|
| Victor Abbene | .... | visual effects chief lighting technician: Digital Domain |
| Jon Aghassian | .... | data wrangler: Digital Domain |
| Harry J. Alpert | .... | camera operator: Digital Domain |
| Tony Anderson | .... | visual effects best boy grip: Digital Domain |
| James G. Anka | .... | modelmaker: Digital Domain (as James Anka) |
| Al Arthur | .... | animator: PDI |
| Lisa Aycock | .... | digital compositor: Digital Domain |
| Mat Beck | .... | visual effects photography: Digital Domain |
| Suzanne Berger | .... | technical director: Boss Film Corporation |
| Brent Boates | .... | storyboard artist: Digital Domain |
| Shawn Broes | .... | editor: PDI |
| Betzy Bromberg | .... | optical supervisor: Fantasy II Film Effects |
| Marc Brown | .... | visual effects plate crew |
| John Bruno | .... | visual effects supervisor: Digital Domain |
| Allen Cappuccilli | .... | visual effects editor: Digital Domain |
| Mike Chambers | .... | visual effects producer: Digital Domain |
| Audrey Chang | .... | film operations coordinator: PDI |
| Teresa Cheng | .... | digital effects producer: Digital Domain |
| Daniel Chuba | .... | visual effects producer: PDI |
| Kyeng-Im Chung | .... | heat signature animation and compositing: Digital Domain |
| Aliza Corson Chameides | .... | animator: PDI (as Aliza Corson) |
| Chris Cowan | .... | chief modelmaker: Stetson Visual Services, Inc. |
| Sean C. Cunningham | .... | missiles and smoke animation: Digital Domain (as Sean Cunningham) |
| Robin L. D'Arcy | .... | producer: Stetson Visual Services, Inc. |
| Julian de la Pena | .... | visual effects best boy electric: Digital Domain |
| Aaron Dem | .... | production coordinator: PDI (as Aaron 'The Sushi' Dem) |
| Sean Dever | .... | animator: PDI |
| Feliciano di Giorgio | .... | digital compositor: Digital Domain (as Feliciano Di Giorgio) |
| Jamie Dixon | .... | visual effects supervisor: PDI |
| Crystal Dowd | .... | visual effects coordinator: Digital Domain |
| Jason Dowdeswell | .... | technical director: Boss Film Corporation (as Jason David Dowdeswell) |
| Miller Drake | .... | visual effects editor |
| Gilbert Draper | .... | modelmaker: Digital Domain |
| Christopher Duddy | .... | visual effects plate crew (as Chris Duddy) |
| Jonathan Egstad | .... | offline compositing: Digital Domain |
| Leslie Ekker | .... | mechanical effects chief: Stetson Visual Services, Inc. |
| Peter Farson | .... | supervising animator: Digital Domain |
| Alan K.M. Faucher | .... | model crew chief: Digital Domain (as Alan Faucher) |
| John Ferrari | .... | modelmaker: Digital Domain |
| Raffaella Filipponi | .... | missiles and smoke animation: Digital Domain |
| Michael Fleming | .... | technical director: Boss Film Corporation |
| Jammie Friday | .... | digital compositor: Digital Domain |
| Jenny Fulle | .... | visual effects producer: Boss Film Corporation |
| Gil Gagnon | .... | visual effects coordinator: Cinesite |
| Laurie George | .... | digital artist: Cinesite |
| Julia Gibson | .... | visual effects producer: Digital Domain |
| Henry Gonzales | .... | chief modelmaker: Stetson Visual Services, Inc. |
| Roy Goode | .... | miniature special effects: Stetson Visual Services, Inc. |
| Karen E. Goulekas | .... | missiles and smoke animation: Digital Domain |
| Ron Gress | .... | lead model painter: Stetson Visual Services, Inc. |
| Sarkis Hardy | .... | shop and location foreman: Stetson Visual Services, Inc. |
| John Higbie | .... | camera operator: Digital Domain |
| Caleb J. Howard | .... | heat signature animation and compositing: Digital Domain |
| Chris Hummel | .... | heat signature animation and compositing: Digital Domain |
| Leslie Huntley | .... | visual effects producer: Fantasy II Film Effects |
| David Isyomin | .... | pyrotechnics supervisor: Digital Domain |
