| Videos (see all 8) |
Directed by | |||
| Tony Scott | |||
Writing credits | ||
| Quentin Tarantino | (written by) | |
| Roger Avary | uncredited | |
Produced by | |||
| Gary Barber | .... | producer | |
| Lisa Cogswell | .... | associate producer | |
| Don Edmonds | .... | co-producer | |
| Spencer Franklin | .... | associate producer | |
| Samuel Hadida | .... | producer | |
| Gregory Manson | .... | associate producer (as Gregory S. Manson) | |
| Steve Perry | .... | producer | |
| James G. Robinson | .... | executive producer | |
| James W. Skotchdopole | .... | co-producer | |
| Bill Unger | .... | producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| Hans Zimmer | |||
Cinematography by | |||
| Jeffrey L. Kimball | |||
Film Editing by | |||
| Michael Tronick | |||
| Christian Wagner | |||
Casting by | |||
| Risa Bramon Garcia | |||
| Billy Hopkins | |||
Production Design by | |||
| Benjamín Fernández | |||
Art Direction by | |||
| James J. Murakami | |||
Set Decoration by | |||
| Thomas L. Roysden | |||
Costume Design by | |||
| Susan Becker | |||
Makeup Department | |||
| Mary Barnard | .... | wigs | |
| Ron Scott | .... | hair stylist | |
| Ellen Wong | .... | makeup artist | |
Production Management | |||
| Jody Levin | .... | post-production supervisor | |
| Steve Perry | .... | unit production manager (as S.H. Perry) | |
Art Department | |||
| Mike Blaze | .... | property master (as Michael Blaze) | |
| Larry Boyd | .... | set dresser | |
| Rick Chavez | .... | assistant property master | |
| Joseph C. Fama | .... | gang boss (as Joseph Fama) | |
| Tom J. Furginson | .... | swing gang | |
| Nancy Garber | .... | assistant art director | |
| Lloyd Hardy | .... | gang boss | |
| John Hinkle | .... | stand-by painter (as John Dee Hinkle) | |
| Ronald C. Jacobs | .... | lead man | |
| Ernest H. Lauterio | .... | assistant property master | |
| Mark Mahoney | .... | tattoo designer | |
| Joe Mendoza | .... | drapery foreman (as Joe F. Mendoza) | |
| Louis Montejano | .... | assistant art director (as Lou Montejano) | |
| Jason Muscarella | .... | propmaker | |
| Joseph Muscarella | .... | labor foreman | |
| Michael Muscarella | .... | construction coordinator (as Michael A. Muscarella) | |
| Anthony Paronelli | .... | construction painter (as Anthony L. Paronelli) | |
| Charles Sperber | .... | gang boss | |
| Ciro Vuoso | .... | general foreman | |
| Danny Wynands | .... | gang boss | |
Special Effects by | |||
| Robert S. Henderson | .... | special effects (as Robert Henderson) | |
| Michael Meinardus | .... | special effects coordinator (as Mike Meinardus) | |
| Francisco X. Pérez | .... | prosthetic makeup design (as Frank Carrisosa) | |
| Larry M. Shorts | .... | special effects (as Larry Shorts) | |
Stunts | |||
| Todd J. Adelman | .... | stunts (as Todd Adelman) | |
| Joni Avery | .... | stunts | |
| Kenny Bates | .... | stunts (as Ken Bates) | |
| Steve Boyum | .... | stunts | |
| Keith Campbell | .... | stunts | |
| Steve Hulin | .... | stunts | |
| Eric Mansker | .... | stunts | |
| Noon Orsatti | .... | stunts | |
| Steve Perry | .... | stunts (as S.H. Perry) | |
| Charlie Picerni | .... | stunt coordinator (as Charles Picerni) | |
| Chuck Picerni Jr. | .... | stunts | |
| Paul V. Picerni Jr. | .... | stunts (as Paul Picerni) | |
| Steve Picerni | .... | stunts | |
| Tony Rich | .... | stunts | |
| Robby Robinson | .... | stunts | |
| Ric Roman Waugh | .... | stunts (as Ric Waugh) | |
| Big Daddy Wayne | .... | stunts | |
| Nancy Young | .... | stunts | |
| Nick Brett | .... | utility stunts (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
| Suzanne Smith | .... | casting associate | |
| Mary Vernieu | .... | casting associate | |
Costume and Wardrobe Department | |||
| Greg Hall | .... | costumer | |
| Dawn Y. Line | .... | key costumer | |
| Hugo Peña | .... | costume supervisor | |
Editorial Department | |||
| Ken Blackwell | .... | first assistant film editor (as Kenneth B. Blackwell) | |
| Tony Ciccone | .... | first assistant film editor (as Tony S. Ciccone) | |
| Saul Escobedo | .... | color timer | |
| Ray Morfino | .... | color timer | |
| Joe Mosca | .... | assistant film editor | |
| Boyd Steer | .... | negative cutter | |
| Paul M. Wagner | .... | assistant film editor | |
| Jay Wiechman | .... | negative cutter | |
Music Department | |||
| Susan Abrams | .... | music coordinator | |
| Maureen Crowe | .... | music supervisor | |
| Mark Mancina | .... | composer: additional music | |
| Thomas Milano | .... | music editor | |
| Jay Rifkin | .... | score mixer | |
| Jay Rifkin | .... | score recordist | |
| Marie Snyder | .... | music coordinator | |
| John Van Tongeren | .... | composer: additional music | |
| Bruce Fowler | .... | orchestrator (uncredited) | |
| Laura Perlman | .... | music editor (uncredited) | |
| Christopher Ward | .... | assistant to composer (uncredited) | |
| Rick Winquest | .... | music scoring mixer (uncredited) | |
