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Bruce Feirstein (written by)
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19 December 1997 (USA) more
Meet New James Bond [Japanese Theatrical] more
James Bond heads to stop a media mogul's plan to induce war between China and the UK in order to obtain exclusive global media coverage. full summary | add synopsis
Nominated for Golden Globe. Another 6 wins & 8 nominations more
Dracula's cape and more to go under the hammer at costume auction
(From BoxWish. 9 June 2009, 3:57 AM, PDT)
Where to find Hugh Jackman's Wolverine leather jacket
(From The Geek Files. 19 May 2009, 9:21 AM, PDT)
Welcome back Bond! more (278 total)
| Pierce Brosnan | ... | James Bond | |
| Jonathan Pryce | ... | Elliot Carver | |
| Michelle Yeoh | ... | Wai Lin | |
| Teri Hatcher | ... | Paris Carver | |
| Ricky Jay | ... | Henry Gupta | |
| Götz Otto | ... | Stamper | |
| Joe Don Baker | ... | Jack Wade | |
| Vincent Schiavelli | ... | Dr. Kaufman | |
| Judi Dench | ... | M | |
| Desmond Llewelyn | ... | Q | |
| Samantha Bond | ... | Miss Moneypenny | |
| Colin Salmon | ... | Charles Robinson | |
| Geoffrey Palmer | ... | Admiral Roebuck | |
| Julian Fellowes | ... | Minister of Defence | |
| Terence Rigby | ... | General Bukharin | |
| Cecilie Thomsen | ... | Professor Inga Bergstrom | |
| Nina Young | ... | Tamara Steel | |
| Daphne Deckers | ... | PR Lady | |
| Colin Stinton | ... | Dr. Dave Greenwalt | |
| Al Matthews | ... | Master Sergeant 3 | |
| Mark Spalding | ... | Stealth Boat Captain | |
| Bruce Alexander | ... | Captain - HMS Chester | |
| Anthony Green | ... | Firing Officer - HMS Chester | |
| Christopher Bowen | ... | Cmdr. Richard Day - HMS Devonshire | |
| Andrew Hawkins | ... | Lt. Cmdr. Peter Hume - HMS Devonshire | |
| Dominic Shaun | ... | Lieutenant Commander - HMS Devonshire | |
| Julian Rhind-Tutt | ... | Yeoman - HMS Devonshire | |
| Gerard Butler | ... | Leading Seaman - HMS Devonshire | |
| Adam Barker | ... | Sonar Operator - HMS Devonshire | |
| Michael Byrne | ... | Admiral Kelly - HMS Bedford | |
| Pip Torrens | ... | Captain - HMS Bedford | |
| Hugh Bonneville | ... | Air Warfare Officer - HMS Bedford | |
| Jason Watkins | ... | Principal Warfare Officer - HMS Bedford | |
| Eoin McCarthy | ... | Yeoman - HMS Bedford | |
| Brendan Coyle | ... | Leading Seaman - HMS Bedford | |
| David Ashton | ... | First Sea Lord | |
| William Scott-Masson | ... | Staff Officer #1 | |
| Laura Brattan | ... | Staff Officer #2 | |
| Nadia Cameron-Blakey | ... | Beth Davidson (as Nadia Cameron) | |
| Liza Ross | ... | Mary Golson | |
| Hugo Napier | ... | Jeff Hobbs | |
| Rolf Saxon | ... | Philip Jones | |
| Vincent Wang | ... | MiG Pilot | |
| Philip Kwok | ... | General Chang | |
| rest of cast listed alphabetically: | |||
| Nichola McAuliffe | ... | Bond's BMW (voice) | |
| Minna Aaltonen | ... | Newsreader (uncredited) | |
| Ian Boo Khoo | ... | Vietnamese Villager (uncredited) | |
| Kacee DeMasi | ... | Employee (uncredited) | |
| Neil Finnighan | ... | Carver's Thug (uncredited) | |
| Romo Gorrara | ... | Carver's Thug (uncredited) | |
| Jeff Harding | ... | Newsreader (uncredited) | |
| Theo Kypri | ... | MiG Pilot (uncredited) | |
| Choy-Ling Man | ... | Newsreader (uncredited) | |
| Terence Plummer | ... | Carver's Thug (uncredited) | |
| Dinny Powell | ... | Carver's Thug (uncredited) | |
| Terry Richards | ... | Carver's Thug (uncredited) | |
| Curtis Rivers | ... | German Baddie / Stealth Ship Guard (uncredited) | |
| Antje Schmidt | ... | AVIS Agent (uncredited) | |
| Rocky Taylor | ... | Carver's Thug (uncredited) | |
| Michael G. Wilson | ... | Tom Wallace (uncredited) | |
Directed by | |||
| Roger Spottiswoode | |||
Writing credits(WGA) | ||
| Ian Fleming | (characters) uncredited | |
| Bruce Feirstein | (written by) | |
Produced by | |||
| Barbara Broccoli | .... | producer | |
| Anthony Waye | .... | line producer | |
| Michael G. Wilson | .... | producer | |
Original Music by | |||
| David Arnold | |||
Cinematography by | |||
| Robert Elswit | (director of photography) | ||
Film Editing by | |||
| Michel Arcand | |||
| Dominique Fortin | |||
Casting by | |||
| Debbie McWilliams | |||
Production Design by | |||
| Allan Cameron | |||
Art Direction by | |||
| Ken Court | |||
| Jonathan Lee | |||
| Giles Masters | |||
| Tony Reading | |||
| Stephen Scott | |||
Set Decoration by | |||
| Peter Young | |||
Costume Design by | |||
| Lindy Hemming | |||
Makeup Department | |||
| Tricia Cameron | .... | hair supervisor: second unit | |