| Victor Jimenez | .... | digital compositor: Digital Domain |
| Michael Joyce | .... | model crew chief: Digital Domain (as Mike Joyce) |
| Jeffrey Kalmus | .... | digital recording: Digital Domain (as Jeff Kalmus) |
| Emmet Kane | .... | pyrotechnician: Digital Domain |
| Michael Karp | .... | camera operator: Digital Domain (as Michael Steven Karp) |
| Jake Kauth | .... | data wrangler: Digital Domain |
| Elizabeth Maxwell Keith | .... | heat signature animation and compositing: Digital Domain |
| Rachel Kelley | .... | model painter: Digital Domain |
| Scott Keppler | .... | editor: Boss Film Corporation (as Scott Michael Keppler) |
| Neil Krepela | .... | visual effects supervisor: Boss Film Corporation |
| Brad Kuehn | .... | visual effects supervisor: Cinecite |
| Candace Lewis | .... | digital compositor: Digital Domain |
| Kevin Lingenfelser | .... | digital artist: Cinesite |
| Robert Luciano | .... | digital recording supervisor: Digital Domain |
| Anthony Mabin | .... | heat signature animation and compositing: Digital Domain |
| Kevin Scott Mack | .... | digital painter and colorist: Digital Domain (as Kevin Mack) |
| Martha Snow Mack | .... | digital painter and colorist: Digital Domain |
| Josh Margolies | .... | visual effects assistant editor: Digital Domain (as Josh Margulies) |
| Rebecca Marie | .... | animator: PDI |
| Gray Marshall | .... | assistant digital effects supervisor: Digital Domain |
| Gerald McClung | .... | modelmaker: Digital Domain |
| Pat McClung | .... | miniature supervisor: Digital Domain (as Patrick McClung) |
| John McLaughlin | .... | heat signature animation and compositing: Digital Domain |
| Barb Meier | .... | technical supervisor: PDI |
| Cleveland Mitchell | .... | animator: PDI |
| Bret Mixon | .... | roto supervisor: Fantasy II Film Effects |
| Michele Moen | .... | digital matte supervisor: Boss Film Corporation |
| Bene Naudin | .... | visual effects assistant coordinator: Digital Domain (as Benedicte Naudin) |
| Price Pethel | .... | digital post-production supervisor: Digital Domain |
| Dianne Piepol | .... | digital compositor: Digital Domain (as Diane Piepol) |
| Fred Raimondi | .... | digital compositor: Digital Domain |
| Gary Rhodaback | .... | modelmaker: Digital Domain |
| Lauren Alexandra Ritchie | .... | visual effects coordinator |
| Christopher Roda | .... | technical director: Boss Film Corporation (as Chris Roda) |
| Randall J. Rosa | .... | heat signature animation and compositing: Digital Domain |
| Richard 'Rico' Sands | .... | visual effects gaffer: Digital Domain (as Rico Sands) |
| Scott Schneider | .... | miniature special effects: Stetson Visual Services, Inc. |
| Steven J. Scott | .... | digital compositor: Digital Domain |
| Michael Shore | .... | visual effects key grip: Digital Domain |
| Amie Slate | .... | animator: PDI |
| Jay Sloat | .... | senior software developer: heat signature shaders, Digital Domain |
| Robert Small | .... | heat signature animation and compositing: Digital Domain |
| Douglas Smith | .... | visual effects photography: Digital Domain (as Doug Smith) |
| Neville Spiteri | .... | heat signature animation and compositing: Digital Domain |
| Robert Spurlock | .... | miniature designer, fabricator and rigger: causeway, Stetson Visual Services, Inc. |
| Mark Stetson | .... | miniature designer, fabricator and rigger: causeway, Stetson Visual Services, Inc. |
| John K. Stirber | .... | mechanical effects chief: Stetson Visual Services, Inc. (as John Stirber) |
| Jacques Stroweis | .... | digital effects supervisor: Digital Domain |
| Richard Stutsman | .... | miniature special effects: Stetson Visual Services, Inc. |
| Martine Tomczyk | .... | digital compositor: Digital Domain |