Transportation Department | |||
| Steve Bonner | .... | driver | |
| Sparky Edmonston | .... | transportation captain | |
| Dennis Sean Fahey | .... | driver | |
| Jerry Gordon | .... | driver (as Jerry L. Gordon) | |
| Jim Haag | .... | driver | |
| William Hogue | .... | driver (as Bill Hogue) | |
| Gene R. Johnson | .... | driver (as Gene Johnson) | |
| Jerry F. Johnson | .... | driver (as Jerry Johnson) | |
| Linda Johnson | .... | driver (as Linda 'T.S.' Johnson) | |
| Pete Johnson | .... | transportation coordinator | |
| Jim Kojaku | .... | driver | |
| Ralph Landolfi | .... | driver | |
| John Kris Larsen | .... | driver | |
| Douglas Miller | .... | driver (as Doug Miller) | |
| Kenneth Newland | .... | driver (as Kenny Newland) | |
| Ted Reed | .... | driver | |
| Frank Reinhard | .... | driver | |
| Jeffery Duke Stevens | .... | driver | |
| Jim Sullivan | .... | driver | |
| John L. Sullivan | .... | driver | |
| Patrick L. Winton | .... | driver | |
| Paul Youds | .... | driver (as Paul John Youds) | |
Other crew | |||
| Todd J. Adelman | .... | first aid (as Dr. Todd J. Adelman) | |
| Jennifer Amerine | .... | assistant: Bill Unger | |
| Maryellen Aviano | .... | on-set coordinator | |
| Linda C. Azevedo | .... | accounting assistant (as Linda Azevedo) | |
| Stuart Raven Barter | .... | location scout | |
| Mady Manson Burza | .... | assistant production accountant (as Mady Burza) | |
| Paul A. Calabria | .... | animal trainer (as Paul Calabria) | |
| Frank B. Davis | .... | craft service | |
| Ed Eppersen | .... | motorcycle officer | |
| Joanna Farrand | .... | production assistant | |
| Spencer Franklin | .... | production coordinator | |
| Tom Garner | .... | motorcycle officer | |
| Edward E. Giddens | .... | production secretary | |
| Lesley Grant | .... | assistant: Christian Slater (as Lesley C. Grant) | |
| Jerry Heiss | .... | assistant: Tony Scott | |
| David Linck | .... | unit publicist | |
| Gregory Manson | .... | production accountant (as Gregory S. Manson) | |
| Deborah J. Page | .... | assistant location manager | |
| Michael Papac | .... | armorer | |
| Cathy Perry Marshall | .... | stand-in | |
| Debbie Pinckes | .... | production associate | |
| Janice Polley | .... | location manager | |
| Don Stanley | .... | motorcycle officer | |
| Lisa Marie Stetler | .... | assistant production coordinator | |
| Susie Thompson | .... | production assistant | |
| P.R. Tooke | .... | script supervisor | |
| Richard E. Wacker | .... | stand-in | |
| Richard Clark | .... | playback supervisor (uncredited) | |
| Scott Hamilton | .... | media publicist (uncredited) | |
| Michael Kallio | .... | production assistant (uncredited) | |
| Michael Mendelsohn | .... | financial consultant (uncredited) | |
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True Romance is a celebration of film. It wallows in every possible seedy contrivance of American crime/action cinema. It is absolutely shameless in its exploitation of excessive violence, over-acting, melodrama, lurid sex, and rampant drug use...I love it. Quentin Tarantino, as I'm sure everyone knows, wrote the story, but it is the in execution that this film pays off. The cast, oh the cast: The lynchpins are Christian Slater and Patricia Arquette. They both give solid performances, which prevents the film from flying off the tracks; they serve as the pilot light. The supporting roles are the gas. The Walken/Hopper show down has been oft sighted as the film's best aspect, and this is, arguably, true. Just watch this scene and then watch it again. Sparks actually shoot out of the screen and burn people about the head and shoulders. OK, you've got Val Kilmer as the ghost of Elvis, Brad Pitt as a disgruntled pot-smoking loser, Tom Sizemore & Chris Penn as cops, James Gandolfini (pre-Sopranos) as a reflective hitman, and you've even got Bronson Pinchot (from TV's PERFECT STRANGERS) for God's sake. Did I forget Gary Oldman? Do yourself a favor and rent every single Gary Oldman related project (they're not all good films, but...). Why is Gary Oldman not in every film ever made? Why? I ask you why? He has got to be the best actor working today, hands down. As Drexel Spivey, Oldman chews the scenery, digests it, and then expels it from every orifice. Keep in mind that he is an English actor with a normal speaking voice at home in the Royal Shakespeare Company. His performance here is second only to his turn in LEON in blatant over-the-top insanity. Tony Scott, who along with his brother Ridley, has been known to over-direct a film or two, here chooses wisely to basically set up the camera and run. The score by Hans Zimmer adds a bouncy xylophone driven theme to the film and finds the right balance. This a well made, balls-to-the-wall, popcorn throwing, cult classic. In a market dominated with stereotypical characters, this movie avoids that trap by letting the stereotypes flourish with all the grotesque absurdity it can muster. 9/10