Directed by | |||
| Jean-Marie Poiré | |||
Writing credits(in alphabetical order) | ||
| Christian Clavier | writer | |
| Jean-Marie Poiré | writer | |
Produced by | |||
| Alain Terzian | .... | producer | |
Original Music by | |||
| Eric Levi | |||
Cinematography by | |||
| Jean-Yves Le Mener | |||
Film Editing by | |||
| Catherine Kelber | |||
Casting by | |||
| Françoise Menidrey | |||
Production Design by | |||
| Hugues Tissandier | |||
Art Direction by | |||
| Bertrand Seitz | |||
Set Decoration by | |||
| Hugues Tissandier | |||
Costume Design by | |||
| Catherine Leterrier | |||
Makeup Department | |||
| Sophie Antonuccio | .... | assistant hair stylist | |
| Patrick Archambault | .... | hair stylist | |
| Muriel Baurens | .... | makeup artist | |
| Jacques Gastineau | .... | special makeup effects artist | |
| Patrice Iva | .... | assistant hair stylist | |
| Gisèle Jacquin | .... | assistant hair stylist | |
| Sylvie Jouineau | .... | assistant makeup artist | |
| Nadia Laurent | .... | assistant makeup artist | |
| Annick Legout | .... | assistant makeup artist | |
| Emmanuel Pitois | .... | special makeup effects artist | |
| Gilles Rossire | .... | special makeup effects artist | |
Production Management | |||
| Laure Blaess | .... | assistant production manager | |
| Agnès Chaulier | .... | production manager | |
| Caroline Gautier | .... | assistant production manager | |
| Philippe Lièvre | .... | production manager | |
Sound Department | |||
| Sylviane Bouget | .... | boom operator | |
| Gilbert Crozet | .... | dubbing sound | |
| Jean Goudier | .... | sound | |
| Frédéric Hamelin | .... | sound engineer: second unit | |
| Bernard Leroux | .... | sound mixer | |
| Jérôme Lévy | .... | foley artist | |
| Pascal Mazière | .... | foley artist | |
| Jean-Charles Ruault | .... | sound | |
| Claude Villand | .... | sound mixer | |
Special Effects by | |||
| Florence Lagrange | .... | special effects | |
| Jean-Marc Mouligne | .... | special effects | |
| Jacques Puiseux | .... | special effects | |
Visual Effects by | |||
| Pitof | .... | visual effects supervisor | |
| Antoine Simkine | .... | visual effects executive producer: Duboi | |
| Jean-Marie Vives | .... | matte painting director | |
| Rip Hampton O'Neil | .... | director of reseach and development (uncredited) | |
| Marc Jouveneau | .... | visual effects coordinator (uncredited) | |
Stunts | |||
| Joëlle Baland | .... | stunts | |
| Alain Barbier | .... | stunts | |
| Terrance Eugene Fredericks | .... | stunts (as Terrance Fredericks) | |
| Jean Gouello | .... | stunts (as Jean Gonello) | |
| Mario Luraschi | .... | stunt coordinator | |
| Joel Matray | .... | stunts | |
| Roland Neunreuther | .... | stunt coordinator | |
| Leslie Rain | .... | stunts (as Leslie Goranson) | |
| Dany Roca | .... | stunts | |
| Bernard Sachse | .... | stunts | |
| Jean-Marie Sonnet | .... | stunts | |
| Patrick Steltzer | .... | stunts | |
| Noël Vandendries-Lestienne | .... | stunts | |
| Lionel Vitrant | .... | stunts | |
| Mario Luraschi | .... | stunts (uncredited) | |
| Roland Neunreuther | .... | stunts (uncredited) | |
Casting Department | |||
| Célina Blanc | .... | extras casting | |
| Evelyne Tison | .... | extras casting | |
Costume and Wardrobe Department | |||
| Marie-Françoise Coureur Le Duc | .... | costumer | |
| Charlotte David | .... | wardrobe | |
| Fanny Jakubowicz | .... | costumer | |
| Suzette Monlouis | .... | costumer | |
| Annick Redon | .... | costumer | |
| Gretchen Gain | .... | set costumer (uncredited) | |
Editorial Department | |||
| Camille Bordes-Resnais | .... | first assistant editor | |
| Nathalie Delest | .... | post-production coordinator | |
| Lizzie Gelber | .... | second assistant editor | |
| Didier Ranz | .... | editor: video | |
| Dorian Rigal-Ansous | .... | assistant editor | |
| Jean-Philippe Vallespir | .... | second assistant editor | |
| Adeline Yoyotte | .... | first assistant editor | |
Music Department | |||
| Dominik Borde | .... | music mixer | |
| Mario Klemens | .... | conductor | |
Other crew | |||
| Rachel Corlet-Soulier | .... | script supervisor | |
| Thierry Crépin | .... | location manager | |
| François d'Artemare | .... | stage manager | |
| Frédéric Doniguian | .... | production assistant | |
| Caroline Emery | .... | production secretary | |
| Stephan Guillemet | .... | production assistant | |
| Jérôme Haumont | .... | production assistant | |
| Jean-Louis Lalet | .... | production assistant | |
| Carmen Lima | .... | production assistant | |
| Jean-Charles Maratier | .... | fencing master | |
| Anne Marchal | .... | production assistant | |
| Andreas Meszaros | .... | production assistant | |
| Céline Migeon | .... | script girl | |
| Philippe Morlier | .... | production assistant | |
| Chantal Pernecker | .... | script supervisor | |
| Francis Pesquer | .... | tapestry | |
| Frédéric Pesquer | .... | tapestry | |
| Julie Salvador | .... | production assistant | |
| Dominique Segall | .... | press attache | |
| Dominique Segall | .... | press promotion | |
| Alain Terzian | .... | presenter | |
| Bobane Veselinovic | .... | location manager | |
| Philippe Zone | .... | assistant horse master | |
| Pamela Clay | .... | adr voice (uncredited) | |
Thanks | |||
| Philippe Savay | .... | thanks | |
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| Les couloirs du temps: Les visiteurs 2 | Just Visiting | Black Knight | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | The Sword in the Stone |
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Sometime soon we'll agree not to be mad at the French. When that happens, look for "Les Visiteurs" on cable or at the video place. The frantic humor of this time-shifting comedy works well both on the French dialogue track and through the somewhat loose paraphrases of the subtitles. Yes, folks, subtitles and all, this is a good one.
Christian Clavier emerged from the Splendide, a French take on Second City, to seize the film comedy market by the throat. Like Jerry Lewis, he is in need of a straight man. Lewis's moved on to the Ding-a-Ling Sisters. Clavier has granite-faced Jean Reno of "French Kiss" and "Mission Impossible", the man with the permanent dix-sept heures shadow across his jowls. Their interaction is spot-on hilarious.
Oddly, the memorable quote from this film is in (sort of) English. "OK" is acceptable Franglais, the Academie notwithstanding. Clavier's character becomes fascinated with the word, shouting "O-Kayyy"! at the least provocation. Listen to my wife and I converse: we echo old Jacqouille all the time.