| Keeley Hawes | ... | Linda Langer (4 episodes, 1996) | |
| Albert Finney | ... | Daniel Feeld (3 episodes, 1996) | |
| Richard E. Grant | ... | Nick Balmer (3 episodes, 1996) | |
| Hywel Bennett | ... | Arthur 'Pig' Mallion (3 episodes, 1996) | |
| Roy Hudd | ... | Ben Baglin (3 episodes, 1996) | |
| Saffron Burrows | ... | Sandra Sollars (3 episodes, 1996) | |
| Ian McDiarmid | ... | Oliver Morse (3 episodes, 1996) | |
| Simon Donald | ... | Ian (3 episodes, 1996) | |
| Steven Mackintosh | ... | Waiter (Movie) (3 episodes, 1996) | |
| Neil Stuke | ... | Peter (Movie) (3 episodes, 1996) | |
| Anna Chancellor | ... | Anna Griffiths (2 episodes, 1996) | |
| Liz Smith | ... | Mrs.Baglin (2 episodes, 1996) | |
| Alison Steadman | ... | Mrs.Haynes (2 episodes, 1996) | |
| Kate O'Toole | ... | Staff Nurse (2 episodes, 1996) | |
| Fay Ripley | ... | Club Barmaid (2 episodes, 1996) |
Series Directed by | |||
| Renny Rye | (4 episodes, 1996) | ||
Series Writing credits | ||
| Dennis Potter | (4 episodes, 1996) | |
Series Produced by | |||
| Peter Ansorge | .... | executive producer (4 episodes, 1996) | |
| Alison Barnett | .... | associate producer (4 episodes, 1996) | |
| Kenith Trodd | .... | producer (4 episodes, 1996) | |
| Michael Wearing | .... | executive producer (4 episodes, 1996) | |
| Rosemarie Whitman | .... | producer (4 episodes, 1996) | |
Series Original Music by | |||
| Christopher Gunning | (4 episodes, 1996) | ||
Series Cinematography by | |||
| Ashley Rowe | (4 episodes, 1996) | ||
Series Film Editing by | |||
| Clare Douglas | (3 episodes, 1996) | ||
Series Casting by | |||
| Mary Selway | (4 episodes, 1996) | ||
| Sarah Trevis | (4 episodes, 1996) | ||
Series Production Design by | |||
| Gary Williamson | (4 episodes, 1996) | ||
Series Art Direction by | |||
| Sarah Jane Cornish | (4 episodes, 1996) | ||
| Paul Cross | (4 episodes, 1996) | ||
Series Costume Design by | |||
| Janty Yates | (4 episodes, 1996) | ||
Series Makeup Department | |||
| Alan Boyle | .... | makeup artist: Albert Finney (4 episodes, 1996) | |
| Elaine Davis | .... | makeup artist (4 episodes, 1996) | |
| Carmel Jackson | .... | makeup artist (4 episodes, 1996) | |
| Dorka Nieradzik | .... | hair designer / makeup designer (4 episodes, 1996) | |
Series Production Management | |||
| Shelley Powell | .... | post-production supervisor (4 episodes, 1996) | |
Series Second Unit Director or Assistant Director | |||
| Adam Goodman | .... | second assistant director (4 episodes, 1996) | |
| Sallie Anne Hard | .... | third assistant director (4 episodes, 1996) | |
| Nick Heckstall-Smith | .... | first assistant director (4 episodes, 1996) | |
| Jo Marshall | .... | third assistant director (4 episodes, 1996) | |
Series Art Department | |||
| John Bohan | .... | construction coordinator (4 episodes, 1996) | |
| Judy Farr | .... | set dresser (4 episodes, 1996) | |
| Sarah Hauldren | .... | assistant art director (4 episodes, 1996) | |
| Robin Heinson | .... | painter (4 episodes, 1996) | |
| Chas Johnson | .... | property master (4 episodes, 1996) | |
| Dave Morris | .... | property buyer (4 episodes, 1996) | |
Series Sound Department | |||
| Mark Auguste | .... | sound editor (4 episodes, 1996) | |
| Simon Firsht | .... | sound maintenance (4 episodes, 1996) | |
| Dominic Lester | .... | dubbing mixer (4 episodes, 1996) | |
| John Midgley | .... | sound recordist (4 episodes, 1996) | |
| Robin O'Donoghue | .... | dubbing mixer (4 episodes, 1996) | |
| Clive Osborne | .... | boom operator (4 episodes, 1996) | |
Series Visual Effects by | |||
| Stuart Brisdon | .... | visual special effects (4 episodes, 1996) | |
Series Camera and Electrical Department | |||
| Catherine Brandish | .... | clapper loader (4 episodes, 1996) | |
| Ian Clark | .... | focus puller (4 episodes, 1996) | |
| Kevin Higgins | .... | grip (4 episodes, 1996) | |
| Kevin Rudge | .... | clapper loader (4 episodes, 1996) | |
| Andrew Taylor | .... | gaffer (4 episodes, 1996) | |
| John Whickman | .... | best boy (4 episodes, 1996) | |
Series Costume and Wardrobe Department | |||
| Amanda Trewin | .... | costume assistant (4 episodes, 1996) | |
| Marion Weise | .... | costume supervisor (4 episodes, 1996) | |
Series Editorial Department | |||
| Wendy Edgar-Jones | .... | assistant editor (4 episodes, 1996) | |
| Mark Lane | .... | assistant editor (4 episodes, 1996) | |
Series Other crew | |||
| Lindy Davies | .... | performance consultant (4 episodes, 1996) | |
| Sam Donovan | .... | script supervisor (4 episodes, 1996) | |
| Lisa Gravelle | .... | location manager (4 episodes, 1996) | |
| Sarah Hammond | .... | assistant to producers (4 episodes, 1996) | |
| Alexandra Harris | .... | assistant to producer (4 episodes, 1996) | |
| Vivien Jordan | .... | production coordinator (4 episodes, 1996) | |
| Sandra Nixon | .... | production accountant (4 episodes, 1996) | |
| Jane Soans | .... | location manager (4 episodes, 1996) | |
| Jo Thomas | .... | assistant to producers (4 episodes, 1996) | |
| Mariam Vossough | .... | production assistant (4 episodes, 1996) | |
|
|
|
|
|
| "Cold Lazarus" | The Majestic | Map of the Human Heart | Perfect Strangers | Love Actually |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Episode guide | Full cast and crew | Company credits |
| IMDb TV section | IMDb Drama section | IMDb UK section |
| Add this title to MyMovies |
Dennis Potter, who passes before these works, "Karaoke and Cold Lazarus" could be produced, asked in his last interview with Melvyn Bragg, "Where will the writers who want to tell stories about life as it truly is, beneath the hype and glitter, get their opportunity as I did in the 60's, in our current world of Rupert Murdoch sensibilities?" Karaoke is a tale of personal responsibility that reaches deeper than "E-network" can imagine in its most profoundly affected moments of easy sanctimony and sentimentality. This play should be at the peak of viewing assignments for all students of what TV can really do and be in a democracy that is real, not just a convenient platitude. Dennis Potter may have been the "Shakespeare" of our times. We will be lucky if such integrity and eloquence graces us again.