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| Fri. Nov. 20 | 10:00 AM | AMC |
Directed by | |||
| Clint Eastwood | |||
Writing credits(WGA) | ||
| Richard LaGravenese | (screenplay) | |
| Robert James Waller | (novel) | |
Produced by | |||
| Clint Eastwood | .... | producer | |
| Kathleen Kennedy | .... | producer | |
| Michael Maurer | .... | associate producer | |
| Tom Rooker | .... | associate producer | |
Original Music by | |||
| Lennie Niehaus | |||
Cinematography by | |||
| Jack N. Green | (director of photography) | ||
Film Editing by | |||
| Joel Cox | |||
Casting by | |||
| Ellen Chenoweth | |||
Production Design by | |||
| Jeannine Claudia Oppewall | (as Jeannine Oppewall) | ||
Art Direction by | |||
| William Arnold | |||
Set Decoration by | |||
| Jay Hart | |||
Costume Design by | |||
| Colleen Kelsall | |||
Makeup Department | |||
| Michael Hancock | .... | makeup artist (as Mike Hancock) | |
| J. Roy Helland | .... | hair stylist: Meryl Streep | |
| J. Roy Helland | .... | makeup artist: Meryl Streep | |
| Carol A. O'Connell | .... | hair stylist (as Carol O'Connell) | |
Production Management | |||
| Jim Behnke | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Bill Bannerman | .... | first assistant director | |
| Robert Lorenz | .... | second assistant director | |
| Bill Bannerman | .... | second unit director (uncredited) | |
Art Department | |||
| Edward Aiona | .... | property master | |
| Charles Breen | .... | assistant art director (as Charles W. Breen) | |
| Edward England | .... | construction coordinator | |
| Tyler Osman | .... | construction foreman | |
| Ricky Riggs | .... | stand-by painter | |
| Michael Sexton | .... | assistant property master | |
| Robert Lucas | .... | lead man (uncredited) | |
| Christopher Woodworth | .... | lead painter (uncredited) | |
Special Effects by | |||
| Jeff Denes | .... | special effects | |
| John Frazier | .... | special effects consultant | |
| Joe Pancake | .... | special effects | |
| Frances Pennington | .... | special effects (as Francis Pennington) | |
| Steve Riley | .... | special effects coordinator | |
Stunts | |||
| Pauline Arthur | .... | stunts | |
| Shelley Phillips | .... | stunts | |
Camera and Electrical Department | |||
| Stephen S. Campanelli | .... | Steadicam operator | |
| Stephen S. Campanelli | .... | camera operator | |
| Colin J. Campbell | .... | chief lighting technician | |
| Bill Coe | .... | first assistant camera (as William Coe) | |
| Dick Deats | .... | key grip (as Dicky Deats) | |
| Jerry C. Deats | .... | dolly grip | |
| Frank R. Jimenez Jr. | .... | rigging gaffer (as Frankie R. Jimenez Jr.) | |
| Michael E. Matteson | .... | best boy grip | |
| Ken Regan | .... | still photographer | |
| Frank Scheidbach | .... | assistant lighting technician | |
| John Waldo | .... | second assistant camera (as John A. Waldo) | |
| Dean M. Simmon | .... | film loader (uncredited) | |
Casting Department | |||
| James Axotis | .... | extras casting | |
| Gabriela Leff | .... | casting assistant (as Gabby Leff) | |
| Michelle Vanderpool-Kohrs | .... | extras casting | |
Costume and Wardrobe Department | |||
| David Davenport | .... | wardrobe supervisor | |
| Kelly Lindquist | .... | set costumer: men | |
| Deedee Montesanto | .... | set costumer: women | |
Music Department | |||
| Robert Fernandez | .... | scoring mixer (as Bobby Fernandez) | |
| Donald Harris | .... | music editor | |
| Bruce Ricker | .... | music consultant | |
| Peter Afterman | .... | music supervisor (uncredited) | |
Transportation Department | |||
| Gene Biernot | .... | transportation captain | |
| Keith Dillin | .... | transportation coordinator | |
| Larry Stelling | .... | picture car coordinator (uncredited) | |
Other crew | |||
| Marco Barla | .... | unit publicist | |
| Lisa A. Becker | .... | production secretary | |
| Adam Bernhard | .... | production associate | |
| Paul A. Calabria | .... | animal trainer (as Paul Calabria) | |
| B. Ted Deiker | .... | production associate | |
| Matt Freeman | .... | assistant: Kathleen Kennedy | |
| James W. Gavin | .... | helicopter pilot | |
| Ken Haber | .... | location manager | |
| Cate Hardman | .... | script supervisor | |
| Jeff Kloss | .... | production accountant (as Jeffrey Kloss) | |
| Linda Mason | .... | craft service | |
| Jason D. McGatlin | .... | assistant production secretary (as Jason McGatlin) | |
| Erich Moeller | .... | production associate | |
| Maggie Pierson | .... | assistant: Meryl Streep | |
| Ken Regan | .... | technical consultant | |
| David Romano | .... | assistant production accountant | |
| Melissa Rooker | .... | assistant: Clint Eastwood | |
| Kara Sjoblom | .... | production associate | |
| Roselyn Winward | .... | assistant production accountant | |
| Channing Work | .... | production associate | |
| Gillian Wynn | .... | production associate | |
| Kaylene Carlson | .... | production assistant (uncredited) | |
| Jenny Elsinger | .... | set production assistant (uncredited) | |
| Tony Kerum | .... | caterer (uncredited) | |
| Stephen A. Marinaccio II | .... | production assistant (uncredited) | |
| Gerald F. Nichols | .... | production assistant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
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I admire the likes of Woody Allen, Chaplin and Clint Eastwood (just to name a few), who possess(ed) the chops to write, direct AND act. They're complete artists, and I wish I could be like that (I'll be already too happy if I can ever achieve my life passion of writing and directing, though, since my acting would be less convincing than Owen Wilson playing Hamlet).
Even though Eastwood didn't write this (Richard LaGravenese did it beautifully, based on a novel by Robert James Waller), he does a good job in front of the camera while also directing this human encounter between a photographer (played by himself) and an Italian housewife (Meryl Streep, magnificent) in 1960s Iowa. Their four days together would change their lives forever.
The premise doesn't sound too original, but Eastwood wonderfully captures all the raw emotions between these people, who seem throughly genuine, alive, and passionate. Lennie Niehaus' beautiful music score helps enhance the romantic atmosphere, and the slow pace is never a bore since it's necessary to make you live those brief but special moments with them. From westerns to female boxers to jazz musicians to war dramas, Clint Eastwood knows how to tell a good story, and "The Bridges of Madison County" ranks among his best. 10/10.