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Pamela Gray (written by)
2 April 1999 (USA) more
The world of a young housewife is turned upside down when she has an affair with a free-spirited blouse salesman. full summary | add synopsis
1 win & 6 nominations more
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A Tasty 'Period Piece' from the 1960s! more (104 total)
| Diane Lane | ... | Pearl Kantrowitz | |
| Viggo Mortensen | ... | Walker Jerome | |
| Liev Schreiber | ... | Marty Kantrowitz | |
| Anna Paquin | ... | Alison Kantrowitz | |
| Tovah Feldshuh | ... | Lillian Kantrowitz | |
| Bobby Boriello | ... | Daniel Kantrowitz | |
| Stewart Bick | ... | Neil Leiberman | |
| Jess Platt | ... | Herb Fogler | |
| Mahée Paiement | ... | Mrs. Dymbort (as Mahee Paiement) | |
| Star Jasper | ... | Rhoda Leiberman | |
| Ellen David | ... | Eleanor Gelfand | |
| Lisa Bronwyn Moore | ... | Norma Fogler | |
| Victoria Barkoff | ... | Selma Levitsky (as Vicky Barkoff) | |
| Tamar Kozlov | ... | Wendy Green | |
| Lisa Jakub | ... | Myra Naidell | |
| Joseph Perrino | ... | Ross Epstein | |
| Jesse Lavendel | ... | Carl Applebaum | |
| James Hayes Liboiron | ... | Jeffrey Fogler (as James Liboiron) | |
| Howard Rosenstein | ... | Sheldon Dymbort | |
| Mal Z. Lawrence | ... | Comedian | |
| Joel Miller | ... | Sid Shapiro | |
| Bill Brownstein | ... | Customer #1 | |
| Sam Gesser | ... | Customer #2 | |
| Julie Kavner | ... | P.A. Announcer (voice) | |
| rest of cast listed alphabetically: | |||
| Neil Armstrong | ... | Himself (voice) (uncredited) (archive footage) | |
Directed by | |||
| Tony Goldwyn | |||
Writing credits(WGA) | ||
| Pamela Gray | (written by) | |
Produced by | |||
| Graham Burke | .... | executive producer | |
| Jay Cohen | .... | producer | |
| Greg Coote | .... | executive producer | |
| Laura Gherardi | .... | associate producer | |
| Tony Goldwyn | .... | producer | |
| Lee Gottsegen | .... | producer | |
| Dustin Hoffman | .... | producer | |
| Neil Koenigsberg | .... | producer | |
| Josette Perrotta | .... | co-producer | |
| Murray Schisgal | .... | producer | |
| Lemore Syvan | .... | associate producer | |
Original Music by | |||
| Mason Daring | |||
Cinematography by | |||
| Anthony B. Richmond | |||
Film Editing by | |||
| Dana Congdon | |||
Casting by | |||
| Kerry Barden | |||
| Ann Goulder | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Dan Leigh | |||
Art Direction by | |||
| Gilles Aird | |||
Costume Design by | |||
| Jess Goldstein | |||
Makeup Department | |||
| Josee Beaulac | .... | additional assistant hair stylist | |
| Michelle Côté | .... | assistant hair stylist (as Michelle Cote) | |
| Diane Geraldine Courchesne | .... | additional assistant hair stylist (as Diane Geraldine Courshesne) | |
| Nicole Dion | .... | additional assistant hair stylist | |
| Lizane La Salle | .... | assistant makeup artist | |
| Martine Léveillé | .... | additional assistant hair stylist (as Martine Leveille) | |
| Brigitte McCaughry | .... | additional assistant makeup artist (as Brigitte Mccaughry) | |
| Sabin Paradis | .... | additional assistant hair stylist | |
| Bob Pritchett | .... | key hair stylist | |
| Pierre Saindon | .... | additional assistant makeup artist | |
| Diane Simard | .... | key makeup artist | |
| Robert Vienneau | .... | additional assistant hair stylist | |
| Candy L. Walken | .... | hair stylist: Diane Lane | |
Production Management | |||
| John Chamberlin | .... | unit manager: second unit, New York | |
| Michel Chauvin | .... | production manager | |
| Jean-Yves Dolbec | .... | unit manager | |
| Pierre Lapointe | .... | assistant unit manager | |
| Melissa Marr | .... | production manager: second unit, New York | |
Second Unit Director or Assistant Director | |||
| Charles-André Bertrand | .... | trainee assistant director (as Charles-Andre Bertrand) | |
| Julie Coulombe | .... | additional third assistant director | |
| Pedro Gandol | .... | first assistant director | |
| Jean-Sébastien Lord | .... | third assistant director (as Jean-Sebastien Lord) | |
| Philippe Morin | .... | additional third assistant director | |
