15 October 1996 (USA) more
Wallace falls for Wendolene, a wool shop owner, while Gromit is framed for the sheep rustling. full summary | add synopsis
Won Oscar. Another 17 wins more
Happy 20th anniversary, Wallace and Gromit!
(From Comicmix. 4 November 2009, 7:33 PM, PST)
Wallace & Gromit: The Complete Collection Blu-ray Review
(From Collider.com. 25 October 2009, 8:08 AM, PDT)
Close to perfect. more (39 total)
| Peter Sallis | ... | Wallace (voice) | |
| Anne Reid | ... | Wendolene Ramsbottom (voice) |
Directed by | |||
| Nick Park | |||
Writing credits | ||
| Bob Baker | (written by) & | |
| Nick Park | (written by) | |
Produced by | |||
| Peter Lord | .... | executive producer | |
| Colin Rose | .... | executive producer: BBC | |
| Michael Rose | .... | producer | |
| Carla Shelley | .... | producer | |
| David Sproxton | .... | executive producer | |
Original Music by | |||
| Julian Nott | |||
Cinematography by | |||
| Dave Alex Riddett | (director of photography) | ||
Film Editing by | |||
| Helen Garrard | |||
Art Direction by | |||
| Phil Lewis | |||
Art Department | |||
| Trisha Budd | .... | assistant art director: props | |
| Tim Farrington | .... | scenic artist | |
| Richard Higgs | .... | graphic designer | |
| Michael Salter | .... | storyboard artist | |
| Jason Spencer Galsworthy | .... | model maker | |
| Zennor Witney | .... | model maker | |
Sound Department | |||
| Paul Hamblin | .... | dubbing mixer | |
| Adrian Rhodes | .... | dubbing editor | |
| Jack Stew | .... | foley artist | |
Visual Effects by | |||
| Jeff Cliff | .... | mechanical models | |
| Linda Langley | .... | model sculptor | |
| Del Lawson | .... | model technician | |
| John Parsons | .... | model coordinator | |
| John Wright | .... | mechanical models | |
| Stella Bogh | .... | digital compositor (uncredited) | |
| Pete Hanson | .... | studio manager: CFC (uncredited) | |
| Alison O'Brien | .... | visual effects producer (uncredited) | |
| Kevin Phelan | .... | scanning and recording producer: CFC (uncredited) | |
| Tim Wellspring | .... | visual effects coordinator: CFC (uncredited) | |
Camera and Electrical Department | |||
| John Bradley | .... | gaffer | |
| Simon Jacobs | .... | photographer | |
| Sam James | .... | camera operator | |
| Ian Jewels | .... | gaffer | |
| Tristan Oliver | .... | photographer | |
| Frank Passingham | .... | photographer | |
| Paul Smith | .... | camera operator | |
| Nick Upton | .... | camera assistant | |
Animation Department | |||
| Steve Box | .... | key character animator | |
| Gary Cureton | .... | character animator | |
| Sergio Delfino | .... | assistant animator | |
| Nick Park | .... | character animator | |
| Peter Peake | .... | character animator | |
| Loyd Price | .... | character animator | |
| Nick Upton | .... | animation assistant | |
| Ian Whitlock | .... | assistant animator | |
| Allan Yates | .... | animation systems engineer | |
Editorial Department | |||
| Bridget Mazzey | .... | assistant film editor | |
| Tasmin Parry | .... | assistant film editor | |
Music Department | |||
| Nic Raine | .... | orchestrator (uncredited) | |
| Simon Rhodes | .... | music scoring mixer (uncredited) | |
Other crew | |||
| Alan Gregory | .... | technical crew | |
| Bob Gregory | .... | technical crew | |
| Glenn Hall | .... | technical crew | |
| Harry Linden | .... | floor manager | |
| John Oaten | .... | technical crew | |
| Peter Thornton | .... | production consultant | |
Thanks | |||
| Tara Bacon | .... | thanks | |
| Lisa Bilbe | .... | thanks | |
| Mike Booth | .... | thanks | |
| Elizabeth Buttler | .... | thanks | |
| Douglas Calder | .... | thanks | |
| Ben Cook | .... | thanks | |
| Charles Copping | .... | thanks | |
| Maxine Guest | .... | thanks | |
| Toby Hannam | .... | thanks | |
| Beverley Issacs | .... | thanks | |
| Curtis Jobling | .... | thanks | |
| Janet Legg | .... | thanks | |
| Beth MacDonald | .... | thanks | |
| Stuart Markovic | .... | thanks | |
| Jason Marshall | .... | thanks | |
| John McAleavy | .... | thanks | |
| Viv Paeper | .... | thanks | |
| Darren Robbie | .... | thanks | |
| Susannah Shaw | .... | thanks | |
| Arthur Sheriff | .... | thanks (as Arthur Sherriff) | |
| Barry Shutler | .... | thanks | |
| John Truckle | .... | thanks | |
| Adam Vernon | .... | thanks | |
| Sophie Wright | .... | thanks | |
A Close Shave (UK) (short title)
more
30 min
1.37 : 1 more
Finland:S | Brazil:Livre | Argentina:Atp | Spain:T | South Korea:All | Sweden:7 | UK:U | USA:Unrated | Australia:G
There is a large billboard with a painting of a baker and the slogan "Buy Bob's Buns." The co-writer of the film is Bob Baker. more
Continuity: The porridge gun shoots at Wallace, and some of it lands on the wall. In the next shot, the porridge is gone. more
Wendolene Ramsbottom:
I'm sorry about this.
Wallace:
For what?
Wendolene Ramsbottom:
Nothing. Just stay away from me, from my shop, and my silly, silly windows.
more
Featured in "Room 101: (#10.5)" (2005) more
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| A Grand Day Out with Wallace and Gromit | Wallace & Gromit in The Curse of the Were-Rabbit | Chicken Run | Underdog | Back to the Future Part III |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb UK section |
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Even though the story is probably less impressive- and overdone when compared to the other Wallace & Gromit shorts, it still probably is my favorite. It's simply such a fine and entertaining movie to watch, not in the least because it has Preston, the evil villain dog in it and a whole bunch of sheep.
It's an impressive looking movie, with some surprising big sequences. What I always love about the Wallace & Gromit movies is that they often feature some amazing build-up and shot action sequences and chases in particular. It's often worth the price alone already.
This was the second Wallace & Gromit short to win an Oscar for best animated short, which not only proofs the quality and entertainment level of the Wallace & Gromit shorts but shows as well that you don't need a big budget or impressive new techniques to make a brilliant animated movie with. The claymation is impressive as always and has lots of details to it. It must be an incredibly time consuming but also incredibly rewarding process to make a movie like this. Nick Park must surely enjoy it. He's in the claymation business for over 20 years now, together with Peter Lord.
This movie takes some chance to add another human character to the movie. All of the previous Wallace & Gromit movies were mostly purely about the strange friendship between the man and dog, in which the dog always seemed like the more clever and rational of the two. This gamble however worked out fine for the movie and the added love-story plot actually adds a lot to the movie. As a matter of fact, after this movie Wallace had many more love-interests in later Wallace & Gromit adventures, such as the big theatrical released "Wallace & Gromit in The Curse of the Were-Rabbit" and the latest short "Wallace and Gromit in 'A Matter of Loaf and Death'".
It of course are not just the human characters that make this movie but also really the animals. Preston the dog is such a great and evil movie villain. The sheep in this movie also provide the movie with lots of hilarious moments and they are cute looking as well.
perhaps my favorite Wallace & Gromit short.
9/10