Directed by
| Franco Zeffirelli | ||
Writing Credits
| Charlotte Brontë | ... | (novel) |
| Hugh Whitemore | ... | (screenplay) and |
| Franco Zeffirelli | ... | (screenplay) |
| Josep Llurba | ... | (translation and adaptation) |
Cast (in credits order) verified as complete
Produced by
| Guy East | ... | executive producer (uncredited) |
| Joyce Herlihy | ... | associate producer |
| Jean-François Lepetit | ... | co-producer (as Jean Francois Lepetit) |
| Dyson Lovell | ... | producer |
| Riccardo Tozzi | ... | executive producer (uncredited) |
| Bob Weinstein | ... | co-executive producer |
| Harvey Weinstein | ... | co-executive producer |
| Giovannella Zannoni | ... | co-producer |
Music by
| Claudio Capponi | ||
| Alessio Vlad | ||
Cinematography by
| David Watkin | ||
Editing by
| Richard Marden | ||
Casting By
| Noel Davis | ||
Production Design by
| Roger Hall | ||
Art Direction by
| Dennis Bosher | ||
| Raimonda Gaetani | ||
Costume Design by
| Jenny Beavan | ||
Makeup Department
| Maria Teresa Corridoni | ... | hair stylist |
| Richard Glass | ... | contact lens optician |
| Judy Mitchell | ... | makeup artist |
| Sarah Monzani | ... | makeup artist |
| Martin Samuel | ... | hair stylist |
| Jemma Scott-Knox-Gore | ... | contact lens technician |
Production Management
| Angela Allen | ... | post-production supervisor |
| Riccardo Cardarelli | ... | production manager |
| Ray Freeborn | ... | production manager |
Second Unit Director or Assistant Director
| Jonathan Benson | ... | first assistant director |
| Peter Freeman | ... | first assistant director: second unit |
| Mimmola Girosi | ... | first assistant director (as Maria Teresa Girosi) |
| Peter Heslop | ... | second assistant director |
| Paul Higgins | ... | third assistant director |
| Justin Muller | ... | first assistant director |
Art Department
| John Allenby | ... | property master |
| Dennis Bovington | ... | construction manager |
| Karen Brookes | ... | set dresser |
| Peter Childs | ... | draughtsman |
| George Dean | ... | supervising painter |
| Colin Ellis | ... | standby props |
| Andrew Holder | ... | sculpture |
| Tony Mason | ... | supervising painter |
| Tony Mason | ... | Supervising painter |
| Adam O'Neill | ... | draughtsman |
| Brian Read | ... | property buyer |
| John Rose | ... | storyboard artist |
| Howard Weaver | ... | scenic artist |
Sound Department
| Stan Fiferman | ... | foley artist |
| Dean Humphreys | ... | re-recording mixer |
| Jac Rubenstein | ... | sound effects editor |
| David Stephenson | ... | sound mixer |
| Nicholas Stevenson | ... | sound editor |
| Tim J. Carroll | ... | consultant: Dolby Digital (uncredited) |
Special Effects by
| Jeff Clifford | ... | special effects |
| Ricky Farns | ... | special effects (uncredited) |
| Martin Gutteridge | ... | special effects supervisor (uncredited) |
Stunts
| Graeme Crowther | ... | stunt coordinator |
| Joss Gower | ... | stunt double |
Camera and Electrical Department
| Marc Atherfold | ... | camera trainee |
| Robert Binnall | ... | first assistant camera |
| Fred Brown | ... | best boy (as Freddie Brown) |
| Derek V. Browne | ... | director of photography: second unit |
| Clive Coote | ... | still photographer |
| Tommy Finch | ... | gaffer (as Tom Finch) |
| Wick Finch | ... | gaffer: second unit |
| Mark Moriarty | ... | focus puller |
| Clive Prior | ... | second assistant camera |
| Jimmy Turrell | ... | camera operator: second unit |
Casting Department
| Paula Chevallet | ... | casting: France |
| Gary Davy | ... | casting assistant |
| David H. Kramer | ... | adr voice casting |
| Oded Levy | ... | casting assistant |
Costume and Wardrobe Department
| Richard Cooke | ... | costume trainee |
| Jenny Hawkins | ... | wardrobe assistant |
| Janet Tebrooke | ... | wardrobe supervisor |
Editorial Department
| Dan Edelstein | ... | supervising editor |
| Kevin Holt | ... | second assistant editor |
| Matthew Tucker | ... | assistant editor |
Location Management
| Noola Delany | ... | location manager (as Noola Delaney) |
| Rachel Neale | ... | location manager |
Music Department
| Stefano Arnaldi | ... | orchestrator |
| Claudio Capponi | ... | orchestrator |
| Angelo Giovagnoli | ... | music coordinator |
| Claudio Messina | ... | music producer |
| Graham Sutton | ... | music editor |
| Alessio Vlad | ... | orchestrator |
Script and Continuity Department
| Angela Allen | ... | script supervisor |
| Colin Bishop | ... | post-production script (uncredited) |
Additional Crew
| Sabrina Canale | ... | personal assistant: Franco Zeffirelli |
| Juliette Caron | ... | dialogue coach |
| Sheila Carter | ... | choreographer |
| Wayne Docksey | ... | animal master / farm animals (as Wayne Doxey) |
| Francesca Dowd | ... | production assistant |
| Lorraine Fennell | ... | production coordinator |
| Luciano Silighini Garagnani | ... | director assistant |
| Debbie Kaye | ... | horses and carriages |
| John Kearney | ... | horse wrangler |
| Laura Madden | ... | production executive: Miramax |
| Gerard Naprous | ... | riding horses |
| Caroline Pope | ... | choreographer |
| Tristan Whalley | ... | international publicity |
| V. Renee Taylor | ... | mix assistant: New York (uncredited) |
Thanks
| Roger Arar | ... | special thanks |
| Marian Davis | ... | special thanks |
| Carol Levi | ... | special thanks |
| Maggie Pope | ... | special thanks |
| Giuseppe Proietti | ... | special thanks |
| Alberto Soffientini | ... | special thanks |
| Rita Vergantini | ... | special thanks |
