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Interview with the Vampire: The Vampire Chronicles (1994)
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Overview
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View company contact information for Interview with the Vampire: The Vampire Chronicles on IMDbPro.Release Date:
11 November 1994 (USA) moreTagline:
Drink From Me And Live ForeverPlot:
A vampire tells his epic life story: love, betrayal, loneliness, and hunger. full summary | full synopsisAwards:
Nominated for 2 Oscars. Another 18 wins & 16 nominations moreNewsDesk:
(61 articles)
The Vampire Diaries 1.07 "Haunted" Recap (From TVovermind.com. 30 October 2009, 12:03 PM, PDT)
Five Non-'Twilight Saga' Alternatives for an Awesome Vampire Costume
(From MTV Movies Blog. 30 October 2009, 10:00 AM, PDT)
User Comments:
Deep-thinking vampire searches for meaning in eternal life more (346 total)Cast
(Cast overview, first billed only)| Brad Pitt | ... | Louis de Pointe du Lac | |
| Christian Slater | ... | Daniel Malloy | |
| Virginia McCollam | ... | Whore on Waterfront | |
| John McConnell | ... | Gambler | |
| Tom Cruise | ... | Lestat de Lioncourt | |
| Mike Seelig | ... | Pimp | |
| Bellina Logan | ... | Tavern Girl | |
| Thandie Newton | ... | Yvette | |
| Lyla Hay Owen | ... | Widow St. Clair | |
| Lee E. Scharfstein | ... | Widow's Lover (as Lee Emery) | |
| Indra Ové | ... | New Orleans Whore (as Indra Ove) | |
| Helen McCrory | ... | 2nd Whore | |
| Monte Montague | ... | Plague Victim Bearer | |
| Kirsten Dunst | ... | Claudia | |
| Nathalie Bloch-Lainé | ... | Maid (as Nathalie Bloch) |
Additional Details
MPAA:
Rated R for vampire violence and gore, and for sexuality.Parents Guide:
View content advisory for parentsRuntime:
123 minCountry:
USALanguage:
EnglishColour:
Colour (Technicolor)Aspect Ratio:
1.85 : 1 moreCertification:
Canada:13+ (Quebec) | Canada:18 (Nova Scotia) | Canada:R (Manitoba/Ontario) | Canada:18A (Alberta) (2000) | Iceland:16 | South Korea:15 | USA:R (No. 33401) | Philippines:R-18 | Portugal:M/16 | France:-12 | New Zealand:R16 | Argentina:16 | Australia:MA | Chile:18 | Finland:K-16 | Germany:16 | Hong Kong:III | Malaysia:(Banned) | Netherlands:16 | Norway:18 | Peru:18 | Singapore:M18 (re-rating) | Singapore:R(A) (original rating) | Spain:18 | Sweden:15 | UK:18Filming Locations:
Albert R. Broccoli 007 Stage, Pinewood Studios, Iver Heath, Buckinghamshire, England, UK moreFun Stuff
Trivia:
During the cinema montage sequence (depicting the passage of years) towards the last part of the film, where Louis exalts about being able to "see" the sun for the first time in centuries, the clip of a rooster crowing to indicate the coming of dawn is from the silent vampire film Nosferatu, eine Symphonie des Grauens (1922). moreGoofs:
Anachronisms: (At 65:09) When Claudia is about to release the birds from their cage (just before the departure overseas), a modern day car can clearly be seen zipping by through the closed lace curtains. This could not be possible since it is still the mid-1800s at this point in the movie. moreSoundtrack:
Sonata in F Sharp moreFAQ
Why did the vampires in the theater laugh at Louis?What are the lyrics to "Le Nozze di Figaro (The Marriage of Figaro)"?
A Note Regarding Spoilers
more
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'Interview with the Vampire' is an atmospheric, highly gripping "film involving vampires" - not a "vampire movie". Whilst the latter would describe a film that focuses on its vampirism and might be judged on the sharpness of its fangs, this "film involving vampires" has all the merits of the very best cinema, and at its core is nothing but a fantastic story carried by compelling, believable characters.
For those who may not be able to overlook the vampiric content, look again. The vampirism herein is a plot device, a way of presenting characters who cannot die or age or be harmed, so that the philosophical questions of life itself can be explored. But equally, for those who will be interested in the vampiric content, this film presents a rich mythology backed by a trilogy of books, which fleshes out the concept of the vampire in a much deeper way than any other production.
Every person has their own world view, their own way of living and thinking. People can be brooding, contemplative, cautious, reasonable, carefree, hedonistic, optimistic, emotional - and every shade in between. But these are all world-views based on the knowledge that life is short. What would happen if told their lives would never end? Who would be happiest? What would they do? How would eternal life affect each person? And most importantly, if a way of living was bringing meaning to a person's life, would that still work once life was infinite? All of these questions help us explore philosophical ideas as old as time, and that exploration is the focus of this film.
The story is propelled by vampires Louis (Pitt) and Lestat (Cruise), each representing a different take on life. Whilst Louis, who began as a depressive wanting to die, thinks of eternity as an extended curse; Lestat, who seems to live every second as it comes, barely even considers the future three minutes hence. Told from Louis' viewpoint as he struggles to find some meaning in a life he knows will never end, we are taken on a ride across the centuries, as Louis' outlook and happiness undulate whilst characters and relationships come and go.
Alongside Louis' turmoil in coming to terms with his (now eternal) life, a secondary theme is explored, which is the notion of survival. Even though Louis is clearly dissatisfied with life, he never attempts to end it, despite this option being open to him. In other words, surviving, in and of itself, was a motivation that outdid any other. Most importantly, survival outdoes Louis' trouble over the fact that his only source of nourishment is now the blood of living animals, preferably humans. Despite attempting abstinence, and then attempting to drink only the blood of rodents, this basic feeding instinct proves too much for Louis. And yet, as Lestat points out, what is the problem? The fittest always survives, and whoever is lower down the food-chain will be eaten. Humans eat animals, and vampires eat humans - it's all natural. But nonetheless, are there moral limits? Even if you have to kill a human, is there a more moral way to do it? "Monstrous," Louis exclaims, as he watches a group of vampires murder a defenceless girl. Yet might survival require the forgetting of moral consciousness, like Lestat?
'Interview with the Vampire' explores all of these deep, important issues whilst delivering an incredibly powerful story populated by charismatic characters, haunting and diverse settings and immortal dialogue. Gripping from start to finish, you will be enamoured at the vampire-world opened up to you; and by the end, you are left wondering what choice you would have made, given the one that Lestat never had...