| Videos (see all 8) |
| Ewan McGregor | ... | Renton | |
| Ewen Bremner | ... | Spud | |
| Jonny Lee Miller | ... | Sick Boy | |
| Kevin McKidd | ... | Tommy | |
| Robert Carlyle | ... | Begbie | |
| Kelly Macdonald | ... | Diane | |
| Peter Mullan | ... | Swanney | |
| James Cosmo | ... | Mr. Renton | |
| Eileen Nicholas | ... | Mrs. Renton | |
| Susan Vidler | ... | Allison | |
| Pauline Lynch | ... | Lizzy | |
| Shirley Henderson | ... | Gail | |
| Stuart McQuarrie | ... | Gavin / US Tourist | |
| Irvine Welsh | ... | Mikey Forrester | |
| Dale Winton | ... | Game Show Host | |
| Keith Allen | ... | Dealer | |
| Kevin Allen | ... | Andreas | |
| Annie Louise Ross | ... | Gail's Mother (as Ann-Louise Ross) | |
| Billy Riddoch | ... | Gail's Father | |
| Fiona Bell | ... | Diane's Mother | |
| Vincent Friell | ... | Diane's Father | |
| Hugh Ross | ... | Man | |
| Victor Eadie | ... | Man | |
| Kate Donnelly | ... | Woman | |
| Finlay Welsh | ... | Sheriff | |
| Eddie Nestor | ... | Estate Agent | |
| rest of cast listed alphabetically: | |||
| Tom Delmar | ... | Pub Heavy (uncredited) | |
| Rachael Fleming | ... | Renton's Nurse (uncredited) | |
| John Hodge | ... | Store Security Officer (plain clothes) (uncredited) | |
| Andrew Macdonald | ... | Flat Buyer (uncredited) | |
Directed by | |||
| Danny Boyle | |||
Writing credits | ||
| Irvine Welsh | (novel) | |
| John Hodge | (screenplay) | |
Produced by | |||
| Andrew Macdonald | .... | producer | |
| Christopher Figg | .... | co-producer (uncredited) | |
Cinematography by | |||
| Brian Tufano | (director of photography) | ||
Film Editing by | |||
| Masahiro Hirakubo | |||
Casting by | |||
| Andy Pryor | |||
| Gail Stevens | |||
Production Design by | |||
| Kave Quinn | |||
Art Direction by | |||
| Tracey Gallacher | |||
Costume Design by | |||
| Rachael Fleming | |||
Makeup Department | |||
| Graham Johnston | .... | makeup designer | |
| Robert McCann | .... | hair stylist | |
| Robert McCann | .... | makeup artist | |
Production Management | |||
| Lesley Stewart | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David Gilchrist | .... | first assistant director | |
| Claire Hughes | .... | second assistant director | |
| Ben Johnson | .... | third assistant director | |
Art Department | |||
| Brian Adams | .... | carpenter | |
| Mat Bergel | .... | dressing props | |
| Michelle Bowker | .... | props trainee | |
| Brian Boyne | .... | stand-by stagehand | |
| Stuart Clarke | .... | scenic artist | |
| Frances Connell | .... | draughtsperson | |
| Penny Crawford | .... | set dresser | |
| Stewart Cunningham | .... | stand-by props | |
| Paul Curren | .... | painter | |
| John Donnelly | .... | stagehand | |
| Gordon Fitzgerald | .... | prop master | |
| Colin H. Fraser | .... | construction manager | |
| Derek Fraser | .... | construction chargehand | |
| Bobby Gee | .... | painter | |
| Irene Harris | .... | art department assistant | |
| Richard Hassall | .... | carpenter | |
| Piero Jamieson | .... | dressing props | |
| Scott Keery | .... | stand-by props | |
| Jean Kerr | .... | draughtsperson | |
| Peter Knotts | .... | carpenter | |
| Patterson Lindsay | .... | plasterer (as Paterson Lindsay) | |
| Niki Longmuir | .... | assistant art director | |
| Paul McNamara | .... | props trainee | |
| James Patrick | .... | painter | |
| Alan Payne | .... | art department runner | |
| Bert Ross | .... | stand-by carpenter | |
| Miguel Sapochnik | .... | art department runner (as Miguel Rosenberg-Sapochnik) | |
| Lorna Stewart | .... | art department assistant (as Lorna J. Stewart) | |
| John Watt | .... | carpenter | |
| Stephen Wong | .... | art department trainee | |
Sound Department | |||
| Martin Cantwell | .... | footsteps editor | |
| Tony Cook | .... | boom operator | |
| Richard Fettes | .... | dialogue editor | |
| Ray Merrin | .... | sound re-recording mixer | |
| Jonathan Miller | .... | sound effects editor | |
| Colin Nicolson | .... | sound recordist | |
| Brian Saunders | .... | sound re-recording mixer | |
| Mark Taylor | .... | sound re-recording mixer | |
| Noel Thompson | .... | sound maintenance engineer | |
| James Boyle | .... | assistant sound editor (uncredited) | |
| Iain Eyre | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| Perry Costello | .... | rigging supplier (uncredited) | |
Visual Effects by | |||
| Grant Mason | .... | special visual effects | |
| Tony Steers | .... | special visual effects | |
Stunts | |||
| Tom Delmar | .... | stunt performer | |
| Nrinder Dhudwar | .... | stunt performer | |
| Terry Forestal | .... | stunt arranger (as Terry Forrestal) | |
| Richard Hammatt | .... | stunt performer | |
| Paul Heasman | .... | stunt performer | |
| Tom Lucy | .... | stunt performer | |
| Andreas Petrides | .... | stunt performer | |
| Scott Cowan | .... | utility stunts (uncredited) | |
| Bill Little | .... | utility stunts (uncredited) | |