| Louise Renault | .... | second assistant director (as Louise Evangeline Renault) | |
| Antoine Saito | .... | additional third assistant director | |
Art Department | |||
| Vincent Aird | .... | swing gang | |
| Serge Archambault | .... | head scenic painter | |
| Claude Beaulieu | .... | carpenter | |
| Annette Bélanger | .... | art department coordinator (as Annette Belanger) | |
| Patrice Bengle | .... | property master | |
| Andre Brazeau | .... | chief carpenter | |
| Serge Cote | .... | daily painter | |
| Francine Danis | .... | key set dresser | |
| François Gosselin | .... | swing gang (as Francois Gosselin) | |
| Geoffroy Gosselin | .... | swing gang | |
| Paul Hotte | .... | set dresser | |
| Myriam Landry | .... | assistant props buyer | |
| Gilles Léonard | .... | props buyer | |
| Louis-George Lepage | .... | carpenter | |
| Carl Lessard | .... | graphic designer | |
| Jean-Phillipe Marsan | .... | swing gang | |
| Alain Martineau | .... | scenic painter | |
| René Patenaude | .... | scenic painter (as Rene Patenaude) | |
| Gabriel Perusse | .... | carpenter | |
| Christian Proulx | .... | carpenter | |
| Mario Racicot | .... | assistant property master | |
| Jean Simard | .... | swing gang | |
| Peter Stratford | .... | draftsman | |
| Carlo Vivocchi | .... | carpenter | |
Sound Department | |||
| Louis Bertini | .... | foley editor | |
| Danielle Capawanna | .... | audio post coordinator | |
| Eric A. Christoffersen | .... | stereo sound technician: Dolby | |
| Ryan Collison | .... | foley artist | |
| Jonathan Daitch | .... | apprentice sound editor (as Jonathan S. Daitch) | |
| Claude La Haye | .... | sound mixer | |
| Brian Langman | .... | assistant sound editor | |
| George A. Lara | .... | foley engineer (as George Lara) | |
| Lisa J. Levine | .... | supervising adr editor | |
| Dimitri Médard | .... | sound trainee (as Dimitri Medard) | |
| Sylvia Menno | .... | dialogue editor (as Sylvia Jessica Menno) | |
| Francis Péloquin | .... | boom operator (as Francis Peloquin) | |
| Victoria Rose Sampson | .... | adr editor: Los Angeles (as Victoria Sampson) | |
| Steve Schwartz | .... | assistant sound editor | |
| Jeffrey Stern | .... | sound effects editor | |
| Jeffrey Stern | .... | supervising sound editor | |
| Dominick Tavella | .... | sound re-recording mixer | |
| Roland Vajs | .... | systems engineer | |
| Brian Vancho | .... | foley artist | |
| David Novack | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Louis Craig | .... | special effects | |
| Antonio Vidosa | .... | special effects | |
Visual Effects by | |||
| Lisa Bechard | .... | effects production manager: C.O.R.E. Digital Pictures | |
| Jesse Bradstreet | .... | systems administrator: C.O.R.E. Digital Pictures | |
| Alex Busby | .... | digital paint artist: C.O.R.E. Digital Pictures | |
| Nick Hsieh | .... | digital paint artist: C.O.R.E. Digital Pictures | |
| Kelvin Kanagaraj | .... | animator: C.O.R.E. Digital Pictures | |
| Bob Munroe | .... | animation director: C.O.R.E. Digital Pictures | |
| Bob Munroe | .... | visual effects supervisor: C.O.R.E. Digital Pictures | |
| Costa Roussakis | .... | systems administrator: C.O.R.E. Digital Pictures | |
| Ralph Sevazlian | .... | effects technical director: C.O.R.E. Digital Pictures | |
| Lisa Wyse | .... | effects production coordinator: C.O.R.E. Digital Pictures | |
| Colin Cunningham | .... | 3D animator: C.O.R.E. Digital Pictures (uncredited) | |
| Ralph Sevazlian | .... | effects animator: C.O.R.E. digital pictures (uncredited) | |
Stunts | |||
| Ben Gauthier | .... | stunt double: Walker | |
| Héléna Laliberté | .... | stunt double: Pearl (as Helena Laliberte) | |
| David McKeown | .... | stunt coordinator (as Dave Mckeown) | |
| Minor Mustain | .... | stunt coordinator | |
| Minor Mustain | .... | stunt double: Marty | |
| Minor Mustain | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Fabrice Barrilliet | .... | electrician | |
| Martin Bayard | .... | additional grip | |
| Kelly Baylis | .... | grip | |
| Robert B. Baylis | .... | best boy grip (as Robert Bruce Baylis) | |
