| Johan Leysen | ... | Daniel Topolski | |
| Dominic West | ... | Donald MacDonald | |
| Dylan Baker | ... | Michael Suarez, S.J. | |
| Geraldine Somerville | ... | Ruth MacDonald | |
| Josh Lucas | ... | Dan Warren | |
| Brian McGovern | ... | Rick Ross | |
| Noah Huntley | ... | Nick Bonham | |
| Edward Atterton | ... | Freddy Prideaux-Jones | |
| Ryan Bollman | ... | Morrison Black | |
| Andrew Clover | ... | Rob Atkins | |
| Jonathan Cake | ... | Patrick Conner | |
| Tom Hollander | ... | Sam Peterson | |
| Nicholas Rowe | ... | David Ball | |
| Patrick Malone | ... | Mike Johnson | |
| Alexis Denisof | ... | Ed Fox | |
| Andrew Tees | ... | John Smythson | |
| Robert Bogue | ... | Jeff Chambers | |
| Clive Merrison | ... | Jack Garnet | |
| Danny Webb | ... | Alan Palmer | |
| Bill Nighy | ... | Jeremy Saville | |
| Timothy Bateson | ... | Porter | |
| Helena Michell | ... | Receptionist | |
| Darcey Bussell | ... | Annabel | |
| David Quilter | ... | Cambridge Coach | |
| Andy Girling | ... | Cambridge President | |
| Daniel Topolski | ... | Umpire | |
| Dave Bushnell | ... | Rowing Squad | |
| Edward Clegg | ... | Rowing Squad | |
| Rob Dauncey | ... | Rowing Squad | |
| Alex Duncan | ... | Rowing Squad | |
| Susie Ellis | ... | Rowing Squad | |
| Jim Goodwin | ... | Rowing Squad | |
| Mark Hussey | ... | Rowing Squad | |
| John Kawaja | ... | Rowing Squad | |
| Rob Perry | ... | Rowing Squad | |
| Justin Waller | ... | Rowing Squad | |
| rest of cast listed alphabetically: | |||
| Harry Fielder | ... | Reporter on boat (uncredited) | |
| Dawn McDaniel | ... | Sloane (uncredited) | |
Directed by | |||
| Ferdinand Fairfax | |||
Writing credits | ||
| Rupert Walters | (screenplay) | |
| Daniel Topolski | (book) and | |
| Patrick Robinson | (book) | |
Produced by | |||
| Davina Belling | .... | producer | |
| Al Burgess | .... | line producer | |
| Clive Parsons | .... | producer | |
| Allan Scott | .... | executive producer | |
Original Music by | |||
| Stanislas Syrewicz | |||
Cinematography by | |||
| Brian Tufano | |||
Film Editing by | |||
| Les Healey | |||
Casting by | |||
| Celestia Fox | |||
| Linda Lowy | |||
Production Design by | |||
| Alison Riva | |||
Art Direction by | |||
| Jane Tomblin | |||
Set Decoration by | |||
| Barbara Herman-Skelding | |||
Costume Design by | |||
| Delphine Roche-Gordon | |||
Makeup Department | |||
| Marilyn MacDonald | .... | hair styles supervisor | |
| Marilyn MacDonald | .... | makeup designer | |
| Marilyn MacDonald | .... | makeup supervisor | |
| Catherine Wilkins | .... | hair stylist | |
| Catherine Wilkins | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Simon Emanuel | .... | third assistant director | |
| Gerry Gavigan | .... | first assistant director | |
| John Locke | .... | co-third assistant director | |
| Paul Taylor | .... | second assistant director | |
Art Department | |||
| Alan Bailey | .... | property master | |
| Leanda Bowden-Smith | .... | property buyer | |
| Tom Burton | .... | stand-by art director | |
| Jim Cleary | .... | stand-by painter | |
| Stan Cook | .... | dressing props | |
| William Edwards | .... | stand-by props | |
| Danny Evans | .... | dressing props | |
| Dave Fisher | .... | stand-by props | |
| Ron Higgins | .... | property storeman | |
| Emma King | .... | art department runner | |
| John Lansbury | .... | stand-by rigger | |
| Matt Noble | .... | stand-by stagehand | |
| Simon Reeves | .... | stand-by carpenter | |
| Dominic Roberts | .... | art department assistant | |
Sound Department | |||
| Mike Bleach | .... | sound assistant | |
| Michael A. Carter | .... | sound re-recording mixer (as Michael Carter) | |
| Anthony Cleal | .... | sound re-recording mixer (as Tony Cleal) | |
| Pat Gilbert | .... | assistant sound editor | |
| Chris Munro | .... | sound mixer | |
| Rocky Phelan | .... | sound effects editor | |
| Jim Shields | .... | sound editor | |
| Otto Snel | .... | sound re-recording mixer | |
| Colin Wood | .... | boom operator | |
Special Effects by | |||
| Jonathan Bullock | .... | special effects technician (uncredited) | |
Camera and Electrical Department | |||
| Giles Christopher | .... | focus puller: second camera | |
| Liam Daniel | .... | still photographer | |
| Deborah Henley | .... | camera trainee | |
| Peter Howard | .... | clapper loader | |
| Ian Jackson | .... | additional photographer | |
