With his team at Pemberley Digital, Bernie Su adapted several works of literature into web series led by teenage and young adult stars. Now, with his new production company, he will have a chance to add to that library. Canvas Media Studios, founded last year by Su and David Tochterman, has inked a deal with New Leaf Literary & Media through which it will adapt four young adult (Ya) novels into digital series.
According to Variety, which first reported the agreement between Canvas and New Leaf, the four titles included in the deal are Cora Carmack’s “Losing It” series, which follows a college student trying to lose her virginity; Mindee Arnett’s “The Nightmare Affair,” a sci-fi boarding school story; Kelly Fiore’s “Thicker Than Water,” in which a high-school student begins selling drugs; and April Genevieve Tucholke’s “Between the Devil and the Deep Blue Sea” and “Between the Spark and the Burn,...
According to Variety, which first reported the agreement between Canvas and New Leaf, the four titles included in the deal are Cora Carmack’s “Losing It” series, which follows a college student trying to lose her virginity; Mindee Arnett’s “The Nightmare Affair,” a sci-fi boarding school story; Kelly Fiore’s “Thicker Than Water,” in which a high-school student begins selling drugs; and April Genevieve Tucholke’s “Between the Devil and the Deep Blue Sea” and “Between the Spark and the Burn,...
- 3/22/2016
- by Sam Gutelle
- Tubefilter.com
Day 3 of Sdcc '14 marks the end of an era with "True Blood's" last panel. It's joined by fellow fangers "The Vampire Diaries," the witches of "Salem" and "Ahs: Coven," "Grimm," Sin City, "Constantine," Troma, and lots more.
Per usual, we have the horror highlights along with info on a few other panels that should be of general interest (plus a couple of things for the kids). Be sure to visit the official 2014 San Diego Comic-Con website for the full lineup.
Day 3: Saturday, July 26, 2014
10 Am - The Simpsons
Celebrate the 25th anniversary of The Simpsons-no gifts please-with creator Matt Groening, executive producer Al Jean, supervising director Mike Anderson, and director for life David Silverman. Topics include the new Treehouse of Horror, Simpsorama, a visit from Homer Simpson and much, much more.
Saturday July 26, 2014 10:00am - 10:45am - Ballroom 20
10 Am - Idw: Summer Blockbusters!
Idw...
Per usual, we have the horror highlights along with info on a few other panels that should be of general interest (plus a couple of things for the kids). Be sure to visit the official 2014 San Diego Comic-Con website for the full lineup.
Day 3: Saturday, July 26, 2014
10 Am - The Simpsons
Celebrate the 25th anniversary of The Simpsons-no gifts please-with creator Matt Groening, executive producer Al Jean, supervising director Mike Anderson, and director for life David Silverman. Topics include the new Treehouse of Horror, Simpsorama, a visit from Homer Simpson and much, much more.
Saturday July 26, 2014 10:00am - 10:45am - Ballroom 20
10 Am - Idw: Summer Blockbusters!
Idw...
- 7/13/2014
- by Debi Moore
- DreadCentral.com
The chorus of voices calling for an end to the traditional, rigid release windows in Australia keeps getting louder.
Distribution consultant Thomas Mai today described the 120-day gap between theatrical and home entertainment as .obnoxious,. observing, it .doesn.t work anymore..
Mai was speaking at a panel entitled The Director as Distributor at the Australian Directors Guild conference, where the virtues of self-distribution were extolled. The panel was moderated by researcher/writer Laura Carroll Harris, whose essay Not at a Cinema Near You: Australia.s film distribution problem, has just been published by Currency Press.
Launching the essay on Thursday night, entertainment lawyer Ian Robertson backed Harris. argument that Australians must find new ways of reaching audiences. .The current system of distributing Australian-financed feature films is substantially broken, and I know that savvy and experienced Australian film makers are aware of this and are preparing for the new world ahead,...
Distribution consultant Thomas Mai today described the 120-day gap between theatrical and home entertainment as .obnoxious,. observing, it .doesn.t work anymore..
Mai was speaking at a panel entitled The Director as Distributor at the Australian Directors Guild conference, where the virtues of self-distribution were extolled. The panel was moderated by researcher/writer Laura Carroll Harris, whose essay Not at a Cinema Near You: Australia.s film distribution problem, has just been published by Currency Press.
Launching the essay on Thursday night, entertainment lawyer Ian Robertson backed Harris. argument that Australians must find new ways of reaching audiences. .The current system of distributing Australian-financed feature films is substantially broken, and I know that savvy and experienced Australian film makers are aware of this and are preparing for the new world ahead,...
- 11/8/2013
- by Don Groves
- IF.com.au
The chorus of voices calling for an end to the traditional, rigid release windows in Australia keeps getting louder.
Distribution consultant Thomas Mai today described the 120-day gap between theatrical and home entertainment as .obnoxious,. observing, it .doesn.t work anymore..
