |
| Kim Kurchinsky | .... | nurse | |
| Samuel Lee | .... | location production assistant | |
| James C. Novak | .... | business affairs: The Feature Film Project | |
| Jae Pak | .... | location production assistant | |
| William Phillips | .... | second unit supervisor | |
| William Phillips | .... | the door doctor | |
| David W. Pravica | .... | math consultant | |
| Nick Seary | .... | production accountant | |
| Becky Slocombe | .... | video sync transfers | |
| Mari Vepsalainer | .... | on-set craft | |
| Patty White | .... | key nurse on set | |
| Justine Whyte | .... | project manager: The Feature Film Project | |
| Liz Wolfe | .... | production assistant: second unit | |
| Kevin Chassie | .... | craft service (uncredited) | |
Thanks | |||
| Kelley Alexander | .... | thanks | |
| Melissa Amer | .... | thanks | |
| Shahin Assayesh | .... | thanks | |
| Dennis Berardi | .... | thanks | |
| Thomas Berner | .... | thanks (as Tom Berner) | |
| Bob Bonnell | .... | thanks | |
| Fred Brennan | .... | thanks | |
| Frank C. Carere | .... | thanks (as Frank Carere) | |
| Robin Cass | .... | thanks | |
| Semi Chellas | .... | thanks | |
| Milan Cheylov | .... | thanks | |
| Lorraine Clark | .... | thanks | |
| Wayne Clarkson | .... | thanks | |
| Carol Clusiau | .... | thanks | |
| Judi Cooper-Sealy | .... | thanks (as Judy Cooper Sealy) | |
| Kevin Crothers | .... | thanks | |
| Dr. Imre G. Csizmadia | .... | thanks | |
| Brock Davis | .... | thanks | |
| Lisa deWilde | .... | thanks | |
| Jenna Donohue-Bourdeau | .... | thanks | |
| Kathryn Emsue | .... | thanks | |
| Ron Estey | .... | thanks | |
| Alison Evans | .... | thanks | |
| John Fawcett | .... | thanks | |
| Karen Lee Hall | .... | thanks | |
| Steven Hoban | .... | thanks | |
| Lillian Hodge | .... | thanks | |
| Kim Hogan | .... | thanks | |
| Moira Holmes | .... | thanks | |
| Judy Holm | .... | thanks | |
| Jill Hopkins | .... | thanks | |
| Prof. Robert C. Jackson | .... | thanks | |
| Christina Jennings | .... | thanks | |
| Norman Jewison | .... | thanks | |
| Walter Klassen | .... | thanks | |
| Greg Klymkiw | .... | thanks | |
| Katherine Kossuth | .... | thanks | |
| Randy 'Shaky Boy' Koufalis | .... | thanks | |
| Lori Lansens | .... | thanks | |
| Steve Lucas | .... | thanks (as Steven Lucas) | |
| Allan Magee | .... | thanks (as Al Magee) | |
| Dezsö Magyar | .... | thanks (as Dezso Magyar) | |
| Negar Mahdavian | .... | thanks | |
| Julian Marks | .... | thanks | |
| Anita Mazic | .... | thanks | |
| Nasser Meh | .... | thanks | |
| Reza Meh | .... | thanks | |
| Jim Murphy | .... | thanks | |
| Andrei Natali | .... | thanks | |
| Enrico Natali | .... | thanks | |
| Francesca Natali | .... | thanks | |
| Gale Natali | .... | thanks | |
| Marica Natali | .... | thanks | |
| Nadia Natali | .... | thanks | |
| Peter O'Brien | .... | thanks | |
| Rose Orr | .... | thanks | |
| Jeremy Podeswa | .... | thanks | |
| Stephen Price | .... | thanks | |
| David Ransley | .... | thanks | |
| Ronald Sanders | .... | thanks (as Ron Sanders) | |
| Regine Schmid | .... | thanks | |
| Rachel Sutherland | .... | thanks | |
| Karen Walton | .... | thanks | |
| Elizabeth Yake | .... | thanks | |
Rated R for some strong sci-fi violence/gore and language.
90 min
1.85 : 1 more
Iceland:16 | Singapore:PG (cut) | Canada:16+ (Quebec) | Singapore:NC-16 | Spain:18 | Argentina:13 | Australia:M | Canada:18A | Chile:14 | Finland:K-16 | France:-12 | Germany:16 | Hong Kong:IIB | Mexico:B | New Zealand:M | Norway:15 | Peru:14 | Portugal:M/12 | South Korea:18 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 | USA:R | Brazil:14 | Netherlands:16
Director Vincenzo Natali directed a follow-up short film in which we see what is outside the cube. Natali has made a solemn vow never to reveal what was outside the cube, and destroyed the video years ago. more
Plot holes: After you enter a new room, the chamber doors automatically spin their handles and close shut. There is a scene near the end where Quentin closes a chamber door himself while another character is talking. The director admits in the commentary that this is because that particular shot was done earlier in the filming before he decided they would close automatically. more
Featured in Weird Sex and Snowshoes: A Trek Through the Canadian Cinematic Psyche (2004) (TV) more
Distorted Reality more
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
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Great. Another shining example of how my inadequacy in mathematics could be the end of me. I used to skip math class. I took the bare minimum requirement expected of me and passed with something less than flying colours. The point is, math is all that separates our "heroes" from certain death in this arena.
"Cube" is an innovative little thriller that can safely dodge accusations of blandness or mediocrity. The premise is simple and the plight of the characters is highly relative despite its surrealistic science fiction setting. Six individuals find themselves trapped in a cube comprised of many rooms linked together, with no readily visible way out, no rations, tools or explanation for being there, with traps set up in some of the rooms. An apparent experiment on how people think and react to certain situations and the transformations they might undergo.
The simplicity of the film and the cube itself are the film's strongest assets and can probably account for it's international success, notably in Japan. It's low budget production costs came under $400,000. But they got a really good bang for their buck with some help from special effects houses that provided their services free of charge. As the director has commented on the audio commentary track of the DVD, one aspect they were going for was a way to have an action flick in one room. They pulled it off quite nicely. Another interesting tidbit brought to light was that each character's name is after a prison.
A curious aspect of this Canadian film was its surprisingly short run in Canadian cinemas. In speaking with one of the film's producers, Mehra Meh, I learned that despite it's award as "Best First Feature" at the Toronto Film Festival of 1997, the film run in Canada came a year later and was just for a few short weeks before it was yanked from theaters and then showcased internationally. When time came for the DVD release, I found another perplexing development. It was only available as an import. A Canadian film only available as an import in Canada? It wasn't until months later that it was released domestically.
In any case, the film is available now and worth checking out if you have interest in the psychological thriller fare. Those who work their days or nights (or both) in a cubicle may wish to pass on this one, as it just might be too close to home.