| Tricia Cameron | .... | makeup supervisor: second unit | |
| Sallie Evans | .... | makeup artist: second unit | |
| Eithne Fennel | .... | hair styles supervisor (as Eithne Fennell) | |
| Betty Glasow | .... | hair stylist | |
| Colin Jamison | .... | hair stylist: Mr. Brosnan | |
| Amanda Knight | .... | makeup artist | |
| Bron Roylance | .... | makeup artist: Mr. Brosnan | |
| Lisa Tomblin | .... | hair stylist | |
| Norma Webb | .... | makeup supervisor | |
| Rupert Simon | .... | hair stylist (uncredited) | |
| Elizabeth Yianni-Georgiou | .... | hair stylist (uncredited) | |
Production Management | |||
| Terry Bamber | .... | location production manager | |
| John Bernard | .... | location production manager | |
| Rafael Cuervo | .... | additional production manager | |
| Leonhard Gmür | .... | location production manager | |
| Philip Kohler | .... | production supervisor: far east | |
| Tim Lewis | .... | additional production manager | |
| Callum McDougall | .... | unit production manager | |
| Janine Modder | .... | production manager | |
| Neil Ravan | .... | location production manager | |
| Iris Rose | .... | unit manager | |
| Michael Solinger | .... | post-production supervisor | |
| Gil Whelan | .... | additional production manager | |
Second Unit Director or Assistant Director | |||
| Vic Armstrong | .... | second unit director | |
| Harry Boyd | .... | additional assistant director | |
| Christopher Brosnan | .... | additional assistant director | |
| Julian De Ferluc | .... | additional assistant director | |
| Simon Emanuel | .... | additional assistant director | |
| Gerry Gavigan | .... | assistant director | |
| Niels Klamroth | .... | additional assistant director | |
| Olaf Lenmann | .... | additional assistant director | |
| John Locke | .... | additional assistant director | |
| Terry Madden | .... | assistant director: second unit | |
| Elliott Meddings | .... | additional assistant director | |
| Patrick Ohanian | .... | additional assistant director | |
| Jo Schotting | .... | additional assistant director | |
| Sebastián Silva | .... | additional assistant director | |
| Richard Styles | .... | second assistant director | |
| Charlie Sungkawess | .... | additional assistant director | |
| Sompol Sungkawess | .... | additional assistant director | |
| Paul Taylor | .... | second assistant director | |
| Keith Young | .... | additional assistant director | |
| Marc Schölermann | .... | additional assistant director (uncredited) | |
| Sebastián Silva | .... | first assistant director: model unit (uncredited) | |
Art Department | |||
| Ted Ambrose | .... | assistant art director | |
| Martin Asbury | .... | storyboard artist | |
| Julian Ashby | .... | draughtsman | |
| Ray Barrett | .... | construction coordinator | |
| Les Benson | .... | supervising dressing props | |
| Gordon Billings | .... | stand-by & dressing props | |
| Roger Bowles | .... | draughtsman | |
| Alex Cameron | .... | art department assistant | |
| David Cheesman | .... | stand-by & dressing props (as Dave Cheesman) | |
| Paul Cheesman | .... | stand-by & dressing props | |
| Joe Dipple | .... | chargehand stand-by property | |
| Jack Dyer | .... | buyer department head (as John Dyer) | |
| Trevor Dyer | .... | assistant construction manager | |
| James Foster | .... | art department assistant | |
| Matthew Gray | .... | draughtsman (as Matt Gray) | |
| John Greaves | .... | storyboard artist | |
| Kate Grimble | .... | art department assistant | |
| Kevin Harris | .... | assistant construction coordinator | |
| Paul J. Hayes | .... | constructor (as Paul Hayes) | |
| Kevin Herbert | .... | stand-by & dressing props | |
| Ron Higgins | .... | stand-by & dressing props | |
| Charles Ixer | .... | property stores | |
| Derek Ixer | .... | supervising dressing props | |
| Paul Kirby | .... | draughtsman | |
| Rene Knol | .... | stand-by & dressing props | |
| John Lanzer | .... | additional set decorator/buyer | |
| Dominic Lavery | .... | concept illustrator | |
| Brian Lofthouse | .... | stand-by & dressing props | |
| David Meeking | .... | painter department head | |
| Dave Midson | .... | supervising dressing props | |
| Neil Murrum | .... | stand-by & dressing props | |
| Andy Nicholson | .... | draughtsman | |
| John Palmer | .... | stand-by & dressing props | |
| Ron Quelch | .... | buyer | |
| Richard Roberts | .... | additional set decorator/buyer | |
| Rosalind Shingleton | .... | additional set decorator/buyer | |