| Malcolm Mace | .... | camera operator: boat waterman | |
| Adrian McCarthy | .... | grip | |
| Liam McGill | .... | gaffer | |
| Neil Robertson | .... | clapper loader | |
| Ronnie Savory | .... | generator operator (as Ron Savory) | |
| Bob Shipsey | .... | focus puller | |
| John Turner | .... | electrician | |
| Ivan Williams | .... | best boy | |
Casting Department | |||
| John Brace | .... | casting associate: USA | |
| Louis Elman | .... | adr voice casting | |
| Sophie Lane Fox | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Gordon Harmer | .... | wardrobe assistant | |
| Katherine Hyland | .... | assistant costume designer | |
Editorial Department | |||
| Hermione Byrt | .... | first assistant editor | |
| Giles Gardner | .... | second assistant editor | |
| Lalit Goyal | .... | trainee: FT2 | |
Music Department | |||
| Toby Alington | .... | music mixer | |
| Toby Alington | .... | music recordist | |
| Krzesimir Debski | .... | conductor (as Krzesimir Dembski) | |
| Nic Raine | .... | orchestrator | |
| Andy Richards | .... | rhythm and music programmer | |
| Roger Watson | .... | music supervisor | |
Transportation Department | |||
| Mark Allen | .... | driver | |
| Terry Catlin | .... | driver | |
| Tony Curtin | .... | driver | |
| Ron Digweed | .... | driver | |
| Micky Grover | .... | driver | |
| Peter Hodge | .... | driver | |
| Frank Hughes | .... | driver | |
| Paul Jones | .... | driver | |
| Sid Juett | .... | driver | |
| Tony Leport | .... | driver | |
| Clive Mills | .... | driver | |
| Mike Moran | .... | driver | |
| Eddie Saunders | .... | driver | |
| Harry Smith | .... | driver | |
| Len Smith | .... | driver: props | |
| Steve Timms | .... | driver | |
Thanks | |||
| Duncan Clegg | .... | thanks: Oxford University Boat Club | |
| Josh Copeland | .... | thanks: UCLA Marine Aquatic Centre | |
| Steve Royle | .... | thanks: Oxford University Boat Club | |
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| News articles | IMDb Drama section | IMDb UK section |
| Add this title to MyMovies |
"Aawks-furrd". According to the introductory voice-over, this is where True Blue is set. It seems this was a token attempt not to completely alienate an American audience. For this is a story where poor misguided Oxford rowers draft in wicked Americans to help beat the apparently unstoppable Force Of Nature that is Cambridge University, which has been so unsporting as to actually win the last Boat Race. We are thus drawn into a picturesque but insane world where the motto is "six months' torture for a lifetime's pride". Unfortunately, we have to take part in some of the torture as rowers and coaches bitch at each other about training too much.
If the film could impart some of the ambition and dedication of top athletes to an ideal of winning (as does the book True Blue), then it would be exciting and disturbing. Similarly, if it could give an impression of their personal sacrifices it would remind us of how remarkable the Boat Race actually is in the sport of rowing. Unfortunately, the film falls between the two stools. It fails to show the personal lives of the squad beyond caricatures where bitterness and childish pranks are the norm, and therefore fails to create any sympathy with the characters; yet it also fails to do justice to the sport, showing us actors desperately trying to row as they bat up and down the boat, failing to make any impression on the boat speed except throwing up a lot of water at the camera. Rowing should be a sport that is smooth and beautiful, not rushed and convulsive.
It is only when the film stops using actors and hires real rowers, drops the clunky script (who could forget such lines as "That's unconscionable!"?) and shows us an actual race that the director's skill can come through. He has been spending the rest of the film showing us beautiful but pointless shots of the sun rising over the dreaming spires of Oxford. In this way, the portrayal of the Boat Race itself almost makes up for the excruciating moroseness of the Blue Boat squad that has been flung at us for the last hour.
In the end, if you want to see some nice shots of Oxford, see some well-built rowers in Lycra and hear a pseudo-"Chariots of Fire" soundtrack, you could watch this film. Or you could do a ten-thousand metre work session on a rowing machine, which would be shorter and less painful.