A boat has been destroyed, criminals are dead, and the key to this mystery lies with the only survivor and his twisted, convoluted story beginning with five career crooks in a seemingly random police lineup.
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Parisian murder detective commissioner Pierre Niemans is called to Gueron, a self-sufficient, prestigious university in a mountain valley, to investigate the murder on 32-year old professor... See full summary »
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The gruesome discovery of a severed human ear he found in a field leads a young man on a dark and dangerous journey into a dark and sinister underworld that exists in his hometown.
Director:
David Lynch
Stars:
Isabella Rossellini,
Kyle MacLachlan,
Dennis Hopper
A congressman's daughter under Secret Service protection is kidnapped from a private school by an insider who calls Det. Alex Cross, sucking him into the case even though he's recovering from the loss of his partner.
Director:
Lee Tamahori
Stars:
Morgan Freeman,
Michael Wincott,
Monica Potter
A police detective uncovers a conspiracy behind a case involving a high school guidance counselor, when accusations of rape are made against him by two female students.
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Director:
David Mamet
Stars:
Lindsay Crouse,
Joe Mantegna,
Mike Nussbaum
Following a truck hijack in New York, five conmen are arrested and brought together for questioning. As none of them is guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze? Written by
Soumitra
In the original script, the opening scene was longer featuring a subplot of Keaton (Gabriel Byrne) planting a bomb on the ship. It was shot but later left on the cutting floor. Part of it remained with Keaton asking Keyzer, "What time is it?". Because of the last minute change, all shots of the exploding ship were shot at Director Bryan Singer's backyard. See more »
Goofs
Keaton calls the Hungarian language "Russian", although it sounds nothing like it. The Verbal character corrects this. See more »
The editor, John Ottman, edited the movie on film. He felt that all the editing done electronically at the time was horrible because all the good editors were still working on film (which is much more difficult). Because of this he thought about putting "Edited on a piece of s*** Steenbeck" at the end of the credits, but instead settled for the more subtle line "Edited on film." Tim Robbins was directing 'Dead Man Walking' at the time and heard about John's idea, which sparked that film's credit ending of "This film was edited on old machines." See more »
If plagiarism were a crime in film techniques, director Bryan Singer would be imprisoned for life. Screenwriter Christopher McQuarrie would be serving a similar sentence. However, since it is not, Singer and MacQuarrie (who have joined forces again after the not-so-successful PUBLIC ACCESS) took advantage and duplicated nothing but the best. From CASABLANCA to PULP FICTION, and even a version of a line (intentionally or otherwise) from BUTCH CASSIDY AND THE SUNDANCE KID.
Many people oppose watching a film with a twist a second time. I disagree. By watching it again you can observe how the director and the screenwriter have hidden and revealed clues, how they have tried to steer the audience away from the ending. First time is for entertainment. Second time is for art. This film is certainly worthwhile to see again. To date, I have watched it five times. (Two of those five times I thought, 'well, I'll just watch about half-an-hour,' but ended up watching the entire film because it is so entertaining.) I'm not exactly a noir fan, so it is assured that this particular crime film appeals to a wider audience.
THE USUAL SUSPECTS has a skilled director, an engrossing screenplay, and ten praiseworthy performances. The film runs a fast 105 minutes. Don't miss a minute of it.
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If plagiarism were a crime in film techniques, director Bryan Singer would be imprisoned for life. Screenwriter Christopher McQuarrie would be serving a similar sentence. However, since it is not, Singer and MacQuarrie (who have joined forces again after the not-so-successful PUBLIC ACCESS) took advantage and duplicated nothing but the best. From CASABLANCA to PULP FICTION, and even a version of a line (intentionally or otherwise) from BUTCH CASSIDY AND THE SUNDANCE KID.
Many people oppose watching a film with a twist a second time. I disagree. By watching it again you can observe how the director and the screenwriter have hidden and revealed clues, how they have tried to steer the audience away from the ending. First time is for entertainment. Second time is for art. This film is certainly worthwhile to see again. To date, I have watched it five times. (Two of those five times I thought, 'well, I'll just watch about half-an-hour,' but ended up watching the entire film because it is so entertaining.) I'm not exactly a noir fan, so it is assured that this particular crime film appeals to a wider audience.
THE USUAL SUSPECTS has a skilled director, an engrossing screenplay, and ten praiseworthy performances. The film runs a fast 105 minutes. Don't miss a minute of it.