Amazon.com video review: Don't just think of The Wedding Singer as an Adam Sandler comedy--though it most certainly is that. But also think of it as the tip of the wave of the 1980s nostalgia craze that followed on the heels of the 1970s nostalgia craze. Set in the post-disco, new wave era, the film tells the story of Robbie Hart (Sandler), the king of small-town wedding-band singers, who once dreamt of being a rock star. But his contentment with life shatters when his fiancée stands him up at the altar. After wallowing in self-pity (by musically attacking the next wedding couple he serenades) and swearing off women, he helps a new friend, Julia (Drew Barrymore), get ready for her impending nuptials--only to find himself falling in love with her. If you're a Sandler fan, you'll enjoy him as an actual adult, though a wise-cracking one. And dig all those kooky '80s reference jokes and that greatest-hits-of-early-MTV soundtrack. --Marshall Fine
Amazon.com video review: You're better off having been born after, say, 1965, if you really want to enjoy this corny romantic comedy and its abundant references to the MTV culture of the mid-1980s--and even then the odds are only 50-50 that you'll have a shamelessly good time. But a lot of people beat those odds, because The Wedding Singer was a surprise box-office hit when released in early 1998, and it resulted in Saturday Night Live graduate Adam Sandler's salary going ridiculously sky-high. It's a schizophrenic film about a seemingly schizophrenic wedding singer (Sandler) who's charmingly sweet to some people but a tongue-lashing maniac to others, probably out of frustration over his fading ambition as a wannabe rock star (not to mention Sandler's penchant for loud-mouthed lunacy). When he meets an admiring young waitress (delightfully played by Drew Barrymore), it's love at first sight, complicated by their pending marriages to much less appealing fiancés. The plot then contorts itself to accommodate this contrived will-they-or-won't-they? scenario, so you're better off ignoring the love story and focusing on the comedy, which is sporadic but occasionally hilarious. This is also a lighter, friendlier Sandler than moviegoers had seen before, which probably accounts for the movie's success. Toss in a fine supporting cast--including a show-stopping drunk act by indie-movie stalwart Steve Buscemi--and you've got the ingredients for a no-brainer that's ultimately more fun than it is annoying. --Jeff Shannon