Seven Years in Tibet (1997)

Director:

Jean-Jacques Annaud

Writers (WGA):

Heinrich Harrer (book)
Becky Johnston (screenplay)

Release Date:

8 October 1997 (USA)

Genre:

Adventure | Biography | Drama | History | War

Tagline:

At the end of the world his real journey began.

Plot:

True story of Heinrich Harrer, an Austrian mountain climber who became friends with the Dalai Lama at the time of China's takeover of Tibet.

Plot Keywords:

Dalai Lama | Austria | Mountain | Himalaya | Tibet

Awards:

Nominated for Golden Globe. Another 3 wins & 6 nominations

Cast

Brad Pitt	...	Heinrich Harrer
David Thewlis	...	Peter Aufschnaiter
B.D. Wong	...	Ngawang Jigme
Mako	...	Kungo Tsarong
Danny Denzongpa	...	Regent
Victor Wong	...	Chinese 'Amban'
Ingeborga Dapkunaite	...	Ingrid Harrer
Jamyang Jamtsho Wangchuk	...	Dalai Lama, 14 Years Old
Lhakpa Tsamchoe	...	Pema Lhaki
Jetsun Pema	...	Great Mother
Ama Ashe Dongtse	...	Tashi
Sonam Wangchuk	...	Dalai Lama, 8 Years Old
Dorjee Tsering	...	Dalai Lama, 4 Years Old
Ric Young	...	General Chang Jing Wu
Ngawang Chojor	...	Lord Chamberlain (as Ven. Ngawang Chojor)

MPAA:

Rated PG-13 for some violent sequences.

Runtime:

136 min

Country:

USA | UK

Language:

English | German | Mandarin | Tibetan

Colour:

Colour (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | SDDS (8 channels)

Certification:

Canada:PG (Ontario) | Malaysia:U | Brazil:Livre (DVD rating) | Iceland:12 | South Korea:12 | Argentina:13 | Australia:M | Chile:14 | Finland:K-12 | France:U | Germany:12 (bw) | Mexico:B | Netherlands:12 | Norway:11 | Portugal:M/12 | Spain:13 | Sweden:11 | UK:PG | USA:PG-13

Filming Locations:

Campbell River, British Columbia, Canada

Company:

Mandalay Entertainment

Trivia:

Jetsun Pema is the real-life sister of the Dalai Lama. In this film she plays the mother of the Dalai Lama and hence her own mother.

Goofs:

Errors in geography: When Heinrich Harrer uses a globe to explain time zones to the young Dalai Lama, he spins the globe the wrong way (clockwise - from East to West), and says "So if the sun is just rising in Lhasa, that means it is just setting in New York City, perhaps." But the Earth spins counterclockwise, and Harrer should have spun the globe the other way, saying "So if the sun is already setting in Lhasa, that means it is just rising in New York City, perhaps." Another possible correct statement would be to say "So if the sun is just rising in Lhasa, that means it is just setting in New York City yesterday, perhaps."

Quotes:

Ingrid Harrer: [in a letter] Dear Heinrich. Please sign the divorce papers and send them to my lawyer. Horst and I intend to be married as soon as the divorce is finalized. As for your letter, yes, your son Rolf Harrer was born while you were climbing the mountain. He is now two years old and calls Horst papa...

Movie Connections:

Referenced in Love Actually (2003)

Soundtrack:

Clair de Lune

A moving, well-crafted, and visually breathtaking film

First of all, Seven Years In Tibet is a very aesthetically pleasing film. The snowy Himalayas, the Tibetan villages, and the amazing costumes and religious ceremonies are all filmed beautifully, with rich colours and lighting. The music by John Williams is also excellent, and it's fascinating to hear how it blends with the unusual Tibetan music.

It's not all surface though, there's depth here too. Don't believe the negative comments about Brad Pitt's acting. Admittedly his accent slips a bit in places, but he does a great job as Heinrich, both the unpleasant, arrogant character at the beginning, and the more gentle and wise man that he becomes as the film progresses. His relationship with the young Dalai Lama (a very impressive actor) is an unusual one and refreshingly unsentimental. The film is well edited; scenes are not drawn out any longer than they need to be. As a whole, it is fast paced but also peaceful, tender and moving. You don't get bored but you're not bombarded with pointless action scenes either.

It's a pleasant surprise to see a Hollywood film where women and other cultures aren't treated as objects, and are allowed to be full, complex characters. It could be argued that this film has a Western perspective, but after all, it is adapted from a book written by a European living in Tibet, and intended for Western audiences. It treats the Tibetan culture with a great deal of respect, so I don't really see a problem with that. Similarly, those who have complained that it doesn't tell you enough about the Dalai Lama and too much about Heinrich, ultimately it is Heinrich's story, and that is its strength: that it is one man's tale, and not a political polemic. It gives you a great sense of how people's stories intersect and how the whole world is connected.

Overall, an unusual film, very involving and emotional without sentimentality, with wonderful music and outstanding cinematography. Highly recommended.