| Timothy Tompkins | .... | technical director: Boss Film Corporation |
| Marc Toscano | .... | technical director: Boss Film Corporation |
| David Tucker | .... | optical camera: Fantasy II Film Effects |
| Alfred Urrutia | .... | data wrangler: Digital Domain |
| James Valentine | .... | digital artist: Cinesite |
| Michele C. Vallillo | .... | visual effects coordinator: Cinesite (as Michele Vallillo) |
| Joe Viskocil | .... | pyrotechnics supervisor: Digital Domain (as Joseph Viskocil) |
| Cathy Wagner | .... | animator: PDI |
| Christopher Warren | .... | camera operator: Fantasy II Film Effects |
| Gene Warren | .... | visual effects supervisor: Fantasy II Film Effects |
| Jon Warren | .... | modelmaker: Digital Domain |
| Wayne Baker | .... | first assistant cameraman (uncredited) |
| Jeffrey Edward Baksinski | .... | technical assistant: Digital Domain (uncredited) |
| Brooke Breton | .... | visual effects producer (uncredited) |
| Laura Buff | .... | visual effects producer: pre-production (uncredited) |
| Floyd Casey | .... | digital artist (uncredited) |
| Adam Hill | .... | model maker: Miami causeway, SVSI (uncredited) |
| Jim Hillin | .... | CGI shader writer (uncredited) |
| J. Bryan Holloway | .... | sculptor: Persian antiquities (uncredited) |
| Karin Joy | .... | visual effects coordinator (uncredited) |
| Jamie Klein | .... | visual effects key grip: Florida (uncredited) |
| Russell Koonce | .... | digital effects artist (uncredited) |
| David C. Lawson | .... | imaging assistant (uncredited) |
| Carlyle O. Livingston II | .... | foreman: full size harrier: Donald Pennington, Inc. (uncredited) |
| Terrence Masson | .... | digital artist (uncredited) |
| Helen Medrano | .... | assistant to visual effects producer (uncredited) |
| Douglas Miller | .... | model maker (uncredited) |
| Stuart Mintz | .... | digital effects artist (uncredited) |
| Michelle Murdocca | .... | digital production manager (uncredited) |
| Alexandre Naufel | .... | set lighting: Digital Domain (uncredited) |
| Dane Picard | .... | technical director (uncredited) |
| Derek N. Prusak | .... | visual effects assistant cameraman (uncredited) |
| Jay Riddle | .... | visual effects supervisor (uncredited) |
| Brian Ripley | .... | modelmaker and painter: Digital Domain (uncredited) |
| David Rosenthal | .... | scanner and digital camera operator: PDI (uncredited) |
| Marc Rubone | .... | digital compositor (uncredited) |
| Olivier Sarda | .... | digital artist (uncredited) |
| Jennifer Lee Scheer | .... | visual effects coordinator (uncredited) |
| Doyle Smith | .... | wire removal (uncredited) |
| Kevin Andrew Smith | .... | systems administrator: Boss Film Studios (uncredited) |
| Suzanne Smith | .... | visual effects (uncredited) |
| Stephen Sobisky | .... | project manager: Viewpoint Datalabs (uncredited) |
| Ellen Somers | .... | head of production: Boss Film Studios (uncredited) |
| Milos Twilight | .... | computer graphics artist (uncredited) |
| Renée Tymn | .... | visual effects line-up editor (uncredited) |
| Edson Williams | .... | digital artist (uncredited) |
| Guy Williams | .... | digital compositor (uncredited) |
| Kieran Woo | .... | production controller: Digital Domain (uncredited) |
| Xique | .... | systems administrator (uncredited) |
| Thomas Zell | .... | effects technician: miniature pyrotechnic (uncredited) |
| |
|
| Erik Anderson | .... | crane coordinator: Tower Crane |
| William Betts | .... | detachment: USMC VMA-223 Harrier, Key West (as Capt. William Betts) |
| Walter Bockelman | .... | detachment: USMC VMA-223 Harrier, Key West (as Sgt. Walter Bockelman) |
| Pete Bordeleau | .... | detachment: USMC VMA-223 Harrier, Key West (as Sgt. Pete Bordeleau) |
| Drew Bracken | .... | advance location liaison |
