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Primary Colors
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Primary Colors (1998) More at IMDbPro »

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Primary Colors (1998) -- US Theatrical Trailer from Universal

Overview

User Rating:
6.7/10   14,309 votes
MOVIEmeter: ?
Up 1% in popularity this week. See rank & trends on IMDbPro.
Director:
Mike Nichols
Writers (WGA):
Joe Klein (novel)
Elaine May (screenplay)
Contact:
View company contact information for Primary Colors on IMDbPro.
Release Date:
20 March 1998 (USA) more
Genre:
Comedy | Drama more
Tagline:
What went down on the way to the top. more
Plot:
A man joins the political campaign of a smooth-operator candidate for president of the USA. full summary | full synopsis
Awards:
Nominated for 2 Oscars. Another 9 wins & 15 nominations more
User Comments:
An excellent political satire. more

Cast

  (Cast overview, first billed only)
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Additional Details

Also Known As:
Mit aller Macht (Germany)
Perfect Couple (Japan: English title)
Primary Colors (France)
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MPAA:
Rated R for strong language and sexual references.
Runtime:
143 min
Language:
English
Colour:
Colour
Aspect Ratio:
2.35 : 1 more

Fun Stuff

Trivia:
This film was the opening film of the 1998 Cannes Film Festival. more
Goofs:
Continuity: On the morning after Henry's first trip to New Hampshire (which was made spontaneously, without any change of clothes or luggage), his shirt nonetheless changes repeatedly between shots. more
Quotes:
Gov. Jack Stanton: I'm going to tell you something really outrageous. I'm going to tell you the truth. more
Soundtrack:
SILBANO MAMBO more

FAQ

This FAQ is empty. Add the first question.
42 out of 51 people found the following comment useful:-
An excellent political satire., 6 January 2005
10/10
Author: philblyghton from United Kingdom

The much under-rated Primary Colors represents the zenith of its genre: a consistently excellent political satire armed with a stellar cast, an involving, intricate plot, and some of the finest direction in recent times from the sporadic (yet always reliable) Mike Nichols. John Travolta's portrayal of a Clinton-esquire Southern governor with a weakness for women and doughnuts is note perfect, encapsulating the flawed yet undoubtedly brilliant Jack Stanton with effortless flair and charisma. Travolta is ably supported by English character actors Emma Thompson and big screen debutant Adrian Lester, as well as an Oscar nominated Kathy Bates, Billy Bob Thornton and a resurgent Larry Hagman.

The film is, in essence, a chronology of Stanton's rise of the political ladder and the struggles encountered by his vibrant team in keeping their man in the race, despite numerous setbacks and tragedies along the way. The script gives Travolta a perfect platform to express the very human emotions that both constrain and encourage us: his early speeches (particularly at an adult literacy centre) are punctuated by salient (yet entirely falsified) anecdotes, and were are given equal insight into Stanton the man and Stanton the politician. Thus the film's fundamental paradox arises: the audience is clearly conditioned to sympathise with Stanton as a result of his remarkable eloquence, yet we are frequently undercut by revelations of sex scandals, endless untruths and the often heartless pragmatism he embarks upon. This conflict for the audience is superbly manipulated so that, at the film's conclusion, we are unsure as to what our own emotions should be. Few films manage to pull this off: fewer with the nuanced skill of Nichols' political odyssey.

I want to add a few words about the female performances in the film. Emma Thompson, as the Hilary Clinton of the the cast, nails both the accent and mannerisms of her model with a convincing determination. Her character is often the mediator among the campaign team, yet there is a ruthlessness about her, a quiet conviction in her actions that her husband is clearly sustained by. Kathy Bates is the unhinged lesbian media consultant who is drafted in to nullify the potent threat of negative media reporting. She clearly gets all the best lines (a prize shared with the equally crazy Billy Bob Thornton character) including a memorable reference to Stanton's string of lovers as "sorry trash bins": scrupulous editing on my part here. At the film's conclusion, Bates comes to the fore, spelling out the impossible conflict between what is politically right and what is humanly right with an intensity that few actors could accomplish. Her subsequent Oscar nomination was well deserved and she was unlucky to be pitted against a triumphant Judi Dench in the Best Supporting Actress category.

That said, this is Travolta's movie. This is a career-defining performance from an actor unfortunately sullied by a series of mind-numbing duds (Battlefield Earth, anyone?), yet had he chosen his roles more wisely (as, say, Pacino has done) a more creditable media image would most certainly have been forthcoming.

Don't be put off by its subject matter: this is film making at its best and is a credit to its highly talented cast and crew.

10/10

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Iowa Caucus Ignored! gregher
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president??? imafunkygoldfish
Henry's grandfather CaeserOct0
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