| Claude Beauchamp | .... | additional first assistant camera | |
| Pierre Beaulieu | .... | electrician | |
| Oliver Bokelberg | .... | director of photography: New York second unit | |
| Jerome Bouchard | .... | additional grip | |
| Claude Boulet | .... | camera remote technician | |
| Yvan Brunet | .... | additional first assistant camera | |
| Stéphane Charron | .... | additional electrician (as Stephane Charron) | |
| François Daignault | .... | Steadicam operator (as Francois Daignault) | |
| François Daignault | .... | additional camera operator (as Francois Daignault) | |
| Martin D'Arcangeli | .... | additional grip | |
| Mathieu Décary | .... | first assistant camera (as Mathieu Decary) | |
| Pascal-Rene Gabriele | .... | camera trainee | |
| David Galbraith | .... | first assistant camera (as Dave Galbraith) | |
| Julie Garceau | .... | camera video assist | |
| Robert Guertin | .... | additional camera operator | |
| Normand Hamilton | .... | generator operator (as Normen Hamilton) | |
| Jean-Marc Hébert | .... | gaffer (as Jean-Marc Hebert) | |
| Edith Labbe | .... | second assistant camera | |
| Sylvain Labrecque | .... | additional grip | |
| Patrice Lapointe | .... | grip | |
| Richard Lavigne | .... | additional grip | |
| Luc Lussier | .... | additional first assistant camera | |
| Nicolas Marion | .... | additional first assistant camera | |
| Bruno Martel | .... | additional electrician | |
| Alain Masse | .... | key grip | |
| Nicolas Monette | .... | electrician | |
| Marie-Andrée Paquet | .... | additional first assistant camera (as Marie-Andree Paquet) | |
| Mathieu Price | .... | grip | |
| Martin Protat | .... | additional second assistant camera | |
| Charles Proulx | .... | generator operator | |
| Alain Rousseau | .... | additional second assistant camera | |
| Normand Simpson | .... | additional grip | |
| Robert Stecko | .... | camera operator | |
| Derek Walker | .... | assistant camera: second unit, New York | |
| Jonathan Wenk | .... | still photographer | |
| Denis Zawadski | .... | best boy electric | |
Casting Department | |||
| Lise Beauchamp | .... | extras casting | |
| Bike Bucci | .... | extras casting | |
| Vera Miller | .... | casting: Canada | |
| Deborah Maxwell Dion | .... | casting associate: Los Angeles (uncredited) | |
Costume and Wardrobe Department | |||
| Sophie Beasse | .... | head dresser | |
| Richard Brunet | .... | additional assistant dresser | |
| Suzanne Canuel | .... | costumer | |
| Céline Caron | .... | assistant dresser (as Celine Caron) | |
| Daniel Fortin | .... | costume assistant | |
| Diane LeBlanc | .... | seamstress | |
| Ginette Magny | .... | assistant costume designer | |
| Marie-Hélène Ménard | .... | additional wardrobe (as Marie-Helene Menard) | |
| Art Reasonover | .... | dresser: extras | |
| Nelson Junior Sab | .... | additional assistant dresser | |
| Frederique Sarrazin | .... | assistant dresser | |
Editorial Department | |||
| Alex Belth | .... | apprentice editor | |
| Claudette Duff | .... | assistant editor: Montreal | |
| Dan Edelstein | .... | editorial consultant | |
| Mark Ginsberg | .... | color timer | |
| Fred Heid | .... | color timer | |
| Gershon Hinkson | .... | assistant editor | |
| Sandra Nash | .... | assistant editor | |
| Mario Ontal | .... | assistant editor | |
| Michel Proulx | .... | head cutter | |
| John Rogers | .... | post-production executive | |
| Tony Romano | .... | color coordinator: Technicolor | |
| Beatrice Sisul | .... | assistant editor | |
| Stan Sztaba | .... | negative cutter: Match Cut Inc. | |
| Joe Violante | .... | color coordinator: Technicolor (as Joey Violante) | |
| Todd Zongker | .... | first assistant editor | |
| Rick Greenhead | .... | telecine colorist (uncredited) | |
| Patricia Sztaba | .... | negative matcher (uncredited) | |
Music Department | |||
| Vicki Arkoff | .... | music coordinator (as Vicky Arkoff) | |
| Dana Brayton | .... | orchestrator | |
| Martin Brody | .... | orchestrator | |
| Paul Bryan | .... | musician: bass | |
| Deborah Henson Conant | .... | musician: harp (as Deborah Henson-Conant) | |
| Stephan R. Goldman | .... | executive music producer | |