| Alex Smith | .... | art department assistant | |
| Mike Stallion | .... | draughtsman | |
| Eric Strange | .... | stand-by & dressing props | |
| Paul Tappin | .... | plasterer department head | |
| Alan Taylor | .... | construction department head | |
| Fabian Teiger | .... | property stores | |
| Tony Teiger | .... | property master | |
| Colin Thurston | .... | stand-by & dressing props | |
| Peter Wells | .... | stagehand department head | |
| Dave Westcott | .... | constructor | |
| Clive Wilson | .... | chargehand stand-by property | |
| Simon Wood | .... | art department assistant | |
| Les Beaver | .... | stand-by rigger: second unit (uncredited) | |
| Mark Bewley | .... | stand-by plasterer: second unit (uncredited) | |
| Robin Heinson | .... | stand-by painter: second unit (uncredited) | |
| Darren Holland | .... | construction stagehand (uncredited) | |
| Dan Homewood | .... | engineer (uncredited) | |
| Robert Jackson | .... | carpenter (uncredited) | |
| Paul Ladd | .... | stand-by stagehand: second unit (uncredited) | |
| Peter Mann | .... | stand-by carpenter: second unit (uncredited) | |
| Stephen McGregor | .... | carpenter (uncredited) | |
| Toby Shears | .... | property maker (uncredited) | |
| Matthew Start | .... | apprentice painter (uncredited) | |
| Clive Ward | .... | supervising painter (uncredited) | |
Sound Department | |||
| Peter Baldock | .... | sound effects editor | |
| Peter Bond | .... | sound effects editor | |
| Christine Campbell | .... | assistant sound editor | |
| Michael A. Carter | .... | sound re-recording mixer (as Michael Carter) | |
| John Cochrane | .... | dialogue editor | |
| Martin Evans | .... | supervising sound editor | |
| Andrew Griffiths | .... | boom operator | |
| Graham V. Hartstone | .... | sound re-recording mixer (as Graham Hartstone) | |
| John Hayward | .... | sound re-recording mixer | |
| Peter Holt | .... | foley editor | |
| John Ireland | .... | adr editor | |
| Robert Ireland | .... | assistant sound editor | |
| Daniel Laurie | .... | assistant sound editor | |
| Nigel Mills | .... | dialogue editor | |
| Chris Munro | .... | sound mixer | |
| Ian Munro | .... | sound mixer: second unit | |
| Christine Newell | .... | foley editor | |
| Chips Paul | .... | sound effects editor | |
| Richard Pryke | .... | sound re-recording mixer | |
| Adrian Rhodes | .... | sound effects editor | |
| Lionel Strutt | .... | adr mixer | |
| Colin Wood | .... | boom operator | |
| John Bateman | .... | adr mixer (uncredited) | |
| Paula Boram | .... | foley artist (uncredited) | |
Special Effects by | |||
| Peter Aston | .... | senior technician | |
| Norman Baillie | .... | special effects crew | |
| Mark Beverton | .... | technician | |
| Nigel Brackley | .... | senior technician | |
| Terry Bridle | .... | senior technician | |
| Richard Brown | .... | special effects crew | |
| Paul Clancy | .... | special effects crew | |
| Chris Corbould | .... | special effects supervisor | |
| Bryn Court | .... | technician | |
| Steve Crawley | .... | wire effects supervisor | |
| William Dawson | .... | senior technician (as Billy Dawson) | |
| Paul Dunn | .... | special effects crew | |
| Dave Eltham | .... | special effects (as David Eltham) | |
| Nick Finlayson | .... | special effects crew (as Nicholas Finlayson) | |
| Kevin Gilmartin | .... | technician | |
| Darrell Guyon | .... | special effects crew | |
| Steve Hamilton | .... | fist unit special effects floor supervisor | |
| Peter Seymour Howell | .... | technician | |
| Don Joce | .... | senior technician | |
| Dave Keen | .... | special effects crew | |
| Dave Knowles | .... | special effects crew | |
| Paul Knowles | .... | special effects crew | |
| Steve Knowles | .... | special effects crew | |
| Steve Lewis | .... | special effects crew | |
| Ian Lowe | .... | special effects crew | |
| Jim Machin | .... | senior technician | |
| Sean McConville | .... | technician | |
| Barry McQueary | .... | senior technician (as Barry L. McQueary) | |
| Ian Mitchell | .... | special effects crew | |
| John Modder | .... | special effects crew | |
| Greg Morgan | .... | senior technician | |
| Kenneth Morris | .... | senior technician (as Ken Morris) | |
| Luke Murphy | .... | special effects crew | |
| Tom Murtagh | .... | special effects crew | |
| Peter Notley | .... | special effects crew | |
| Stephen Onions | .... | special effects crew (as Steve Onions) | |
| Frank L. Pope | .... | senior technician (as Frank Pope) | |
| Roy Quinn | .... | special effects crew | |
