| Photos (see all 19 | slideshow) |
| Sean Bean | ... | Capt. Richard Sharpe | |
| Daragh O'Malley | ... | Sgt. Patrick Harper | |
| Hugh Fraser | ... | Lord Wellington | |
| Michael Byrne | ... | Major Nairn | |
| Pete Postlethwaite | ... | Sgt. Obadiah Hakeswill | |
| Assumpta Serna | ... | Teresa Moreno | |
| Clive Francis | ... | Colonel Windham | |
| Nicholas Jones | ... | Colonel Fletcher | |
| Michael Mears | ... | Rifleman Cooper | |
| John Tams | ... | Rifleman Hagman | |
| Jason Salkey | ... | Rifleman Harris | |
| Lyndon Davies | ... | Rifleman Perkins | |
| Scott Cleverdon | ... | Lt. Harry Price | |
| Robert Morgan | ... | Major Collett | |
| Louise Germaine | ... | Sally Clayton | |
| Soo Drouet | ... | Mrs. Grimes | |
| William Mannering | ... | Ensign Matthews | |
| Marc Warren | ... | Capt. Rymer | |
| Peter Gunn | ... | Private Clayton | |
| Peter Birrel | ... | Don Moreno | |
| Tat Whalley | ... | Hope | |
| Jérôme Pradon | ... | Reynier |
Directed by | |||
| Tom Clegg | |||
Writing credits | ||
| Bernard Cornwell | (novel) | |
| Charles Wood | (script) | |
Produced by | |||
| Ted Childs | .... | executive producer | |
| Malcolm Craddock | .... | producer | |
| Pavel Douvidzon | .... | line producer | |
| Simon Lewis | .... | producer | |
| Muir Sutherland | .... | executive producer | |
Original Music by | |||
| Dominic Muldowney | |||
| John Tams | |||
Cinematography by | |||
| Arthur Wooster | |||
Film Editing by | |||
| Robin Sales | |||
Casting by | |||
| John Hubbard | |||
| Ros Hubbard | |||
| Lisa-Anne Porter | |||
Production Design by | |||
| Andrew Mollo | |||
Art Direction by | |||
| Philip Elton | |||
| Cliff Robinson | |||
Costume Design by | |||
| Robin Fraser-Paye | |||
Makeup Department | |||
| Fiona Clegg | .... | makeup assistant | |
| Charmaine Gruhn | .... | makeup artist | |
| Penny Smith | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Sam Craddock | .... | second assistant director | |
| Marc Jenny | .... | first assistant director | |
| Valentina Plugaru | .... | assistant director | |
| Valentina Plugaru | .... | assistant director: Russian crew | |
| Alex Sutherland | .... | third assistant director (as Alejandro Sutherland) | |
Art Department | |||
| Ilia Iovu | .... | set dresser: Russia | |
| Alison Stewart-Richardson | .... | prop buyer | |
| Colin Thurston | .... | propmaster | |
Sound Department | |||
| Colin Chapman | .... | supervising sound editor | |
| St. Clair Davis | .... | boom operator | |
| Peter Lennard | .... | dubbing editor | |
| Colin Martin | .... | dubbing mixer | |
| Christian Wangler | .... | sound | |
Special Effects by | |||
| Goby Evitsky | .... | special effects supervisor | |
| Dima Stesenko | .... | special effects technician: russian crew | |
Stunts | |||
| Oleg Botin | .... | stunts | |
| Sasha Philatov | .... | stunts | |
| Dinny Powell | .... | stunts | |
Camera and Electrical Department | |||
| Sean Connor | .... | focus puller | |
| Martin Hume | .... | camera operator | |
| Eddie Knight | .... | gaffer | |
| Yuri Nugis | .... | gaffer | |
| Helen Williams | .... | clapper loader | |
Costume and Wardrobe Department | |||
| Elena Khramova | .... | wardrobe mistress | |
| Steven Kirkby | .... | wardrobe supervisor (as Steve Kirkby) | |
Editorial Department | |||
| Richard Milward | .... | assistant editor | |
Music Department | |||
| Mark Tucker | .... | music score recording engineer | |
Transportation Department | |||
| Vladimir Skakun | .... | unit transportation coordinator: Russia | |
Other crew | |||
| Liz Bunton | .... | production coordinator | |
| Gina Cronk | .... | script editor | |
| Andy Hennigan | .... | production accountant | |
| Elaine Matthews | .... | script supervisor | |
| Lina Merculova | .... | production coordinator: Russia | |
| Tom Moriarty | .... | armorer | |
| Dinny Powell | .... | horse master | |
| Richard Rutherford-Moore | .... | military advisor (as Richard Moore) | |
| Cindy Winter | .... | contact: London | |
| Zinaida Kravchenko | .... | production accountant (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| running times? | plugged1967 |
