Eoghan Harris (written by)
Bernard Cornwell (based on the novel by)
5 May 1993 (UK) more
In the Penisular War, a British seargent is field promoted to a lieutenant in charge of a disrespectful rifle company. full summary | add synopsis
Great Movie Even If You're Not Historically Inclined more (22 total)
| Sean Bean | ... | Sharpe | |
| Brian Cox | ... | Hogan | |
| Daragh O'Malley | ... | Harper | |
| Assumpta Serna | ... | Teresa | |
| David Troughton | ... | Wellesley | |
| Simón Andreu | ... | Vivar | |
| Michael Mears | ... | Cooper | |
| John Tams | ... | Hagman | |
| Jason Salkey | ... | Harris | |
| Paul Trussell | ... | Tongue | |
| Lyndon Davies | ... | Perkins | |
| Julian Fellowes | ... | Major Dunnett | |
| Tim Bentinck | ... | Captain Murray | |
| Richard Ireson | ... | Sgt. Williams | |
| Martin Jacobs | ... | Lawford | |
| Malcolm Jamieson | ... | Colonel de L'Eclin | |
| Anthony Hyde | ... | Man in Black | |
| Jack McKenzie | ... | Mr. Parker | |
| Kerry Shale | ... | James Rothschild | |
| Karen Tungay | ... | Louisa | |
| rest of cast listed alphabetically: | |||
| Slava Burlachko | ... | French Dragoon (uncredited) | |
Directed by | |||
| Tom Clegg | |||
Writing credits | ||
| Eoghan Harris | (written by) | |
| Bernard Cornwell | (based on the novel by) | |
Produced by | |||
| Ted Childs | .... | executive producer | |
| Malcolm Craddock | .... | producer | |
| Muir Sutherland | .... | executive producer | |
| Neville C. Thompson | .... | associate producer (as Neville Thompson) | |
Original Music by | |||
| Dominic Muldowney | |||
| John Tams | |||
Cinematography by | |||
| Ivan Strasburg | (director of photography) | ||
Film Editing by | |||
| Robin Sales | |||
Casting by | |||
| John Hubbard | |||
| Ros Hubbard | |||
Production Design by | |||
| Andrew Mollo | |||
Art Direction by | |||
| Philip Elton | |||
| Vladimir Litvinov | |||
Costume Design by | |||
| John Mollo | |||
Makeup Department | |||
| Sano De Perpessac | .... | chief hairdresser | |
| Margarida Miranda | .... | chief makeup | |
Production Management | |||
| Christian Abomnes | .... | unit manager | |
| Chris Thompson | .... | production manager: Portugal | |
Second Unit Director or Assistant Director | |||
| Sam Craddock | .... | second assistant director | |
| Marc Jenny | .... | first assistant director | |
Art Department | |||
| Irina Sapozhnikova | .... | set dresser | |
| Alison Stewart-Richardson | .... | set dresser | |
| Colin Thurston | .... | props | |
Sound Department | |||
| Colin Chapman | .... | dubbing editor | |
| David Lis | .... | boom operator | |
| Colin Martin | .... | sound mixer | |
| Christian Wangler | .... | sound recordist | |
Special Effects by | |||
| Viktor Voronoy | .... | special effects supervisor (as Victor Voronoy) | |
Stunts | |||
| Oleg Korytin | .... | horse stunt coordinator (as Oleg Keratin) | |
| Sasha Philatov | .... | stunt coordinator | |
| Greg Powell | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Dennis Lloyd | .... | grip | |
| Yuri Nugis | .... | gaffer (as Georgy Nugis) | |
| Richard Philpott | .... | camera operator | |
| Mark Strasburg | .... | focus | |
Costume and Wardrobe Department | |||
| Elena Khramova | .... | wardrobe supervisor (as Helen Kharmova) | |
| Barbara Rutter | .... | assistant costume designer | |
Editorial Department | |||
| Adam Boome | .... | assistant editor | |
Other crew | |||
| Lesley Broderick | .... | production accountant | |
| Slava Burlachko | .... | horse master | |
| José Correia | .... | associate: Animedia Audiovisual | |
| Gina Cronk | .... | script editor | |
| Pavel Douvidzon | .... | associate: East-West Creative Association (as Pavel Duvidson) | |
| Caroline McManus | .... | associate: East-West Creative Association | |
| Irene Meldris | .... | assistant to director | |
| Igor Nosov | .... | associate: East-West Creative Association | |
| Stepan Pojenian | .... | associate: East-West Creative Association (as Stefan Pojenian) | |
| Pat Rambaut | .... | script supervisor | |
| John Raymond | .... | associate: East-West Creative Association | |
| Richard Rutherford-Moore | .... | technical advisor (as Richard Moore) | |
| Tatyana Shakhgeldyan | .... | associate: East-West Creative Association | |
| Patricia Vieira | .... | associate: Animedia Audiovisual | |
| Cindy Winter | .... | assistant to producer | |
| Winnie Wishart | .... | production coordinator | |
| Zinaida Kravchenko | .... | production accountant (uncredited) | |
USA:102 min
English | Spanish | French | Yiddish | Portuguese
Sean Bean replaced Paul McGann in the role of Richard Sharpe after McGann was injured. more
Errors made by characters (possibly deliberate errors by the filmmakers): When on the roof of the chapel at Torrecastro, Cooper indicates a Frenchmen (who had shot at him) with the words "Left - three o'clock". This is a phrase which would only be used by someone familiar with a clock face (which Cooper may not be) and three o'clock indicates 90 degrees to the right (not left). He then actually aims slightly towards the right of the square (more like one o'clock). more
Patrick Harper:
Sweet is the silent mouth, Cooper.
Cooper:
Didn't say a word, did I?
more
Followed by Sharpe's Enemy (1994) (TV) more
Oranges and Lemons more
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| Sharpe's Sword | Sharpe's Gold | Sharpe's Eagle | Sharpe's Company | Sharpe's Mission |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb UK section | Add this title to MyMovies |
The Napoleonic Wars are not typically my historical period of interest. A friend of mine had seen some of the Sharpe's movies on Public Television, bought the first set of videos and basically browbeat me into watching them. We watched Sharpe's Rifles, the first of the series, one night when I was over for dinner, and he gladly let me borrow the rest of that first set when I left. I was greatly, and pleasantly impressed. Sean Bean is, of course, a spectacular actor, and he brings a realistic personality to a character of the period. Richard Sharpe is a hero that's not always behaving quite like a hero, but when one realises that he was a commoner from a world where if he didn't join the army, he would've ended up a criminal, one can at least appreciate his behaviour, even if one doesn't always agree with it. The supporting cast also does a wonderful job. The series puts Sharpe in the forefront of actual historical events, specifically battles, and one is tempted to believe that he was a real person. If you're a fan of Sean Bean, if you're a fan of period movies, or Hell! if you're a fan of movies...period, you should check out at least the first set of Sharpe's movies, starting with this one.