Total Eclipse (1995)

User Rating:

6.3/10   

Director:

Agnieszka Holland

Writer:

Christopher Hampton (screenplay)

Release Date:

3 November 1995 (USA)

Genre:

Biography | Drama | Romance

Tagline:

Touched by Genius. Cursed by Madness. Blinded by Love.

Plot:

The self-destructive relationship between 19th-century teenage French poet Arthur Rimbaud and his older mentor Paul Verlaine.

Plot Keywords:

Poet | Pregnant Wife | 19th Century | Mentor | Prison

Awards:

1 nomination

Cast

Leonardo DiCaprio	...	Arthur Rimbaud
David Thewlis	...	Paul Verlaine
Romane Bohringer	...	Mathilde Maute
Dominique Blanc	...	Isabelle Rimbaud
Felicie Pasotti Cabarbaye	...	Isabelle, as a child
Nita Klein	...	Rimbaud's Mother
James Thiérrée	...	Frederic
Emmanuelle Oppo	...	Vitalie
Denise Chalem	...	Mrs. Maute De Fleurville
Andrzej Seweryn	...	Mr. Maute De Fleurville
Christopher Thompson	...	Carjat
Bruce Van Barthold	...	Aicard
Christopher Chaplin	...	Charles Cros
Christopher Hampton	...	The Judge
Mathias Jung	...	Andre

Also Known As:

Eclipse totale (France) (DVD title)
Rimbaud Verlaine (France)

MPAA:

Rated R for strong sexuality and nudity, language, and some startling violence.

Runtime:

111 min

Country:

UK | France | Belgium

Language:

English

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby SR

Certification:

Iceland:16 | Australia:MA (15+) | Singapore:(Banned) | Denmark:15 (video rating) (self applied) | Argentina:16 | Canada:13+ (Quebec) | Canada:18 (Nova Scotia) | Canada:R (Manitoba/Ontario) | Germany:12 | Hong Kong:III | Italy:VM18 | Portugal:M/16 | South Korea:18 | Spain:18 | UK:18 | USA:R

Filming Locations:

Antwerp, Flanders, Belgium

Company:

FIT Productions

Trivia:

Ouzo was used as a replacement for absinthe for the drinking scenes filmed on the first day. Because the scene turned out so well, method drinking was adopted for the rest of filming. As a result, Thewlis had admitted in a interview that he can't really remember making the film at all.

Goofs:

Anachronisms: In the Café Andre where the adult Isabelle Rimbaud meets with Paul Verlaine, the typeface on the window is clearly in Helvetica, a typeface that was not created until 1954.

Quotes:

[first lines]
Paul Verlaine: Sometimes he speaks in a kind of tender dialect of the death which causes repentence, of the unhappy men who certainly exist, of painful tasks and heartrending departures. In the hovels where we got drunk he wept looking at those who surrounded us, the cattle of poverty...

Movie Connections:

Remake of Teljes napfogyatkozás (1989) (TV)

Genius

Genius is by nature sui generis. Most of us can only observe and wonder, and from time to time pretend we are similarly gifted. As for the actual behavior of genius, it almost always entails what is commonly known as bad manners.

The other striking feature of genius, for some but not all, is what is commonly known as insanity. Although modern science has defined various types of mental disorder and found causes and cures for some of them, it really begs the question to try to judge character or morality on the basis of scientific data. Art lies after all outside the realm of science, and always will do.

Having said that, I believe the film Total Eclipse must be reviewed or criticized solely on whether it is a good work of art. My opinion is that it succeeds at some levels, and fails at others.

I accept that the writer and director knew exactly what they were doing at every step. Except for a few quibbles about editing, I agree that the artistic concept and the technique are first rate. The musical score is excellent. The camera angles are generally adept at conveying the actions and emotions of the cast. Outdoor scenes tend to be well conceived.

Unfortunately, all that falls by the wayside because of flaws in relating the story accurately and well to its origins. Anyone familiar with the lives and work of Verlaine and Rimbaud can only cringe at the superficiality of this film. As many others have pointed out, scant attention is paid to verse, and then only in a language -- English -- that only approximates the original. It would have been a graceful beginning to make this film in France with French characters speaking French, then allowing the subtitles to fill in the gaps for non-French-speaking viewers.

What that conclusion implies, of course, is that the primary cast is wrong for this film. I really hate to say that, because DiCaprio and Thewlis are great actors doing the best they can to carry the film forward. Although I would have picked a different physical specimen for the role of Verlaine (for some odd reason the face of the late German director Fassbinder comes to mind), the choice of an androgyne for Rimbaud was physically right on target.

Finally, I am appalled at some of the comments here that betray a preoccupation with sex. "Zany" is the only word one can apply to subjective and even judgmental interpretations of this film about this or that scene or bit of action not in accord with a viewer's personal sexual expectations. My own view is that this was, if anything, a highly bowdlerized adaptation of reality.

In short, recast this in French, and focus more on the full text of Rimbaud's genius.