| Keeley Hawes | ... | Linda Langer (4 episodes, 1996) | |
| Albert Finney | ... | Daniel Feeld (3 episodes, 1996) | |
| Richard E. Grant | ... | Nick Balmer (3 episodes, 1996) | |
| Hywel Bennett | ... | Arthur 'Pig' Mallion (3 episodes, 1996) | |
| Roy Hudd | ... | Ben Baglin (3 episodes, 1996) | |
| Saffron Burrows | ... | Sandra Sollars (3 episodes, 1996) | |
| Ian McDiarmid | ... | Oliver Morse (3 episodes, 1996) | |
| Simon Donald | ... | Ian (3 episodes, 1996) | |
| Steven Mackintosh | ... | Waiter (Movie) (3 episodes, 1996) | |
| Neil Stuke | ... | Peter (Movie) (3 episodes, 1996) | |
| Anna Chancellor | ... | Anna Griffiths (2 episodes, 1996) | |
| Liz Smith | ... | Mrs.Baglin (2 episodes, 1996) | |
| Alison Steadman | ... | Mrs.Haynes (2 episodes, 1996) | |
| Kate O'Toole | ... | Staff Nurse (2 episodes, 1996) | |
| Fay Ripley | ... | Club Barmaid (2 episodes, 1996) |
Series Directed by | |||
| Renny Rye | (4 episodes, 1996) | ||
Series Writing credits | ||
| Dennis Potter | (4 episodes, 1996) | |
Series Produced by | |||
| Peter Ansorge | .... | executive producer (4 episodes, 1996) | |
| Alison Barnett | .... | associate producer (4 episodes, 1996) | |
| Kenith Trodd | .... | producer (4 episodes, 1996) | |
| Michael Wearing | .... | executive producer (4 episodes, 1996) | |
| Rosemarie Whitman | .... | producer (4 episodes, 1996) | |
Series Original Music by | |||
| Christopher Gunning | (4 episodes, 1996) | ||
Series Cinematography by | |||
| Ashley Rowe | (4 episodes, 1996) | ||
Series Film Editing by | |||
| Clare Douglas | (3 episodes, 1996) | ||
Series Casting by | |||
| Mary Selway | (4 episodes, 1996) | ||
| Sarah Trevis | (4 episodes, 1996) | ||
Series Production Design by | |||
| Gary Williamson | (4 episodes, 1996) | ||
Series Art Direction by | |||
| Sarah Jane Cornish | (4 episodes, 1996) | ||
| Paul Cross | (4 episodes, 1996) | ||
Series Costume Design by | |||
| Janty Yates | (4 episodes, 1996) | ||
Series Makeup Department | |||
| Alan Boyle | .... | makeup artist: Albert Finney (4 episodes, 1996) | |
| Elaine Davis | .... | makeup artist (4 episodes, 1996) | |
| Carmel Jackson | .... | makeup artist (4 episodes, 1996) | |
| Dorka Nieradzik | .... | hair designer / makeup designer (4 episodes, 1996) | |
Series Production Management | |||
| Shelley Powell | .... | post-production supervisor (4 episodes, 1996) | |
Series Second Unit Director or Assistant Director | |||
| Adam Goodman | .... | second assistant director (4 episodes, 1996) | |
| Sallie Anne Hard | .... | third assistant director (4 episodes, 1996) | |
| Nick Heckstall-Smith | .... | first assistant director (4 episodes, 1996) | |
| Jo Marshall | .... | third assistant director (4 episodes, 1996) | |
Series Art Department | |||
| John Bohan | .... | construction coordinator (4 episodes, 1996) | |
| Judy Farr | .... | set dresser (4 episodes, 1996) | |
| Sarah Hauldren | .... | assistant art director (4 episodes, 1996) | |
| Robin Heinson | .... | painter (4 episodes, 1996) | |
| Chas Johnson | .... | property master (4 episodes, 1996) | |
| Dave Morris | .... | property buyer (4 episodes, 1996) | |
Series Sound Department | |||
| Mark Auguste | .... | sound editor (4 episodes, 1996) | |
| Simon Firsht | .... | sound maintenance (4 episodes, 1996) | |
| Dominic Lester | .... | dubbing mixer (4 episodes, 1996) | |
| John Midgley | .... | sound recordist (4 episodes, 1996) | |
| Robin O'Donoghue | .... | dubbing mixer (4 episodes, 1996) | |
| Clive Osborne | .... | boom operator (4 episodes, 1996) | |
Series Visual Effects by | |||
| Stuart Brisdon | .... | visual special effects (4 episodes, 1996) | |
Series Camera and Electrical Department | |||
| Catherine Brandish | .... | clapper loader (4 episodes, 1996) | |
| Ian Clark | .... | focus puller (4 episodes, 1996) | |
| Kevin Higgins | .... | grip (4 episodes, 1996) | |
| Kevin Rudge | .... | clapper loader (4 episodes, 1996) | |
| Andrew Taylor | .... | gaffer (4 episodes, 1996) | |
| John Whickman | .... | best boy (4 episodes, 1996) | |
Series Costume and Wardrobe Department | |||
| Amanda Trewin | .... | costume assistant (4 episodes, 1996) | |
| Marion Weise | .... | costume supervisor (4 episodes, 1996) | |
Series Editorial Department | |||
| Wendy Edgar-Jones | .... | assistant editor (4 episodes, 1996) | |
| Mark Lane | .... | assistant editor (4 episodes, 1996) | |
Series Other crew | |||
| Lindy Davies | .... | performance consultant (4 episodes, 1996) | |
| Sam Donovan | .... | script supervisor (4 episodes, 1996) | |
| Lisa Gravelle | .... | location manager (4 episodes, 1996) | |
| Sarah Hammond | .... | assistant to producers (4 episodes, 1996) | |
| Alexandra Harris | .... | assistant to producer (4 episodes, 1996) | |
| Vivien Jordan | .... | production coordinator (4 episodes, 1996) | |
| Sandra Nixon | .... | production accountant (4 episodes, 1996) | |
| Jane Soans | .... | location manager (4 episodes, 1996) | |
| Jo Thomas | .... | assistant to producers (4 episodes, 1996) | |
| Mariam Vossough | .... | production assistant (4 episodes, 1996) | |
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| The Stunt Man | The White Countess | "Cold Lazarus" | Love Actually | The Kite Runner |
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Quite simply, this is a stunning example of how good writing for television can be. Or writing, period, for that matter. It doesn't hurt that the cast, led by the indomitable Albert Finney, give uniformly great performances, but as with all of Dennis Potter's work, it's the virtuosity of the writing that reels you in, making you laugh hysterically in between (or sometimes during) scenes of unbelieveable sadness or poignancy. He was a true gem. I taped this miniseries when it was on Bravo five or six years ago and just watched it again for only the second time, and once again, it took my breath away. Viva Potter!