| Marcus Richardson | .... | senior technician | |
| Shaun Rutter | .... | special effects crew | |
| Robbie Scott | .... | senior technician | |
| Andrew Smith | .... | special effects crew | |
| James Smithies | .... | technician | |
| Paul Stephenson | .... | senior technician: model unit | |
| Jamie Thomas | .... | special effects crew | |
| Rob Thomson | .... | special effects crew | |
| Richard Todd | .... | special effects crew | |
| Brian Warner | .... | special effects crew | |
| Andy Williams | .... | second unit special effects floor supervisor | |
| Tim Willis | .... | special effects crew | |
| Steve Benelisha | .... | special effects crew (uncredited) | |
| Rodney Burke | .... | special effects technician (uncredited) | |
| Pascal Declercq | .... | special effects technician (uncredited) | |
| Benjamin M. Esterson | .... | special effects technician (uncredited) | |
| Drew H. Fash | .... | special effects projectionist (uncredited) | |
| Michael Fox | .... | special effects (uncredited) | |
| Matthew Horton | .... | special effects technician (uncredited) | |
| Garth Inns | .... | special effects (uncredited) | |
| Rudy Joffroy | .... | second assistant director: model unit (uncredited) | |
| Roger Mann | .... | special effects engineer (uncredited) | |
| Zuzana Milfort | .... | special effects technician (uncredited) | |
| Dan Oliver | .... | special effects technician: Thailand (uncredited) | |
| Simon Rose | .... | sculptor (uncredited) | |
| Toby Shears | .... | propmaker (uncredited) | |
| Colin Shulver | .... | sculptor (uncredited) | |
| Arthur Spink Jr. | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Colin Alway | .... | digital compositor: cinesite | |
| Mark Bowey | .... | art director: visual effects & videographics team | |
| Mara Bryan | .... | visual effects producer | |
| Nathalie Buce | .... | CG animator: Cinesite | |
| Sonia Calvert | .... | digital compositor: Cinesite | |
| Chas Cash | .... | CG animator: Cinesite (as Charles Cash) | |
| Dave Child | .... | CG animator: Cinesite | |
| Pat Conran | .... | CG animator: Cinesite | |
| Gerald Daniels | .... | designer: visual effects & videographics team | |
| Jim Davey | .... | digital scanning and recording: Rushes Digital Film | |
| Alec East | .... | designer: visual effects & videographics team | |
| Michael Elson | .... | digital effects producer: Cinesite | |
| Ludo Fealy | .... | compositing/editing: rushes | |
| Ed Hawkins | .... | digital compositor: Cinesite | |
| Martin Hobbs | .... | digital effects producer: Cinesite | |
| David Houghton-Williams | .... | digital compositor: Cinesite (as Dave Williams) | |
| Matt Johnson | .... | digital composite sequence supervisor: Cinesite | |
| Peter Jones | .... | senior technician: computer & video systems | |
| James Lamb | .... | digital effects producer: rushes | |
| Sharon Lark | .... | coordinator: visual effects & videographics team | |
| Andrew MacRitchie | .... | visual effects editor | |
| Chris McBride | .... | senior technician: computer & video systems | |
| Andrew Mortimer | .... | compositing/editing: rushes | |
| Bill Neil | .... | supervisor: visual effects & videographics team | |
| Jonathan Neill | .... | digital compositor: Cinesite | |
| Cristin Pescosolido | .... | digital compositor: Cinesite Europe Ltd. | |
| Claire Pollock | .... | compositing/editing: rushes | |
| John Richardson | .... | miniatures | |
| Rosie Richardson | .... | coordinator: model unit | |
| Brian Smithies | .... | workshop supervisor: model unit | |
| James Stocks | .... | designer: visual effects & videographics team | |
| Kat Szuminska | .... | digital compositor: Cinesite | |
| Charles Tait | .... | digital compositor: Cinesite | |
| Rick Thompson | .... | workshop supervisor: model unit | |
| Garry Twigg | .... | technician: computer & video systems | |
| Marcus Wells | .... | digital effects producer: Cinesite | |
| Gay Whelan | .... | coordinator: computer & video systems | |
| Robert Wilcox | .... | frigate miniature (as Bob Wilcox) | |
| Pete Williams | .... | scanning and recording supervisor: Cinesite | |
| Paul Wilson | .... | miniature photographer | |
| Sean Woodward | .... | technician: computer & video systems | |
| Keith Barton | .... | technical support: Cinesite (uncredited) | |
| Debra Coleman | .... | digital artist (uncredited) | |
| Andrew Daffy | .... | animator: title sequence (uncredited) | |
| Andrew Daffy | .... | computer graphics texture map artist: title sequence (uncredited) | |