Mai was speaking at a panel entitled The Director as Distributor at the Australian Directors Guild conference, where the virtues of self-distribution were extolled. The panel was moderated by researcher/writer Laura Carroll Harris, whose essay Not at a Cinema Near You: Australia.s film distribution problem, has just been published by Currency Press.
Launching the essay on Thursday night, entertainment lawyer Ian Robertson backed Harris. argument that Australians must find new ways of reaching audiences. .The current system of distributing Australian-financed feature films is substantially broken, and I know that savvy and experienced Australian film makers are aware of this and are preparing for the new world ahead,...
Distribution consultant Thomas Mai today described the 120-day gap between theatrical and home entertainment as .obnoxious,. observing, it .doesn.t work anymore..
Mai was speaking at a panel entitled The Director as Distributor at the Australian Directors Guild conference, where the virtues of self-distribution were extolled. The panel was moderated by researcher/writer Laura Carroll Harris, whose essay Not at a Cinema Near You: Australia.s film distribution problem, has just been published by Currency Press.
Launching the essay on Thursday night, entertainment lawyer Ian Robertson backed Harris. argument that Australians must find new ways of reaching audiences. .The current system of distributing Australian-financed feature films is substantially broken, and I know that savvy and experienced Australian film makers are aware of this and are preparing for the new world ahead,...
- 11/8/2013
- by Don Groves
- IF.com.au
Two much talked about horror flicks will be making their premieres at the 42nd International Film Festival at Rotterdam. Rotterdam will announce its full 2013 lineup on January 9. The acclaimed art-house festival runs January 23 to February 3.
According to THR, new works by acclaimed Japanese horror director Nakata Hideo (The Ring), Romania's Cristi Puiu (The Death of Mr. Lazarescu), and French filmmaker Marion Hansel (Between the Devil and the Deep Blue Sea) will unspool at the fest.
Hideo's latest horror fest, The Complex, will have its world premiere in Rotterdam, as will Hansel's Tenderness. A trio of new titles from Puiu - The Cat Is on the Chair, The Monkey Is on the Branch, and The Mouse Is Under the Table - will all have their international premieres at the Iffr.
Other highlights at Rotterdam include Japan's Tragedy, a family drama from director Kobayashi Masahiro (The Rebirth), which is dedicated to the...
According to THR, new works by acclaimed Japanese horror director Nakata Hideo (The Ring), Romania's Cristi Puiu (The Death of Mr. Lazarescu), and French filmmaker Marion Hansel (Between the Devil and the Deep Blue Sea) will unspool at the fest.
Hideo's latest horror fest, The Complex, will have its world premiere in Rotterdam, as will Hansel's Tenderness. A trio of new titles from Puiu - The Cat Is on the Chair, The Monkey Is on the Branch, and The Mouse Is Under the Table - will all have their international premieres at the Iffr.
Other highlights at Rotterdam include Japan's Tragedy, a family drama from director Kobayashi Masahiro (The Rebirth), which is dedicated to the...
- 12/17/2012
- by Uncle Creepy
- DreadCentral.com
Terence Davies’ newest film, “The Deep Blue Sea,” takes place, like much of his work, in post-World War II England. In it, Rachel Weisz plays Hester Collyer, a woman who abandons her passionless marriage to a wealthy barrister (Simon Russell Beale) for a torrid affair with a troubled former Royal Air Force pilot (Tom Hiddleston), the consequences of which plunge her into despair. When we got a chance to speak with the director, a natural storyteller with a mischievous sense of humor and infectious laugh, we would never have guessed he suffered from an acute case of homesickness for his native U.K., a fact he admitted toward the end of our time together.
We started by asking him about societal differences between England in the 1950’s versus 2012. “What I think people don't understand is how traumatic the war was for Britain. When the war was over, Britain didn't get...
We started by asking him about societal differences between England in the 1950’s versus 2012. “What I think people don't understand is how traumatic the war was for Britain. When the war was over, Britain didn't get...
- 3/22/2012
- by Thomas Dodson
- The Playlist
COLOGNE, Germany -- Tom Tykwer's Perfume: The Story of a Murderer, picked up 600,000 ($726,000) in production financing from European film funding body Euroimages, the group announced Thursday. The adaptation of Patrick Sueskind's best-selling novel, which stars Dustin Hoffman, Alan Rickman and Ben Whishaw, will start filming this summer in France and Germany. Euroimages, which backs European co-productions, also ponied up 500,000 ($605,000) for Du Levande, the upcoming feature from Swedish helmer Roy Andersson (Songs from the Second Floor); 480,000 ($581,000) for Gene Astaire from Belgium director Alain Berliner; 450,000 ($545,000) for Chamelle from director Marion Haensel (Between the Devil and the Deep Blue Sea); and 450,000 for Portovero from Swiss filmmaker Daniel Schmid (The Last Days of Switzerland).
- 6/30/2005
- The Hollywood Reporter - Movie News
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