| Stephan R. Goldman | .... | executive music supervisor | |
| Michael Golub | .... | music engineer | |
| Bones Howe | .... | production music supervisor | |
| Shane Koss | .... | musician: synthesizer | |
| Duke Levine | .... | musician: guitar | |
| Jill Meyers | .... | music clearances | |
| Patrick Mullins | .... | music editor | |
| Billy Novick | .... | musician: clarinet | |
| Billy Novick | .... | orchestrator | |
| Dave Shacter | .... | music engineer | |
| Dave Shacter | .... | music mixer | |
| Kenny White | .... | musician: keyboard | |
| Ken Wittman | .... | musician: drums | |
Transportation Department | |||
| Christian Biron | .... | driver | |
| Michel Brouillette | .... | picture car coordinator | |
| Nicolas Carasoulis | .... | driver (as Nicholas Carasoulis) | |
| Bertrand Charette | .... | office driver | |
| Bob Cuoco | .... | picture vehicles | |
| Sid DeGroat Jr. | .... | picture vehicles (as Sid Degroat Jr.) | |
| Walter Diaz | .... | driver | |
| Jim Disensi | .... | transportation coordinator | |
| Marco Fania | .... | driver | |
| Linda Hebert | .... | driver | |
| David Leblanc | .... | driver | |
| Frank Macedonia | .... | picture vehicles | |
| Luc Poirier | .... | picture car coordinator | |
| Rino Vertone | .... | driver (as Rino Vetrone) | |
| Joseph 'Tino' Viscusi | .... | driver captain | |
| Ted Wilson | .... | driver (as Teddy Wilson) | |
| Charlie Zed | .... | driver (as Charles Zed) | |
Other crew | |||
| John Alagna | .... | titles and opticals: The Effects House | |
| Marco Antonucci | .... | assistant craft service | |
| Danielle Boucher | .... | production coordinator | |
| Guylaine Boucher | .... | assistant production coordinator | |
| Jacques Boulanger | .... | additional production assistant | |
| Luc Bouthillier | .... | additional production assistant | |
| Eric Boutin | .... | additional production assistant | |
| Sandra-Catherine Briand | .... | production receptionist (as 'Kate' Sandra-Catherine Briand) | |
| Alex Buissiere | .... | additional production assistant | |
| Martin Charbonneau | .... | additional production assistant | |
| Francis Choquette | .... | production assistant | |
| Alex Cohn | .... | location manager: second unit, New York | |
| Jessie Cromwell | .... | assistant to producers | |
| Julie Cyrenne | .... | assistant production accountant | |
| Catherine Dawe | .... | location manager | |
| Gaetan Fluet | .... | catering assistant | |
| Julie Fontaine | .... | post coordinator: New York | |
| Chantale Fortin | .... | assistant production accountant (as Chantal Fortin) | |
| Julie Garceau | .... | stand-in | |
| Larry Gray | .... | technical advisor | |
| Claude Guillet | .... | additional receptionist | |
| Laurie Hawes | .... | production accountant | |
| Andrew Jackson | .... | assistant: Neal Koenigsberg | |
| Annika Krausz | .... | assistant to actors | |
| Francois Labrie | .... | additional production assistant | |
| France Lachapelle | .... | script supervisor | |
| Marc Laurin | .... | stand-in | |
| Phillippe Lebel | .... | location scout | |
| Denis Lemieux | .... | additional production assistant | |
| Julia Lenardon | .... | stand-in | |
| Michel Leroux | .... | production assistant | |
| Jeremy Olsher | .... | production assistant: second unit, New York | |
| Jess Platt | .... | dialect coach | |
| Jean-Clément Renaud | .... | additional production assistant (as Jean-Clement Renaud) | |
| Andrée Roy | .... | additional production assistant (as Andree Roy) | |
| Dominique Sauve | .... | stand-in | |
| Jay Schinderman | .... | assistant: Jay Cohen | |
| Stéphane St-Germain | .... | craft service (as Stephane St. Germain) | |
| Jose Uria | .... | production assistant | |
| Marianne Wisenthal | .... | assistant: Tony Goldwyn | |
| Jason Zelin | .... | production executive | |
| Guylaine Boucher | .... | production secretary (uncredited) | |
| Jennifer Zolten Freed | .... | post-production accountant (uncredited) | |
| Ken Korrall | .... | location scout (uncredited) | |
Thanks | |||
| Hal Ackerman | .... | thanks | |
| Bruno Barreto | .... | thanks | |
| Josh Braun | .... | thanks | |