| Robert Duncan | .... | visual effects: titles (uncredited) | |
| Paddy Eason | .... | digital effects designer: CFC (uncredited) | |
| Dan Glass | .... | visual effects designer (uncredited) | |
| Pete Hanson | .... | studio manager: CFC (uncredited) | |
| Christian Hogue | .... | digital graphics supervisor: Lost In Space (uncredited) | |
| Tad Krzanowski | .... | special model effects supervisor (uncredited) | |
| Marco Marenghi | .... | computer graphics animator: title sequence (uncredited) | |
| Dennis Michelson | .... | visual effects: CFC (uncredited) | |
| Mike Milne | .... | computer graphics supervisor: title sequence (uncredited) | |
| Clare Norman | .... | line-up and editorial coordinator (uncredited) | |
| Martin Parsons | .... | computer graphics animator/modeler: title sequence (uncredited) | |
| Ron D. Peake | .... | visual effects (uncredited) | |
| Rachael Penfold | .... | visual effects producer: CFC (uncredited) | |
| Sue Rowe | .... | digital compositor (uncredited) | |
| Sharonne Solk | .... | computer graphics animator: title sequence (uncredited) | |
| Andre Thomas | .... | digital artist (uncredited) | |
| Steve Tizzard | .... | scanning and recording operator: title sequence (uncredited) | |
| Max Tyrie | .... | computer graphics animator: title sequence (uncredited) | |
| Courtney Vanderslice | .... | head of production: Cinesite (uncredited) | |
| Tim Wellspring | .... | visual effects assistant: CFC (uncredited) | |
| Aviv Yaron | .... | 2D technical director: Cinesite (uncredited) | |
Camera and Electrical Department | |||
| Kenneth Atherfold | .... | camera/crane grip (as Ken Atherfold) | |
| Chris Bain | .... | camera loader | |
| Robert Binnall | .... | camera focus | |
| Don Brown | .... | video playback operator | |
| Steve Burgess | .... | camera focus | |
| Richard Brooks Burton | .... | aerial first assistant camera | |
| Mark Clark | .... | best boy | |
| Eddie Collins | .... | additional photographer | |
| Sean Connor | .... | camera operator | |
| Steve Costello | .... | electrical gaffer | |
| Frederick Crawford | .... | rigger department head | |
| Adam Dale | .... | aerial photographer | |
| Kevin Edland | .... | best boy | |
| Frank Elliott | .... | camera focus | |
| Mike Evans | .... | camera focus | |
| Peter Field | .... | camera operator | |
| John Fletcher | .... | camera focus | |
| Ian Foster | .... | camera operator | |
| John Gamble | .... | camera focus | |
| Ray Hall | .... | camera/crane grip | |
| Keith Hamshere | .... | still photographer | |
| Jamie Harcourt | .... | camera operator | |
| Steve Harvey | .... | best boy | |
| Simon Heck | .... | video playback operator | |
| John Higgins | .... | electrical supervisor | |
| Scott Holland | .... | video playback operator | |
| Gary Hutchings | .... | camera/crane grip | |
| Philip Kenyon | .... | camera/crane grip (as Phil Kenyon) | |
| Martin Kenzie | .... | camera operator | |
| Giles Keyte | .... | still photographer assistant | |
| Brad Larner | .... | camera focus | |
| Jay Maidment | .... | additional still photographer | |
| John Marzano | .... | camera focus | |
| Dave Moore | .... | best boy (as David Moore) | |
| Sean Moore | .... | video playback operator | |
| Dean Morrish | .... | camera loader | |
| Spencer Murray | .... | camera loader | |
| Ron Nicholls | .... | camera/crane grip | |
| Nigel Permane | .... | camera loader | |
| Bill Pochetty | .... | electrical gaffer | |
| Gary Pocock | .... | camera/crane grip | |
| Cynthia Pusheck | .... | camera focus | |
| Barry Read | .... | electrical gaffer | |
| Steven Read | .... | best boy (as Steve Read) | |
| Pete Romano | .... | underwater photographer | |
| Tom Sanders | .... | camera operator | |
| Keith Sewell | .... | Steadicam operator | |
| Paul Stewart | .... | electrical gaffer | |
| James Swanson | .... | camera loader | |
| Jonathan Taylor | .... | camera operator: second unit | |
| Jimmy Waters | .... | camera/crane grip | |
| George Whitear | .... | still photographer: second unit | |
| Bernt Wiese | .... | camera loader (as Berndt Wiese) | |
| Tim Wooster | .... | camera operator | |
| Jason Wrenn | .... | camera focus | |
| Joe Wright | .... | camera loader | |
| Kevin Brookner | .... | video operator (uncredited) | |
| Dominic Devine | .... | electrician (uncredited) | |
| James Gilligan | .... | rigging electrician (uncredited) | |
| Eugene Grobler | .... | balloon light operator (uncredited) | |
| Cephas Howard | .... | electrician (uncredited) | |
| Stuart Hurst | .... | electrician (uncredited) | |
