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Rising Sun (1993)

 -  Crime | Drama | Mystery  -  30 July 1993 (USA)
6.1
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Ratings: 6.1/10 from 24,414 users  
Reviews: 63 user | 34 critic

At the offices of a Japanese corporation, during a party, a woman, who's evidently a professional mistress, is found dead, apparently after some rough sex. A police detective, Web Smith is ... See full summary »

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(novel), (screenplay), 2 more credits »
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Title: Rising Sun (1993)

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Cast

Cast overview, first billed only:
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...
...
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Eddie Sakamura
...
Bob Richmond
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Yoshida-san
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...
Ishihara
...
Phillips
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...
...
Peter Crombie ...
Greg
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Rick
...
Julia
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Storyline

At the offices of a Japanese corporation, during a party, a woman, who's evidently a professional mistress, is found dead, apparently after some rough sex. A police detective, Web Smith is called in to investigate but before getting there, he gets a call from someone who instructs him to pick up John Connor, a former police Captain and expert on Japanese affairs. When they arrive there Web thinks that everything is obvious but Connor tells him that there's a lot more going on. Written by rcs0411@yahoo.com

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated R for strong sexuality, language and some violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

30 July 1993 (USA)  »

Also Known As:

Sol naciente  »

Box Office

Opening Weekend:

£648,293 (UK) (15 October 1993)

Gross:

£2,391,211 (UK) (12 November 1993)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The murderer's identity was changed from the book for reasons not explained by the director. See more »

Goofs

Senator Morton receives a color fax on a machine far too simple a model to accept one. See more »

Quotes

Cop: Hey Graham, you want some sushi?
Tom Graham: No thanks. If I get a craving for mercury, I'll eat a thermometer.
See more »

Crazy Credits

There is a credit in Rising Sun thanking "The MIT Leg Lab" and "Marc Raibert and his Running Team." This refers to a short scene where the two detectives go out to a fancy-looking research lab (really a water treatment plant; also used as the set for Starfleet Academy on the TV series "Star Trek - The Next Generation). In the background of some of the shots there are two legged robots: one hopping in a circle in a tea-house; the other bouncing up a garden path. These robots are actually academic research projects from the MIT AI Lab's Legged Locomotion Lab. They really do hop about and maintain their balance. Power comes from off-board hydraulic pumps (hence the guy in the background (me!) pulling hoses for the robot), and body attitude is sensed with gyroscopes. A human with a joystick tells the robot what direction to go, and the control algorithms (which are the real subject of Leg Lab research) maintain speed, direction, and balance. However, the robots aren't designed for special effects. They're always being modified, and they tend to break down frequently. This made shooting in the hot july sun of the San Fernando Valley a real nightmare, with transputers crashing in the heat, stuck gyros, and hydraulic leaks. Three grad students and a professor worked steadily for about a month before Hollywood, and then five days on the set and on location to get the robots in about 15 seconds of film. The credits are: Marc Raibert (our prof), and Charles Francois, Rob Playter and Lee Campbell (me) who are students. We three students appear in the film in white lab coats acting like Robot Scientists!! See more »

Connections

Referenced in Never Sleep Again: The Elm Street Legacy (2010)
Photograph on a magazine cover is shown. See more »

Soundtracks

"CHATTANOOGA CHOO CHOO"
Written by Harry Warren and Mack Gordon
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User Reviews

 
Fear of Other Cultures, Learning to Understand Them and the Seemingly Obvious
15 June 2007 | by (Cincinnati, OH, United States) – See all my reviews

Michael Crichton's Rising Sun is an extensive, dense, unpredictable mess. The actors have a lot of fun and the story is a splurge of entertainment, but it's not paying enough attention to a couple of things. One of them is what its focus is. Is the film about the murder, the two men solving the murder, the clash of American and Japanese cultures, or what? The other thing the film forgets could be a drawback of the first thing. It's that it doesn't tie up all its loose ends. At the end, there are strands left with no ending, even a mysterious ambiguous one. It just ends because it feels the pace of the film requires it to fade out at that particular point.

The film is not bad, mostly because it's far from boring. In fact, there are many scenes of dialogue, despite a few corny scenes of dialogue, that are subtly interesting. We don't quite understand why the exchanges are interesting until later, when we realize that the characters are so deeply contemplated that the scene felt as real as the room you're sitting in. But maybe I'm giving the film too much credit for simply being a load of fun for Michael Crichton to write. After all, he wrote and directed one of the greatest heist films ever made, The Great Train Robbery, also with Sean Connery.

Sean Connery, of course, is the highlight of the film, because there's hardly a way he cannot be. Despite his irrepressible suavity, he does not play himself. He plays a resentful, inflexible, self-indulgent veteran cop, and we are supposed to like Wesley Snipes more because the film centers, well, seems to want to center around his character and also we're given more backstory and information on him. However, we don't like Snipes more than him. Connery may play a stubborn old jerk, but I'd rather one of those than a pompous, intolerant, overpround young jerk like Snipes can hardly help but play.

I cannot reach a verdict on this film. How can I? There are so many things to enjoy at the same time they are hazardous to the film's health.


5 of 7 people found this review helpful.  Was this review helpful to you?

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