| Photos (see all 9 | slideshow) |
| James Belushi | ... | Harry Wyckoff | |
| Dana Delany | ... | Grace Wyckoff | |
| Robert Loggia | ... | Sen. Anton Kreutzer | |
| Kim Cattrall | ... | Paige Katz | |
| Angie Dickinson | ... | Josie Ito | |
| Ernie Hudson | ... | Tommy Lazlo | |
| Bebe Neuwirth | ... | Tabba Schwartzkopf | |
| Nick Mancuso | ... | Tully Woiwode | |
| Charles Hallahan | ... | Gavin Whitehope | |
| Robert Morse | ... | Chap Starfall | |
| David Warner | ... | Eli Levitt | |
| Ben Savage | ... | Coty Wyckoff | |
| Bob Gunton | ... | Dr. Tobias Schenkl | |
| Brad Dourif | ... | Chickie Levitt | |
| Aaron Michael Metchik | ... | Peter | |
| Rondi Reed | ... | Eileen Whitehope | |
| Beata Pozniak | ... | Tambor | |
| Charles Rocket | ... | Stitch | |
| François Chau | ... | Hiro | |
| Eugene Lee | ... | Lt. Bob Grindrod | |
| rest of cast listed alphabetically: | |||
| William Gibson | ... | Himself | |
| Oliver Stone | ... | Himself | |
| Danny Kamekona | ... | Ushio (uncredited) | |
| Sean Kanan | ... | Jacob (uncredited) | |
| Monica Mikala | ... | Deirdre Wyckoff (uncredited) | |
| Nicole Nagel | ... | Drug Addict (uncredited) | |
Directed by | |||
| Kathryn Bigelow | (hour 4) | ||
| Keith Gordon | (hours 3 and 5) | ||
| Peter Hewitt | (hours 1 & 2) | ||
| Phil Joanou | (hour 6) | ||
Writing credits(in alphabetical order) | ||
| Bruce Wagner | writer | |
Produced by | |||
| Michael Rauch | .... | producer | |
| Oliver Stone | .... | executive producer | |
| Bruce Wagner | .... | executive producer | |
Original Music by | |||
| Ryuichi Sakamoto | |||
Cinematography by | |||
| Phedon Papamichael | |||
Film Editing by | |||
| Norman Hollyn | |||
| Patrick McMahon | |||
| Stan Salfas | |||
Casting by | |||
| Sharon Bialy | |||
| Debi Manwiller | |||
| Richard Pagano | |||
Production Design by | |||
| Dins W.W. Danielsen | (as Dins Danielsen) | ||
Art Direction by | |||
| Mark Zuelzke | |||
Set Decoration by | |||
| Suzette Sheets | |||
Costume Design by | |||
| Judianna Makovsky | |||
Makeup Department | |||
| Andre Blaise | .... | hair stylist | |
| Gina Monaci | .... | makeup artist | |
| Danielle Russell | .... | hair stylist | |
Production Management | |||
| Bill Brown | .... | post-production supervisor | |
| Patti Kent | .... | production manager | |
Art Department | |||
| Don 'Tex' Clark | .... | set dresser | |
| Doug Harlocker | .... | property master | |
| Laura McIntyre | .... | lead man | |
| John Stone | .... | construction foreman | |
Sound Department | |||
| Paul Berolzheimer | .... | sound effects editor | |
| Mark Cookson | .... | sound effects editor | |
| Louis Creveling | .... | dialogue editor | |
| Patrick Giraudi | .... | dialogue editor | |
| David Grant | .... | dialogue editor | |
| Dan Jamele | .... | dialogue editor | |
| Scott A. Jennings | .... | sound effects editor | |
| Derek Marcil | .... | adr mixer | |
| Beau Maxwell | .... | sound effects editor | |
| Debbie Melford | .... | adr editor | |
| Timothy Pearson | .... | foley artist | |
| John Ross | .... | sound re-recording mixer | |
| Craig Sadler | .... | dialogue editor | |
| Steve Scoville | .... | dialogue editor | |
| Don Summer | .... | sound mixer | |
| Paul Urmson | .... | sound effects editor | |
| Kevin J. Ward | .... | boom operator (as Kevin Ward) | |
Special Effects by | |||
| Karin Hanson | .... | special effects hair | |
Stunts | |||
| Rick Avery | .... | stunts | |
| Terry Jackson | .... | stunts | |
| Barbara Anne Klein | .... | stunt double: Kim Cattrall | |
| Ray Lykins | .... | stunts | |
| Ernie F. Orsatti | .... | stunt coordinator | |