| Nikos Kalimerakis | .... | electrician (uncredited) | |
| Pat Miller | .... | gaffer: second unit (uncredited) | |
| Ian Murray | .... | sparks rigger (uncredited) | |
| Nick Pearson | .... | crane grip (uncredited) | |
| Derrick Peters | .... | camera trainee: second unit (uncredited) | |
| Brian Rosso | .... | grip (uncredited) | |
| Tony Rowland | .... | grip: "c" camera, Thailand (uncredited) | |
| Gordon Segrove | .... | focus puller: underwater camera, second unit (uncredited) | |
| J. Glyn Williams | .... | assistant camera (uncredited) | |
Casting Department | |||
| Shaheen Baig | .... | casting assistant | |
| Janet Hirshenson | .... | casting: USA | |
| Jane Jenkins | .... | casting: USA | |
| Ray Knight | .... | crowd casting | |
| Patricia Pao | .... | casting: Far East (as Pat Pao) | |
Costume and Wardrobe Department | |||
| Lee Clayton | .... | costume cutter | |
| Lee Clayton | .... | tailor | |
| Dan Grace | .... | wardrobe assistant | |
| Jenny Hawkins | .... | wardrobe mistress | |
| Lester Mills | .... | wardrobe assistant | |
| Livia Pascucci | .... | wardrobe assistant | |
| John Scott | .... | wardrobe supervisor | |
| Maria Tortu | .... | assistant costume designer | |
| Colin Wilson | .... | wardrobe master | |
| Berenice Wright | .... | wardrobe assistant | |
| Suzy Freeman | .... | costumer (uncredited) | |
Editorial Department | |||
| Gavin Buckley | .... | assistant editor | |
| Jatinderpal Chohan | .... | post-production coordinator | |
| Ian Differ | .... | second assistant editor | |
| Peter Englesson | .... | post-production consultant | |
| Iain Erskine | .... | assistant editor | |
| Pierre Guérin | .... | post-production consultant (as Pierre Guerin) | |
| Andrew MacRitchie | .... | first assistant editor | |
| Steve Pang | .... | assistant editor | |
| Mark Sanger | .... | assistant editor | |
| Mark Neale | .... | assistant editor (uncredited) | |
Music Department | |||
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Dina Eaton | .... | music editor | |
| Geoff Foster | .... | score mixer | |
| Geoff Foster | .... | score recordist | |
| Vic Fraser | .... | music copyist | |
| Dominic Gibbs | .... | assistant music editor | |
| Alex Gifford | .... | composer: song "Backseat Driver" | |
| Isobel Griffiths | .... | music contractor | |
| David McAlmont | .... | composer: song "Surrender" | |
| Rupert Coulson | .... | score recordist (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
| Charlie Morgan | .... | musician: drums (uncredited) | |
Transportation Department | |||
| Tony Bradley | .... | transportation coordinator | |
| Christoph Dettweiler | .... | vehicle backup | |
| Arthur Dunne | .... | transportation coordinator | |
| Darren Litten | .... | vehicle backup | |
| Freddie Wilmington | .... | vehicle backup | |
| Thomas O'Donnell | .... | mobile lighting operator (uncredited) | |
Other crew | |||
| Armando Amador | .... | location accountant | |
| David Arkell | .... | pilot | |
| Gordon Arnell | .... | publicity and marketing | |
| Roberta L. Asman | .... | location accountant | |
| Alison Bage | .... | unit nurse & medical service | |
| Matthew Baker | .... | production runner | |
| Chloé Barbier | .... | assistant to line producer | |
| Steve Barry | .... | accounts department | |
| Grenville Bartlett | .... | production runner | |
| Jo Beckett | .... | assistant location manager | |
| Ed Behne | .... | pilot | |
| Adrian Bell | .... | assistant: Mr. Brosnan | |
| Ros Bennett | .... | unit nurse & medical service | |
| Bi Benton | .... | production coordinator | |
| Charles Bodycomb | .... | armorer (as Charlie Bodycomb) | |
| Jake Brake | .... | aerial safety | |
| Judy Britten | .... | production coordinator | |
| Brian Brown | .... | aerial engineer | |
| Stephane Brugnolo | .... | aerial coordinator | |
| Gilles Castera | .... | location manager | |
| Gilles Charvin | .... | assistant location manager | |
| Dale Clarke | .... | armorer | |
| Sue Clegg | .... | additional script supervisor (as Suzanne Clegg) | |
| Tom Clode | .... | aerial engineer | |
| Charles E. Davis | .... | u.s. department of defence project officer | |
| Wendy Dixon | .... | publicity assistant | |
| Katrina Duce | .... | coordinator | |
| Fernanda Echeverria | .... | production coordinator | |
| Sue Field | .... | additional script supervisor | |
| Robert Flemming | .... | pilot | |
| Geoff Freeman | .... | unit publicist | |
| Wayne Fuller | .... | aerial engineer | |
| Fernando Gallegos | .... | pilot | |