| No blood on Hakeswill head after been headbutted | simon_tt |
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| Sharpe's Eagle | Sharpe's Battle | Sharpe's Honour | Sharpe's Rifles | Master and Commander: The Far Side of the World |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb UK section | Add this title to MyMovies |
Sharpe's Company really marked the beginning of what the series would become. It was bigger than the previous two entries, and everyone involved in the series seemed to be settling in. Sean Bean seemed to really slip into his own comfort zone with the character here, and Tom Clegg seemed to be comfortable as a Director as well. And Daragh O'Malley stepped right up and made Harper a major player in the franchise.
I saw it mentioned in another review that Sharpe's Company is the one movie of the series that can really stand on it's own. I have to say, even though it's not my very favourite, I totally agree. This was my introduction to Sharpe, and it is the perfect place to start. In fact, I didn't even see the first 2 movies, Rifles and Eagles, until much later on. Maybe the reason why this is so good as a stand alone movie is because everything seemed to really begin here. Like I said, Company was the beginning of what the series would become. Rifles portrayed Sharpe as a very different character in very different circumstances. Eagles kind of set up him as a leader of the Riflemen. Here in Sharpe's Company, Sharpe has become a leader and has softened up a bit as a character. He's very trusting and sympathetic to his men, he takes the role as a mentor to a young boy, and he's about to become a father. But of course we still get several great scenes of Sharpe the arrogant bully, tormenting his enemy, Obadiah Hakeswill. The way Sharpe does torment Obadiah would normally set him up as a despicable guy in most movies, but thanks to Pete Postlethwaite's performance as Obadiah, you can't help but cheer Sharpe on as he constantly lays into him. And Pete Postlethwaite's performance is phenomenal. It's insane and mad, while just sitting on the right side of being over-the-top. Not many people can mumble their way through a movie and talk into their hat, and not be a laughing stock to the audience. Instead, Postlethwaite develops himself as a menacing villain. He's despicable and entertaining at the same time.
The final siege is where Sharpe's Company really shines. Instead of filming it like an action piece, Tom Clegg directs the sequence in a very personal way. All you see for most of the Siege is close up shots of the Red Coats charging forward. Since he focuses right on the soldiers the whole time, the explosions and gunshots around have more effect. You're not seeing the enemy firing on them, so there's more suspense. It's a powerful sequence full of soldiers marching and dying right on camera. If it had been shot like most War movies, the scene would have no impact. To Tom Clegg's credit, not showing us a lot of the mayhem around is really what made the end of this so worth watching. And then of course there's the long awaited showdown between Sharpe and Obadiah (which is an especially long wait when you consider the India series that was never made into movies). Although it's brief, there's enough pure energy between Sean Bean and Pete Postlethwaite to end with a bang. I think it's unlikely that someone can watch Sharpe's Company and not enjoy it. I think it's downright impossible to watch Sharpe's Company and not be interested in seeing what happens next in Sharpe's Enemy. This movie was the perfect launching point for the series, and it sets up the next movie while still giving the audience closure. Every time I see the end of Sharpe's Company, I immediately make plans to see Sharpe's Enemy. I suggest everyone else check that one out as well.
And a final message to Tom Clegg. If you're reading this, and you've never considered it, I urge you to get to work on a new Sharpe movie. PLEASE! There's still so much more to do.