Jackie Brown (1997)

Director:

Quentin Tarantino

Writers:

Quentin Tarantino (written for the screen by)
Elmore Leonard (novel)

Release Date:

25 December 1997 (USA)

Genre:

Crime | Thriller

Tagline:

This Christmas, Santa's Got A Brand New Bag

Plot:

A female flight attendant becomes a key figure in a plot between the police and an arms dealer.

Plot Keywords:

Money | Arms Dealer | ATF | Bail | Gun

Awards:

Nominated for Oscar. Another 4 wins & 10 nominations

Cast

Pam Grier	...	Jackie Brown
Samuel L. Jackson	...	Ordell Robbie
Robert Forster	...	Max Cherry
Bridget Fonda	...	Melanie Ralston
Michael Keaton	...	Ray Nicolette
Robert De Niro	...	Louis Gara
Michael Bowen	...	Mark Dargus
Chris Tucker	...	Beaumont Livingston
Lisa Gay Hamilton	...	Sheronda
Tommy 'Tiny' Lister	...	Winston (as Tommy 'Tiny' Lister Jr.)
Hattie Winston	...	Simone
Sid Haig	...	Judge
Aimee Graham	...	Amy - Billingsley Sales Girl
Ellis Williams	...	Cockatoo Bartender (as Ellis E. Williams)
Tangie Ambrose	...	Billingsley Sales Girl #2

Also Known As:

Rum Punch (USA) (working title)

MPAA:

Rated R for strong language, some violence, drug use and sexuality.

Runtime:

154 min

Country:

USA

Language:

English

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital | SDDS

Certification:

Canada:14A (Alberta) | Canada:18 (Nova Scotia) | Canada:AA (Ontario) | Canada:PA (Manitoba) | USA:R (certificate #35732) | USA:TV-MA (TV rating) | Iceland:12 (video rating) | Iceland:14 | Netherlands:12 | Brazil:14 | Philippines:R-18 | South Africa:18 | Argentina:16 | Australia:MA | Belgium:KNT | Canada:14A | Chile:14 | Finland:K-16 | France:U | Germany:16 | Hong Kong:IIB | Ireland:18 | Japan:PG-12 | New Zealand:R18 | Norway:15 | Portugal:M/16 | Singapore:R(A) | South Korea:18 | Spain:13 | Sweden:11 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15

Filming Locations:

750 E Carson St, Carson, California, USA

Company:

Miramax Films

Trivia:

Jackie's white Honda is the same car Butch Coolidge drove in Pulp Fiction (1994) when he hit Marsellus Wallace.

Goofs:

Continuity: When Max is in the record store, the number and the positions of the Delfonics tapes in the rack changes between shots.

Quotes:

[first lines]
Girl at Security Gate: Flight 710 to Cabo San Lucas, now boarding Gate 103, first class only. Flight 710, Cabo San Lucas, now boarding Gate 103. First class only.
Jackie Brown: [greeting passengers] Buenos dias. Welcome aboard. Welcome aboard.

Movie Connections:

Referenced in Max Payne 2: The Fall of Max Payne (2003) (VG)

Soundtrack:

Inside My Love

Tarantino's sleeper. An underrated gem of a movie.

Many people were disappointed with 'Jackie Brown' when it was first released as it didn't live up to their expectations created by the more flamboyant 'Reservoir Dogs' and 'Pulp Fiction'. I admit that I was one of those disappointed fans. But as the years have gone by I have come to appreciate this movie more and more, and if you deal with what it IS and not what you thought it was going to be, you'll see that it is an underrated gem of a movie. 'Jackie Brown' is much more character driven and leisurely plotted than Tarantino's previous two movies. I haven't read the Elmore Leonard novel on which it was based so I can't tell whether this was a conscious decision by Tarantino himself, or it's because of the source material, but it might be a stumbling block for those with MTV-style attention spans. 1970s crime movie buffs will find it much easier going. The big names in the cast like De Niro, Jackson and Fonda are all very good, but the real standout performances in this movie are by 70s blaxploitation icon Pam Grier ('Coffy', 'Foxy Brown', 'Black Mama White Mama',etc.etc.) and a revelatory one from Robert Forster. Forster back in the day showed plenty of promise in movies like 'Medium Cool' but quickly found himself stuck in b-grade exploitation movies like 'Vigilante' and 'Alligator'. Fun stuff, but hardly Oscar material. Max Cherry is the best role he has ever been given, and he is superb in it. The fascinating thing about 'Jackie Brown' for me is that Tarantino's critics accuse him of making shallow and violent self-consciously hip crime films, but the central story of this movie concerns an inter-racial Middle Aged romance, something I haven't seen done in a believable or realistic fashion by Hollywood before. By doing this so well Tarantino shows he has much more depth, and is a much more interesting and braver film maker than his more acclaimed contemporaries. 'Jackie Brown' is a fine movie that hopefully one day will get the kudos it deserves. Don't overlook this one just because it isn't 'Pulp Fiction The Next Generation'!