| Bruce Gillman | .... | u.s. air force technical advisor (as Lt. Col. Bruce L. Gillman) | |
| Nigel Goldsack | .... | location consultant | |
| Laura Goulding | .... | additional script supervisor | |
| Doug Green | .... | underwater facilities | |
| Günther Gütersloh | .... | location manager | |
| R. Colette Hailey | .... | location manager (as Colette Hailey) | |
| Mark Hanna | .... | pilot | |
| Emma Horton | .... | assistant: Mr. Spottiswoode | |
| Celia Irvin | .... | assistant to producers | |
| Henry Kissinger | .... | consultant | |
| Daniel Kleinman | .... | title designer | |
| Vladimir Kvarda | .... | aerial engineer | |
| Claudia Lang-Herfurth | .... | production coordinator | |
| Russell Lodge | .... | location manager | |
| Siobhan Lyons | .... | production coordinator | |
| Simon Marsden | .... | location manager: UK | |
| Rolf Meum | .... | pilot | |
| Sarah Morrell | .... | production runner | |
| Virginia Murray | .... | production assistant | |
| Louissa Murrell | .... | accounts department | |
| Pat Nash | .... | marine coordinator | |
| Richard Newman | .... | floor runner | |
| Saloum N'Jie | .... | floor runner | |
| Andrew Noakes | .... | supervising production accountant | |
| Douglas Noakes | .... | location accountant | |
| Joyce Noakes | .... | accounts department | |
| Stephen North | .... | aerial safety (as Steve North) | |
| Harry O'Connor | .... | aerial safety | |
| Pat O'Reilly | .... | publicity assistant (as Patricia O'Reilly) | |
| Justin Owen | .... | supervisor: computer and video systems | |
| John Parkinson | .... | vice president of marketing: Danjaq | |
| Jeremy Pelzer | .... | studio manager | |
| Jean-Marie Peraldi | .... | assistant location manager | |
| Santa Pestonji | .... | location consultant | |
| Patrick Piallat | .... | pilot | |
| David Pope | .... | production executive | |
| Nitas Prasit | .... | pilot | |
| Patricia Reid-Douglas | .... | production coordinator | |
| Penelope Robinson | .... | location accountant | |
| John Roebuck | .... | accountant | |
| Phillip Roope | .... | location manager | |
| Anna Roth | .... | location consultant | |
| Marge Rowland | .... | representative: United Artist | |
| Jill Ryan | .... | first accountant | |
| Somchai Santitarangkul | .... | location manager (as Somchai) | |
| Amanda Schofield | .... | publicity assistant | |
| Richard Sharkey | .... | location manager | |
| Ingrid Simmonds | .... | accounts department | |
| Meg Simmonds | .... | publicity assistant | |
| Tony Smith | .... | pilot | |
| Ladislav Snydr | .... | pilot | |
| Julian Spencer | .... | double: Mr. Brosnan | |
| Julian Spencer | .... | stand-in: Mr. Brosnan | |
| Paul Stentiford | .... | armorer | |
| Sarah Stiff | .... | accounts department | |
| Philip M. Strub | .... | u.s. department of defence (as Philip Strub) | |
| Lee Tailor | .... | floor runner | |
| Michael Tavares | .... | contact: US | |
| Ray Thomas | .... | aerial engineer | |
| Kirsty Tisdell | .... | unit nurse & medical service | |
| Jiri Tresnak | .... | aerial engineer | |
| Sarah Waldron | .... | production runner | |
| Luca Ward | .... | voice dubbing: Pierce Brosnan | |
| Angela Wharton | .... | script supervisor | |
| David G. Wilson | .... | computer network administrator (as David Wilson) | |
| Marc Wolff | .... | aerial coordinator | |
| Mike Woodley | .... | aerial advisor | |
| Elena Zokas | .... | production coordinator | |
| Mark Albela | .... | production executive (uncredited) | |
| Iram Collantes | .... | production assistant: Mexican work visas (uncredited) | |
| Patrick Fox | .... | set trainee (uncredited) | |
| Pauline Hume | .... | title designer: end titles (uncredited) | |
| Andrew Jack | .... | dialogue coach (uncredited) | |
| Douglas James | .... | double: Mr. Brosnan (uncredited) | |
| Denise O'Dell | .... | production executive: France (uncredited) | |
| James O'Donnell | .... | safety diver: underwater unit (uncredited) | |
| David M. Wermus | .... | location assistant: second unit (uncredited) | |
Thanks | |||
| Albert R. Broccoli | .... | in loving memory of (as Albert R. 'Cubby' Broccoli) | |
Aquator (UK) (working title)
Avatar (UK) (working title)
Bond 18 (UK) (working title)
Bond XVIII (UK) (working title)
Shamelady (UK) (working title)
Shatterhand (UK) (working title)
TND (International: English title) (promotional abbreviation)
Tomorrow Never Lies (UK) (working title)
Zero Windchill (UK) (working title)
more
Rated PG-13 for intense sequences of action violence, sexuality and innuendo.