Camera and Electrical Department | |||
| Simon Bray | .... | Steadicam operator | |
| Lewis Buchan | .... | clapper loader | |
| Willie Cadden | .... | gaffer | |
| Neil Davidson | .... | camera trainee | |
| Arthur Donnelly | .... | electrician | |
| Jimmy Dorigan | .... | electrician | |
| John Duncan | .... | generator operator | |
| Jim Kerr | .... | underwater assistant camera | |
| Liam Longman | .... | still photographer | |
| Adrian McCarthy | .... | grip | |
| Mark Ritchie | .... | best boy | |
| Bob Shipsey | .... | focus puller (as Robert Shipsey) | |
| Mike Valentine | .... | underwater camera operator | |
| Liam Daniel | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Stephen Noble | .... | wardrobe supervisor | |
Editorial Department | |||
| Denton Brown | .... | assistant editor | |
| Anuree De Silva | .... | assembly editor | |
| Neil Williams | .... | assistant editor | |
| Rab Wilson | .... | editor trainee: FT2 | |
Transportation Department | |||
| Robbie Ryan | .... | action vehicles | |
| Eric Smith | .... | driver: camera car | |
| Gregor Telfer | .... | driver: props | |
Thanks | |||
| David Aukin | .... | thanks | |
| David Bryce | .... | special thanks | |
| Jonathan Channon | .... | thanks | |
| Carol Anne Docherty | .... | thanks | |
| Eamon Doherty | .... | special thanks | |
| Richard Findlay | .... | thanks | |
| Sara Geater | .... | thanks | |
| Nicole Jacob | .... | thanks | |
| Archie MacPherson | .... | thanks (as Archie Macpherson) | |
| Allon Reich | .... | thanks | |
| Kay Sheridan | .... | thanks | |
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| Ex Drummer | Candy | Requiem for a Dream | Another Day in Paradise | Little Fish |
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In the aftermath of _Pulp Fiction_, much of the filmmaking of the 1990s thrived upon attempts to appear "edgy" within the constructs of independent films, or merely to provide empty shock value cliches. And no film ever came close to the sheer cleverness of Tarantino's masterpiece.
_Trainspotting_, however, somehow manages to take the excesses of the mid-90s and rise far, far above the cinematic cliches that it easily could have become. A film that tackles any hot-button social issue can, and usually does, simply become a didactic propaganda piece. Thankfully, _Trainspotting_ is vastly more intelligent in its edginess and its shock.
In order to appreciate _Trainspotting_ fully, the viewer must abandon any preconceptions about what defines truly great cinema, because this film defies convention at nearly every turn. And with the rapid pace of its plot, that's quite a bit of ground to cover.
Though a great deal of the picture's brilliance is derived from director Danny Boyle's consistent rejection of typical cinematic techniques, the most satisfying and _best_ aspect of _Trainspotting_ is that Boyle creates a film that is neither pro-drug or anti-drug. Instead, he maintains a rare objectivity throughout the film, depicting this fascinating array of complex, beautifully acted characters with an honesty that it seldom captured on film. And, given the life that each character lives, it's nearly incomprehensible that a director would refrain from influencing the viewer's impressions in any way, yet that's exactly what Boyle does.
The dialogue-- or at least what portions of the brogue-drenched dialogue American viewers will be able to comprehend-- is alternately hilarious, raw, and brutal. And Ewan McGregor, Jonny Lee Miller, and Robert Carlyle bring a remarkable compassion and depth to their portrayals of characters that could have easily lapsed into cliche.
Despite its sheer brilliance, _Trainspotting_ is not a film that's easy to watch. The viewer is bombarded with images that transcend visceral discomfort in their horror-- this movie contains two of the most graphic, horrifying scenes I've ever encountered. But, amazingly, none of these elements is used merely for shock value. Though the viewer will be mortified by some of the things that happen onscreen-- the well-documented dive into Scotland's most vile public toilet, for example-- these scenes all make _perfect sense_ within the context of a masterfully told story.
In order to notice all of the subtlety that also exists in _Trainspotting_, repeat viewings are necessary, primarily to reduce some of the most powerful shocks ever-so-slightly, though their effects are never lost entirely. Some of the images will likely haunt even the most cynical, jaded viewer for weeks.
RATING: 10 out of 10. Never patronizing and completely unpretentious, _Trainspotting_ is one of the most daring, unconventional films ever made. It inspires a level of discomfort rivaled by very few movies, because, even at its most graphic, Boyle never insults the viewer with mere shock tactics. Brilliantly acted, directed, and written, with a truly rare objectivity that allows each viewer to interpret its story on his/her own terms.