| Andy Bradshaw | .... | detachment: USMC VMA-223 Harrier, Key West (as SSgt. Andew Bradshaw) |
| Susannah Brengel | .... | production accountant (as Susannah L. Brengel) |
| Ryan Brewer | .... | detachment: USMC VMA-223 Harrier, Key West (as Cpl. Ryan Brewer) |
| Jerry Broeckert | .... | project officer (as Lt. Col. Jerry Broeckert USMC) |
| Jerry Broeckert | .... | technical advisor (as Lt. Col. Jerry Broeckert USMC) |
| Geoff Burdick | .... | production department: Lightstorm |
| Michael J. Burmeister | .... | supervising location manager |
| Patrick Burn | .... | assistant location manager |
| Ron Cobb | .... | logo designer: Omega Sector |
| James Crafton | .... | detachment: USMC VMA-223 Harrier, Key West (as Cpl. James Crafton) |
| Gary Elmore | .... | detachment: USMC VMA-223 Harrier, Key West (as SSgt. Gary Elmore) |
| Anders Falk | .... | video documentary |
| Carol Flaisher | .... | location manager: Washington D.C. |
| Steven Forbes | .... | detachment: USMC VMA-223 Harrier, Key West (as Cpl. Steven Forbes) |
| Bill Fredricks | .... | remote control limousine creator |
| Pete Gutmann | .... | detachment: USMC VMA-223 Harrier, Key West (as Maj. Pete Gutmann) |
| R. Colette Hailey | .... | location manager: Florida Keys |
| James M. Halty | .... | supervising horse wrangler (as James Halty) |
| Richard Hearney | .... | deputy chief of staff: aviation (as Lt. Gen. Richard Hearney) |
| Edgar Hernandez | .... | detachment: USMC VMA-223 Harrier, Key West (as Cpl. Edgar Hernandez) |
| Lynne Hockney | .... | choreographer |
| Mark Hotchkiss | .... | crane engineer: Technocrane |
| David G. Hudson | .... | video documentary |
| Simon Jayes | .... | crane coordinator: Technocrane |
| Shannon Kelsey | .... | detachment: USMC VMA-223 Harrier, Key West (as Cpl. Shannon Kelsey) |
| Lisa Dennis Kennedy | .... | assistant: James Cameron (as Lisa Dennis Lance) |
| Kathleen Kickta | .... | stand-in: Jamie Lee Curtis (as Kathleen Conway) |
| Stacy Layne Kramer | .... | assistant accountant |
| Van Ling | .... | production department: Lightstorm |
| Harry Lu | .... | weapons master |
| Sean Mahoney | .... | detachment: USMC VMA-223 Harrier, Key West (as Sgt. Sean Mahoney) |
| Glen Melin | .... | detachment: USMC VMA-223 Harrier, Key West (as Capt. Glen Melin) |
| Christopher Mercer | .... | detachment: USMC VMA-223 Harrier, Key West (as Cpl. Christopher Mercer) |
| Jim Morris | .... | location manager: California |
| Steve Newman | .... | marketing coordinator |
| William O'Hara | .... | detachment: USMC VMA-223 Harrier, Key West (as Lt. Col. William O'Hara) |
| Derek Pingree | .... | detachment: USMC VMA-223 Harrier, Key West (as LCpl. Derek Pingree) |
| Alan D. Purwin | .... | helicopter pilot (as Alan Purwin) |
| Steven Quale | .... | special projects coordinator (as Steve Quale) |
| Sharron Reynolds | .... | script supervisor |
| Al Rives | .... | production department: Lightstorm |
| Matthew Roth | .... | detachment: USMC VMA-223 Harrier, Key West (as Cpl. Matthew Roth) |
| Michael Salven | .... | key set production assistant (as Michael 'Dancing Bear' Salven) |
| Richard Santameyer | .... | helicopter pilot |
| Jeff Senour | .... | pilot: Lear Jet |
| John Shotwell | .... | director of public affairs (as Col. John Shotwell USMC) |
| Kristine Spindler | .... | assistant: Stephanie Austin (as Kristine Michelle Spindler) |
| Marce Sterner | .... | location scout |
| Philip M. Strub | .... | liaison: Department of Defense |
| Shawn Sutherland | .... | detachment: USMC VMA-223 Harrier, Key West (as Capt. Shawn Sutherland) |
| Charles A. Tamburro | .... | aerial services coordinator (as Chuck Tamburro) |
| Charles A. Tamburro | .... | pilot (as Chuck Tamburro) |
| Michael Tamburro | .... | aerial service co-coordinator |
| Michael Tamburro | .... | pilot |