119 min
2.20 : 1 more
DTS 70 mm (70 mm prints) | DTS | Dolby Digital
Canada:14 (Nova Scotia) | Canada:PG (Alberta/Manitoba/Ontario) | Canada:13+ (Quebec) | Canada:14A (British Columbia) | UK:15 (video re-rating) (2006) (uncut) | Iceland:12 | South Korea:15 | Philippines:PG-13 | Argentina:13 | Australia:M | Canada:PG | Finland:K-14 | France:U | Germany:16 | Ireland:12 | Netherlands:12 | Norway:15 | Peru:14 | Portugal:M/12 | Spain:13 | Sweden:15 | UK:12 (cut) | USA:PG-13 | Singapore:PG | Brazil:14
Albert R. Broccoli 007 Stage, Pinewood Studios, Iver Heath, Buckinghamshire, England, UK more
MGM exerted a lot of pressure on the producers to come up with a follow-up to "GoldenEye" (1995) that was as successful. This was mainly at the urgings of billionaire Kirk Kerkorian who had recently bought the company and wanted the release to coincide with MGM's public stock offering. more
Incorrectly regarded as goofs: When Carver's guards initially try to break into Bond's car, they can not even dent the vehicle; however, during the chase scene immediately after, the windows on the car shatter when the guards shoot at the vehicle. Apparently the car had a "straw to break the camel's back" point, and that was it. more
[first lines]
Charles Robinson:
Our man's in position on the center camera. It's like a terrorist supermarket. Chinese Long March Scud, Panther AS-565 attack helicopter, a pair of Russian mortars, and the crates look like American rifles. Chilean mines. German explosives. Fun for the whole family.
more
Featured in Silhouettes: The James Bond Titles (2000) (V) more
Backseat Driver more
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This movie has made up for all the recent bad Bond movies made.Brosnan changed his look for this one and leared from his mistakes in Goldeneye.Very well done with regards to action and special effects.The direction and cinematography was also splendid.The producers have also finally found a proper 90's atmosphere for Bond.This film has set the standard for the new Bond formula.Complaints about the unrealistic storyline is unfounded.Wake up nay sayers.How realistic can DR. No and Goldfinger be?Both mentioned films being considered model Bond movies.The unrealism must be eclipsed by great entertainment and innovative fim making.The Bond movies are a great vehicle for innovative action film making and given this,Tomorrow Never Dies delivers.Another annoying complaint by others is that the villain here was not menacing.Once again,in other Bond classics,the big boss is not required to be a physical specimen.Many versions of Blofeld and even Goldfinger himself were menacing in other ways.One more comlaint I did not like was that there was too much Rambo like shooting.In other classic Bond films,there are a lot of shootings galore.The difference is that in this film,the shooting scenes were more graphic and there is nothing wrong with that becouse it is time the Bond films took it to the next level in these scenes.Why should the Bond films get left behind in this area when it is the pinnacle of all action films?Yup!Brosnan was lighting it up with that rapid fire weapon and it was done the right way!James was never handled this way when he was given a weapon like that before and it was about time he was portrayed with little compromise this way.This film is not better than the best of Connery and Moore but this one rates among the best Bond films all time.I'm so happy Brosnan grew into it.I hated his weak portrayal in Goldeneye but I still knew adjustments here and there would fix it.Tomorrow Never Dies realised my desire for Brosnan's Bond.I knew he could do it this way ever since I saw him in the old Remington Steele TV series back in 1983.I knew he had to toughen up physically and get a haircut.He did both and became Bond.
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