Directed by
Julia Sweeney |
Writing Credits (in alphabetical order)
Julia Sweeney | ... | (writer) |
Cast (in credits order)
Julia Sweeney | ... | Self | |
Quentin Tarantino | ... | Quentin Tarantino |
Produced by
Dawn Todd Curfman | ... | line producer (as Dawn Todd) |
Mark Friedman | ... | associate producer |
Rana Joy Glickman | ... | producer |
Greg Kachel | ... | co-producer |
Quentin Tarantino | ... | executive producer |
Music by
Anthony Marinelli |
Cinematography by
John Hora |
Editing by
Fabienne Rawley |
Production Design by
Gail Bennett |
Art Direction by
Caylah Eddleblute | ||
Steve Joyeur |
Set Decoration by
Thom Biggert |
Costume Design by
Mary Zophres |
Makeup Department
Patrice Ryan | ... | makeup artist |
Production Management
Gregory Bartlett | ... | production manager |
Jon Kuyper | ... | post-production supervisor |
Second Unit Director or Assistant Director
Steven Wren | ... | first assistant director |
Lisa Zupan | ... | second assistant director |
Art Department
Carlos Azucena | ... | assistant art director |
Sound Department
Michael Broomberg | ... | foley artist |
Eric Flickinger | ... | sound recordist |
Trevor Jolly | ... | dialogue editor / supervising sound editor |
Michael Keller | ... | re-recording mixer |
Gerry Lentz | ... | re-recording mixer |
Julie Lucas | ... | assistant sound editor |
Laura Rush | ... | sound utility |
Jackson Schwartz | ... | foley mixer |
Mark Vasconcellos | ... | boom operator |
Richard Weingart | ... | adr mixer (as Rich Weingart) |
Craig Woods | ... | sound |
Visual Effects by
Steven J. Chambers | ... | video assist |
Camera and Electrical Department
Kevin Anderson | ... | light board operator (as Kevin Anderson) |
Greg Brooks | ... | grip |
Tom Cherry | ... | first assistant camera |
Kevin Chickanis | ... | dolly grip |
Foster K. Denker | ... | gaffer (as Foster Denker) |
Jim Ealy | ... | dolly grip |
Alexander Griffiths | ... | best boy grip (as Alexander 'Pie' Griffiths) |
Edward A. Gutentag | ... | first assistant camera (as Ed Gutentag) |
Geoffrey Haley | ... | steadicam operator (as Geoff Haley) |
Arien Hatch | ... | camera loader |
Derek Jensen | ... | key grip |
Joe Martens | ... | electrician |
John Martens | ... | electrician |
Jon Munson | ... | electrician (as John Munson) |
Seo Mutarevic | ... | director of photography: second unit |
Jack Nagle | ... | electrician |
Keith Ogier | ... | second assistant camera |
Ray Patrick | ... | super technocrane operator |
Daniel Pershing | ... | grip |
Tim Pershing | ... | dolly grip |
Stephen Sfetku | ... | second assistant camera (as Steve Sfetku) |
Joseph E. Thibo | ... | camera operator (as Joe Thibo) |
Ron Turowski | ... | first assistant camera |
Editorial Department
Michael Brandt | ... | assistant editor |
Bob Fredrickson | ... | color timer |
David Hamme | ... | colorist |
Alfie Kiernan | ... | post-production assistant |
Erin K. O'Brien | ... | post-production assistant |
Lawrence Siroky | ... | second assistant editor (as Larry Siroky) |
Tim Talbott | ... | post-production coordinator |
Music Department
Mark Curry | ... | music mixer / music recordist |
Tom Eaton | ... | music coordinator |
Elyse Hoyt | ... | music coordinator |
Anthony Marinelli | ... | music producer / orchestrator |
Kendall Marsh | ... | music producer |
Lonnie Sill | ... | music supervisor |
Terry Wilson | ... | music editor |
Peter Erskine | ... | musician (uncredited) |
Script and Continuity Department
Sydney Gilner | ... | script supervisor |
Additional Crew
Greg Kachel | ... | stage director |
Joy Lissandrello | ... | assistant to director |
Alex Norberg | ... | assistant to producer |
Thanks
Michael Hole | ... | thanks |