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An IRS auditor suddenly finds himself the subject of narration only he can hear: narration that begins to affect his entire life, from his work, to his love-interest, to his death.
Director:
Marc Forster
Stars:
Will Ferrell,
Emma Thompson,
Dustin Hoffman
An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist's ... See full summary »
With the help of a talking freeway billboard, a "wacky weatherman" tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.
Director:
Mick Jackson
Stars:
Steve Martin,
Victoria Tennant,
Richard E. Grant
Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
Director:
Woody Allen
Stars:
Woody Allen,
Judy Davis,
Julia Louis-Dreyfus
A fast-lane investment broker, offered the opportunity to see how the other half lives, wakes up to find that his sports car and girlfriend have become a mini-van and wife.
A businessman is reunited with the four lost souls who were his guardian angels during childhood, all with a particular purpose to joining the afterlife.
Director:
Ron Underwood
Stars:
Robert Downey Jr.,
Charles Grodin,
Alfre Woodard
When Waring Hudsucker, head of hugely successful Hudsucker Industries, commits suicide, his board of directors, led by Sidney Mussberger, comes up with a brilliant plan to make a lot of money: appoint a moron to run the company. When the stock falls low enough, Sidney and friends can buy it up for pennies on the dollar, take over the company, and restore its fortunes. They choose idealistic Norville Barnes, who just started in the mail room. Norville is whacky enough to drive any company to ruin, but soon, tough reporter Amy Archer smells a rat and begins an undercover investigation of Hudsucker Industries. Written by
Reid Gagle
The familiar, quick-tempo song heard when the children are making a mad dash to the toy store to buy the Hula-Hoops is called "Sabre Dance". It was written by Aram Khachaturian and is featured in his ballet, "Gayane". The song is often associated with juggling acts and such. See more »
Goofs
When Norville is in the mail-room, telling the old mail-sorter about his invention, Norville holds up the drawing, and you can see Norville's lips are not moving when he says his line: "Yes siree... This is my ticket up upstairs." See more »
The foregoing was a fictional account of the development of the HULA HOOP® and the characters bear no resemblance to any real person or business concern. The HULA HOOP® was actually developed by the founders of the toy company WHAM-O®, a true American success story. WHAM-O® was subsequently responsible for the development of the FRISBEE® and numerous other toy products. See more »
"Flying Home"
By Benny Goodman and Lionel Hampton
Courtesy of Regent Music Corporation/Jewel Music Publishing Co., Inc.
Performed by Duke Ellington
Courtesy of Blue Note Records
A division of Capitol Records, Inc.
Under license from CEMA Special Markets See more »
Like several of the Coen brother's movies this one pays tribute to an era of cinematic achievement long past. And as always it is more than just a plot or an idea but an inspiring search for the meaning of life. In this case the story is maybe a bit too much like a Cartoon, and somehow I feel the Coens fell into a kind of a "nostalgia trap" here. My suspicion is they just had a little too much money at their disposal and fell in love with the wonderful equipment, the real and virtual set design and the wardrobe (technically and aesthetically the movie is as masterful as any of Coenss movies). So maybe someone should tell the Coenss investors: Give them less money and they will turn any idea into a timeless feature that will bring in profits for decades.
Movie buffs might enjoy comparing Hudsucker Proxy with Capra movies or John Farrow's The Big Clock. It seems the makers of Hudsucker wanted to charge every scene with symbolic meaning. It is too much: the overall story is simplistic and rests on spindly legs. The heavy set design and the opulent epic style bring it to its knees. I felt a little sorry for Jennifer Jason Leigh. Her performance is terrific, but the script gives her only few good moments. She talks like a machine gun in the manner of the most sophisticated Screwball comedies.
What makes this movie worth watching are small episodes that contain grains of wisdom. Best of all is the unforgettable "double stitch" incident (I will not give it away), a kind of a filmic parable that proves the Coens's brilliance. The use of a conference room table as a jumping board is an equally beautiful and very well directed scene, the repetition of it with an alternative ending really had me in (double) stitches.
21 of 33 people found this review helpful.
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Like several of the Coen brother's movies this one pays tribute to an era of cinematic achievement long past. And as always it is more than just a plot or an idea but an inspiring search for the meaning of life. In this case the story is maybe a bit too much like a Cartoon, and somehow I feel the Coens fell into a kind of a "nostalgia trap" here. My suspicion is they just had a little too much money at their disposal and fell in love with the wonderful equipment, the real and virtual set design and the wardrobe (technically and aesthetically the movie is as masterful as any of Coenss movies). So maybe someone should tell the Coenss investors: Give them less money and they will turn any idea into a timeless feature that will bring in profits for decades.
Movie buffs might enjoy comparing Hudsucker Proxy with Capra movies or John Farrow's The Big Clock. It seems the makers of Hudsucker wanted to charge every scene with symbolic meaning. It is too much: the overall story is simplistic and rests on spindly legs. The heavy set design and the opulent epic style bring it to its knees. I felt a little sorry for Jennifer Jason Leigh. Her performance is terrific, but the script gives her only few good moments. She talks like a machine gun in the manner of the most sophisticated Screwball comedies.
What makes this movie worth watching are small episodes that contain grains of wisdom. Best of all is the unforgettable "double stitch" incident (I will not give it away), a kind of a filmic parable that proves the Coens's brilliance. The use of a conference room table as a jumping board is an equally beautiful and very well directed scene, the repetition of it with an alternative ending really had me in (double) stitches.