From Dusk Till Dawn (1996)

Director:

Robert Rodriguez

Writers:

Robert Kurtzman (story)
Quentin Tarantino (screenplay)

Release Date:

19 January 1996 (USA)

Genre:

Action | Horror | Thriller

Tagline:

A terrifying evil has been unleashed. And five strangers are our only hope to stop it.

Plot:

Two criminals and their hostages unknowingly seek temporary refuge in an establishment populated by vampires, with chaotic results.

Plot Keywords:

Brother | Fugitive | Mexico | Vampire | On The Run

Awards:

4 wins & 8 nominations

Cast

Harvey Keitel	...	Jacob Fuller
George Clooney	...	Seth Gecko
Quentin Tarantino	...	Richard Gecko
Juliette Lewis	...	Kate Fuller
Ernest Liu	...	Scott Fuller
Salma Hayek	...	Santanico Pandemonium
Cheech Marin	...	Border Guard / Chet Pussy / Carlos
Danny Trejo	...	Razor Charlie
Tom Savini	...	Sex Machine
Fred Williamson	...	Frost
Michael Parks	...	Texas Ranger Earl McGraw
Brenda Hillhouse	...	Hostage Gloria Hill
John Saxon	...	FBI Agent Stanley Chase
Marc Lawrence	...	Old Timer Motel Owner
Kelly Preston	...	Newscaster Kelly Houge

MPAA:

Rated R for strong violence and gore, language and nudity.

Runtime:

108 min

Country:

USA

Language:

English | Spanish

Colour:

Colour (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

SDDS (8 channels) | Dolby Digital

Certification:

New Zealand:R18 | Ireland:(Banned) | South Korea:18 | Philippines:R-18 | Australia:MA (Cable TV rating) | Argentina:18 | Australia:R | Belgium:KNT | Canada:16+ (Quebec) | Canada:R | Chile:18 | Denmark:15 | Finland:K-18 | France:-12 (re-rating) | France:-16 (original rating) | Germany:16 (cut) | Germany:18 | Hong Kong:III | Iceland:16 | Ireland:18 (re-rating) (2004) | Italy:VM14 (re-rating) (1998) | Italy:VM18 (original rating) | Netherlands:16 | Norway:18 | Peru:18 | Poland:18 | Portugal:M/16 | Singapore:M18 | Spain:18 | Sweden:15 | UK:18 | USA:R (certificate #34314) | Germany:BPjM Restricted

Filming Locations:

Austin, Texas, USA

Company:

Dimension Films

Trivia:

If you look closely, when Cheech Marin is playing the Customs Agent, his name badge says, "Oscar Marin" which is Cheech's real-life father's name. His father was an LAPD officer.

Goofs:

Factual errors: The RV is heading into Mexico from the US and therefore would be subject to scrutiny and questioning by Mexican customs, not US customs as depicted. The only US border authority interaction would be payment of a crossing fee.

Quotes:

[first lines]
Pete Bottoms: Hey, Earl
Earl McGraw: Yes, sir.
Pete Bottoms: What do ya know?
Earl McGraw: Well, it's a hot goddam day

Movie Connections:

Spoofed in Ridskolan 2: Sexskolan (2003) (V)

Soundtrack:

Foolish Heart

Great action-packed thrill ride!

Directors Robert Rodriguez and Quentin Tarantino are probably the two most recognizable faces of the generation of filmmakers who had their start in the independent scene of the early 90s. Rodriguez had a tremendous success with his western-inspired action movie "El Mariachi" while Tarantino reached fame and glory after updating heist movies in "Reservoir Dogs". Their friendship lead them to make movies together starting with "Four Rooms", but together with make-up masters Kurtzman, Nicotero and Berger the two young directors crafted one of the most original movies of the 90s: "From Dusk Till Dawn".

The plot starts with the escape of two criminal brothers, Seth (George Clooney) and Richard Gecko (Tarantino himself) and their effort to reach Mexico kidnapping the family of a faith-less preacher named Jacob Fuller (Harvey Keitel) who was traveling with his daughter Kate (Juliette Lewis) and his son Scott (Ernest Liu). In their escape the group will arrive to a Mexican strip club where nothing is what it seems.

The story (by Kurtzman) is a very good mix of action, western and horror cleverly put together in Tarantino's witty script. Rodriguez direction gives the film the a 70s feeling that gives the movie a Drive-In spirit pretty much in tone with the plot. In fact, at times the film feels like an updated version of exploitation action films of that era. This lack of pretensions makes it even more enjoyable as it never tries to be something else than pure entertainment.

The movie is interestingly divided in two, the first half dedicated to establishing the relationships between the characters, particularly the complicated clash of the Geckos and the Fullers, in a typical Tarantino style crime/drama fashion; on the other hand, the second half is an action packed thrill ride on the style of 70s action movies that clearly shows John Carpenter's influence over Rodriguez. While it is definitely a tribute to their influences, the Rodriguez/Tarantino team create a solid movie that stands on its own as a very original take on horror movies.

The acting is very effective, with George Clooney carrying the film as the cool-headed older brother who has to take care of his psychotic younger brother. Tarantino is average, but he was certainly having fun with the role. Keitel is terrific as always and is perfect as the faithless pastor who doesn't trust in God anymore. Apearances by Salma Hayek and make-up virtuoso Tom Savini have small but unforgettable roles. Savini steals the film in his role as a biker that brings back memories of his part in Romero's classic "Dawn of the Dead". All in all is a very complete and solid cast that certainly gives the movie a very special flavor.

The special effects by KNB are top-notch, but the CGI used in some scenes is poor when compared to the traditional prosthetic make-up employed in the rest of the film. While the violence is never intended to be realistic, the poor CGI at times make it look more cartoon-like than what it was supposed to be, but it is not a real damaging flaw and the film is still highly enjoyable.

Rodriguez has always done films to have fun, and this is what has set him apart from other filmmakers (Tarantino included). His lack of pretensions and his dedication to his craft seem to transmit the fun he has making movies to the audience who watches them. While his films may not have an introspective depth or a high philosophical meaning, they work perfectly as entertainment of the highest quality. This underrated film is probably among his best and most enjoyable films of his young career. 8/10