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J.F. Lawton (written by)
9 October 1992 (USA) more
It's not a job...It's an Adventure! more
A former SEAL, now cook, is the only person who can stop a gang of terrorists when they sieze control of a US Navy battleship. full summary | full synopsis
Nominated for 2 Oscars. Another 2 wins & 1 nomination more
Steven Seagal has been a cop for 20 years?!?
(From AOL - TVSquad. 10 September 2009, 11:29 AM, PDT)
A&E Sues Over Seagal Reality Show
(From The Wrap. 26 August 2009, 10:15 AM, PDT)
Seagal's best film more (145 total)
| Steven Seagal | ... | Casey Ryback | |
| Tommy Lee Jones | ... | William Stranix | |
| Gary Busey | ... | Cmdr. Krill | |
| Erika Eleniak | ... | Jordan Tate | |
| Colm Meaney | ... | Doumer | |
| Patrick O'Neal | ... | Capt. Adams | |
| Andy Romano | ... | Adm. Bates | |
| Nick Mancuso | ... | Tom Breaker | |
| Damian Chapa | ... | Tackman | |
| Troy Evans | ... | Granger | |
| David McKnight | ... | Flicker | |
| Lee Hinton | ... | Cue Ball | |
| Glenn Morshower | ... | Ens. Taylor | |
| Leo Alexander | ... | Lt. Smart | |
| John Rottger | ... | Cmdr. Green | |
| Brad Rea | ... | Marine Guard | |
| Michael Welden | ... | Lt. Ballard | |
| Bernie Casey | ... | Cmdr. Harris | |
| Rickey Pierre | ... | Kitchen Helper | |
| Raymond Cruz | ... | Ramirez | |
| Duane Davis | ... | Johnson | |
| Eddie Bo Smith Jr. | ... | Shadow | |
| Richard Jones | ... | Pitt | |
| Tom Reynolds | ... | Wave | |
| Tom Muzila | ... | Cates | |
| Kirk Burroughs | ... | Commando | |
| George Cheung | ... | Commando (as George Kee Cheung) | |
| Jim Chimento | ... | Commando | |
| Craig Dunn | ... | Commando | |
| Daniel Dupont | ... | Commando | |
| Frank Ferrara | ... | Commando | |
| Adam James | ... | Commando | |
| Michael Gaylord James | ... | Commando | |
| Miguel Nino | ... | Commando | |
| David Webster | ... | Commando | |
| Gene Barge | ... | Bail Jumper | |
| Tony Brown | ... | Bail Jumper (as Anthony G. Brown) | |
| Hiram Bullock | ... | Bail Jumper | |
| Chris 'Hambone' Cameron | ... | Bail Jumper (as Christopher Alan Cameron) | |
| Richard Davis | ... | Bail Jumper | |
| Tad Robinson | ... | Bail Jumper | |
| Wendall Wayne Stewart | ... | Bail Jumper | |
| Tom Wood | ... | Pvt. Nash | |
| Jerone Wiggins | ... | Sammy Lee | |
| Joseph F. Kosala | ... | Engine Room Watch Officer | |
| Ousaun Elam | ... | Marine | |
| Pee Wee Piemonte | ... | Marine (as Richard Piemonte) | |
| Daniel H. Friedman | ... | Spoon | |
| Gregory G. Stump | ... | Bridge Officer | |
| David U. Hodges | ... | Bridge Watchman | |
| Bruce Bozzi | ... | F-18 Pilot | |
| Craig Pinkard | ... | Submariner (as Craig A. Pinkard) | |
| Sandy Ward | ... | Gunner's Mate Calaway | |
| Conrad E. Palmisano | ... | Strike Team Leader | |
| Luis J. Silva | ... | Luigi | |
| Michael Des Barres | ... | Domiani | |
| Nate Robinson | ... | Ship's Doctor | |
| Gary Gardner | ... | Marine - San Francisco | |
| Dru Anne Carlson | ... | Capt. Spellman (as Drucilla A. Carlson) | |
| Ralph Wesley Carey | ... | Naval Aide | |
| Joseph R. John | ... | Chief of Staff | |
| Dennis Lipscomb | ... | David Trenton, National Security Advisor | |