| Charlie Picerni | .... | stunts (1993) | |
Camera and Electrical Department | |||
| Kelly Clear | .... | gaffer (as Kelly Dean Clear) | |
| Henry Coccetti Jr. | .... | best boy | |
| Tim Day | .... | best boy | |
| Roger Dean | .... | gaffer | |
| Christopher Faloona | .... | gaffer | |
| Rob J. Greenlea | .... | grip | |
| D.J. Harder | .... | second assistant camera | |
| Yvo Kwee | .... | gaffer | |
| Michael Millikan | .... | first assistant camera | |
| Mike Milliken | .... | focus puller | |
| J. Michael Muro | .... | Steadicam operator (as James Muro) | |
| Luke Palmer | .... | assistant camera | |
| David Pearlberg | .... | dolly grip | |
| Wally Pfister | .... | camera operator | |
| Rafael E. Sánchez | .... | key grip | |
Casting Department | |||
| Susan Booker | .... | casting associate | |
Costume and Wardrobe Department | |||
| Eileen Kennedy | .... | wardrobe supervisor | |
Editorial Department | |||
| Charles Bunn | .... | apprentice editor | |
| Julia Gray | .... | apprentice film editor | |
| Quincy Z. Gunderson | .... | assistant editor | |
| Devon Miller | .... | assistant editor | |
| Mark L. Mitchell | .... | assistant editor | |
Music Department | |||
| Fernando Aponte | .... | orchestrator | |
| Budd Carr | .... | music supervisor | |
| John Frizzell | .... | orchestrator (as John C. Frizzell) | |
| John Strauss | .... | music editor | |
Transportation Department | |||
| Reese Lane | .... | transportation coordinator | |
Other crew | |||
| Zaia Alexander | .... | unspecified assistant | |
| Bundy Chanock | .... | set medic | |
| Randi Feldman | .... | script supervisor | |
| Alec Gillis | .... | prosthetic effects | |
| Robert Grindrod | .... | auditor | |
| Brenda Laurel | .... | wetware consultant | |
| Shari Leibowitz | .... | production coordinator | |
| Peter McManus | .... | assistant accountant | |
| Beth Melnick | .... | location manager | |
| Macall B. Polay | .... | payroll accountant | |
| Diane Schneier | .... | production executive | |
| Roger Trilling | .... | executive consultant | |
| Karen Vaughan | .... | script supervisor | |
| Alan Noel Vega | .... | location manager | |
| Brenda K. Wachel | .... | script supervisor | |
| Paul Wilson | .... | location manager | |
| Tom Woodruff Jr. | .... | prosthetic effects | |
| Art Tizon | .... | assistant production coordinator (uncredited) | |
| Azita Zendel | .... | assistant: Oliver Stone (uncredited) | |
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The real credit for WILD PALMS should go to Bruce Wagner and his flowing, prosaic dialogue. It's like classic Film Noir crossed with cyber-speak, doused with a fifth of Single Malt Scotch and set on fire. There are so many clever, nimble phrases that are turned on their axis and spun into something entirely different.
Examples:
"Mystery loves company."
"Do you know how much it hurts to be SHOT IN THE CHEST??"
"You're no General! You're a pimp with the wings of a bat!"
"You've got quite a mouth on you! Take care someone doesn't take a needle and sew it up."
"Weak dog! You stillborn calf! YOU MAKE ME VOMIT!"
Granted the whole package is a little hard to take in all at once - it's one of those things that becomes more interesting the more you watch it. And for everyone who argues it ends with a whimper, not a bang, well, you may be right, but I posit that The Senator, Harry's real lineage, The Go Chip, and the Mimezine are all besides the point. Enjoy it for one of the campiest, cleverest, most intelligent scripts ever written for television.(Thank You Bruce Wagner) This is a project that is not only entertaining to watch, but a JOY to listen to. It's FUN.