| Sam Tedesco | .... | location manager: Miami |
| Mike Wacker | .... | assistant: Arnold Schwarzenegger (as Michael Wacker) |
| Scott Warner | .... | video graphics supervisor |
| Josue Aguilar | .... | production assistant (uncredited) |
| Nigel Arscott | .... | location assistant (uncredited) |
| Dorothy Aufiero | .... | production coordinator (uncredited) |
| Dan Bress | .... | 2-D graphic artist (uncredited) |
| Steve Bress | .... | 2-D graphic artist (uncredited) |
| Timothy Brinkman | .... | stand-in: Tom Arnold (uncredited) |
| Craig Caton | .... | consultant: effects (uncredited) |
| Laureen Clarke | .... | assistant production office coordinator (uncredited) |
| Cristina Colissimo | .... | assistant to coordinator (uncredited) |
| Nick Corbett | .... | production assistant (uncredited) |
| Heidi Erl | .... | production coordinator (uncredited) |
| Michael J. Fowler | .... | computer playback operator (uncredited) |
| Howard Gibson | .... | production assistant (uncredited) |
| Mandie Green | .... | production assistant (uncredited) |
| Mark Gulbrandsen | .... | dailies projection technician: Washington D.C. (uncredited) |
| Ziad H. Hamzeh | .... | acting coach (uncredited) |
| Ziad H. Hamzeh | .... | dialogue director (uncredited) |
| John R. Hansen | .... | payroll accountant (uncredited) |
| Anne E. Hart | .... | production coordinator: Los Angeles (uncredited) |
| Peter Kelley | .... | dialogue coach: Eliza Dushku (uncredited) |
| Steven Kosakura | .... | stage electronics (uncredited) |
| Steven Kosakura | .... | stage engineering (uncredited) |
| Jonathan Lane | .... | location assistant (uncredited) |
| Cynthia Lejeune | .... | assistant accountant (uncredited) |
| Julie Levine | .... | production accountant: sets (uncredited) |
| Mary Lamar Mahler | .... | supervising first aid (uncredited) |
| Steven Michaels | .... | production assistant (uncredited) |
| Marie Nashold | .... | medic (uncredited) |
| John Phillip Nybe | .... | production assistant (uncredited) |
| Annalouise Paul | .... | assistant choreographer (uncredited) |
| Jacqui Popelka | .... | production coordinator (uncredited) |
| Steven T Puri | .... | title producer (uncredited) |
| Erica Richards | .... | horse wrangler (uncredited) |
| Kenny Rivenbark | .... | remote head technician (uncredited) |
| Scott Rowe | .... | animal trainer (uncredited) |
| Laura Sherman | .... | location assistant (uncredited) |
| C. Ransom Walrod | .... | marine coordinator: Florida (uncredited) |
| Aron Warner | .... | production executive (uncredited) |
| Lynnanne Zager | .... | adr voice (uncredited) |
| |
Biggest problem with most action movies is that they take themselves way too serious. "True Lies" is mainly fun and entertaining and on top of that, the action is top class!
Finally a movie of which I can say: "Budget well spend!" The action really jumps off the screen but it never feels overdone or forced, which is thanks to action-director veteran James Cameron. He should stick to directing action movies like this, the Terminator movies and "Aliens". Please no more movies like "Titanic"! (not that it was a VERY bad movie) Stick to were your talent lies.
The movie can be described as an American James Bond, meaning that everything is bigger and I'm not just talking about Arnie's chest. Just like the James Bond movies, it doesn't take itself seriously without making itself ridiculous.
Many people seem to have problems with the whole "wife side track, story-line" I guess I'm one of the few that doesn't mind it at all and actually find it an extra addition to the story.
The movie has everything a good action movie need: A believable action hero, explosions, chases, gun fights, a stereotype villain and a high entertainment value.
I wish more action movies like this would be made.
10/10