| Robert B. Fischer | .... | thanks | |
| Eleanor Furman | .... | thanks | |
| Arlene Gray | .... | thanks | |
| Donna Gray | .... | thanks | |
| Kevin Gray | .... | thanks | |
| Larry Gray | .... | thanks | |
| Roy Mason | .... | thanks: The Corner Drug Store, South Fallsberg, NY | |
| Bill Nisselson | .... | thanks | |
| Fredda Rose | .... | thanks | |
| Gary Rydstrom | .... | thanks | |
| Ira Schreck | .... | thanks | |
| David Seltzer | .... | thanks | |
| William Steinkamp | .... | thanks (as Bill Steinkamp) | |
| Seymour Stein | .... | thanks | |
| Catherine Tarr | .... | thanks | |
Blouse Man (USA) (working title)
Kiss the Sky (USA) (working title)
La tentación (USA: Spanish title)
Over the Moon (USA) (working title)
more
Rated R for sexuality, language and some drug use.
107 min
Colour (Technicolor)
Malaysia:18SX (uncut version) | Malaysia:U (re-rating) | Canada:14+ (Ontario) | Iceland:12 | Philippines:R-18 | Argentina:13 | Australia:M | Chile:14 | France:U | Singapore:R(A) | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | USA:R | Spain:18 | Finland:K-11
Diane Lane wanted Viggo Mortensen to be in the film so much that she gave up part of her salary so that the production could afford him. more
Factual errors: On July 20, 1969, the moon was only 6 days old - roughly a half moon as viewed from the film's location - and would have set by 11 pm, but on the night of the moon landing, they show a full moon, high in the sky. more
Lilian Kantrowitz: [after the Blouse Man tells her to get some meat tenderizer to treat Danny's wasp bites] Meat tenderizer? What is he - a pot roast? more
Helplessly Hoping more
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| 1969 | The Last Picture Show | American Beauty | Enemies: A Love Story | Heavenly Creatures |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Romance section | IMDb USA section |
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A WALK ON THE MOON as written by Pamela Gray ("Music of the Heart") and directed by actor Tony Goldman conjures up more atmosphere for the year 1969 than any film to date. Remember Woodstock, the Jewish summer retreats in the Catskills, hippies, face and body painting, threats from the Vietnam era and promises of space habitation by the famous first walk on the moon? It is all faithfully created here as the background for a lovely little sentimental tale about family and fidelity.
The Kantrowitz family - Pearl (Diane Lane), Marty (Liev Schreiber), Alison (Anna Paquin), Daniel (Bobby Boriello) and Marty's mother Lilian (Tovah Feldshuh) - are spending their usual summer away form New York in a Catskill settlement bungalow along with other Jewish families of the same ilk. All seems swell, except that Marty must spend the weekdays returning to his job as a TV repairman, leaving the family under Pearl's and Lilian's care until his weekend visits. A hippie blouse salesman Walker Jerome (Viggo Mortensen) peddles his wares to the settlement and casually but inevitably Pearl feels an attraction to Walker, the man of adventure who represents all the lost dreams of becoming a mother and wife at the too early age of 17. Life has slipped her by but feels salvageable in Walker's advances.
Woodstock is close by and Pearl and Walker spend a day of hippie love-in in the crowd, not knowing that teenage Alison is also there observing their free love antics. This crisis event affects the family's unity and the way Pearl faces her moment of indiscretion with Marty and her children builds to a terrific climax.
Diane Lane, Viggo Mortenson, Liev Schreiber and Tovah Feldshuh completely inhabit these simple characters and pull us into accepting all aspects of the predicament of this family crisis. The confrontation among Lane, Schreiber and Mortenson is a trio of acting not to be forgotten. Tony Goldwyn has paced his film beautifully and proves that he has as great skill as a director as well as an actor. The cinematography by Anthony B. Richmond is as recreative of a special time on our history as has been captured. This little film will stay with you long after the credits are over. Grady Harp