| Dale Dye | ... | Capt. Garza (as Dale A. Dye) | |
| Robert Nichols | ... | Col. Sarnac | |
| E. Daniel Corte Jr. | ... | CIA Aide | |
| rest of cast listed alphabetically: | |||
| Don Marsh | ... | Narrator, opening sequence (voice) | |
| Jamie Avera | ... | Naval Aircraft Handler (uncredited) | |
| Barbara Bush | ... | Herself - Aboard USS Missouri (archive footage) (uncredited) | |
| George Bush | ... | Himself - Aboard USS Missouri (archive footage) (uncredited) | |
| Dick Cheney | ... | Himself - Aboard USS Missouri (archive footage) (uncredited) | |
| Edmund Druilhet | ... | Comando (uncredited) | |
| Tom Druilhet | ... | Cajun Sailor (uncredited) | |
| Kamel Krifa | ... | Terrorist (uncredited) | |
| Robert D. Parham | ... | Sailor (uncredited) | |
| Michael Sansom | ... | Mike (uncredited) | |
| Kevin Wayne | ... | Submarine terrorist (uncredited) | |
Directed by | |||
| Andrew Davis | |||
Writing credits(WGA) | ||
| J.F. Lawton | (written by) | |
Produced by | |||
| Jack B. Bernstein | .... | co-producer | |
| Gary W. Goldstein | .... | executive producer (as Gary Goldstein) | |
| J.F. Lawton | .... | executive producer | |
| Peter Macgregor-Scott | .... | co-producer | |
| Arnon Milchan | .... | producer | |
| Steven Reuther | .... | producer | |
| Steven Seagal | .... | producer | |
| Joel Chernoff | .... | producer (uncredited) | |
Original Music by | |||
| Gary Chang | |||
Cinematography by | |||
| Frank Tidy | |||
Film Editing by | |||
| Don Brochu | |||
| Robert A. Ferretti | |||
| Dov Hoenig | |||
| Dennis Virkler | |||
Casting by | |||
| Pamela Basker | |||
Production Design by | |||
| Bill Kenney | |||
Art Direction by | |||
| William Hiney | |||
Set Decoration by | |||
| Rick Gentz | |||
Costume Design by | |||
| Richard Bruno | |||
Production Management | |||
| P.M. Scott | .... | unit production manager | |
Art Department | |||
| Clete Cetrone | .... | construction foreman | |
| K. Drew Fuller | .... | carpenter | |
| Joseph Lallement | .... | carpenter | |
| Denny Logan | .... | art department | |
| Alan Manzer | .... | set designer | |
| Sam Moore | .... | property master | |
| Ron Reedy | .... | assistant property master | |
| John Rozman | .... | set dresser | |
| Sally Thornton | .... | set designer | |
| Daniel Turk | .... | foreman | |
| Ken White | .... | construction foreman (as Kenny White) | |
| Lindanne Lewis | .... | painter (uncredited) | |
Special Effects by | |||
| Christopher Briles | .... | assistant camera | |
| Christopher Briles | .... | special effects assistant | |
| Thomas L. Fisher | .... | special effects coordinator | |
| Terry W. King | .... | special effects assistant | |
| Andrew Miller | .... | special effects foreman | |
| Matsune Suzuki | .... | art department: Introvision | |
| Jay King | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Nick Davis | .... | visual effects producer | |
| Chris Dawson | .... | composite camera operator/visual effects editorial: Introvision | |
| John P. Mesa | .... | visual effects cameraman | |
| William Mesa | .... | visual effects supervisor | |
| Liz Radley | .... | video & computer graphics supervisor | |
| Charles Wood | .... | visual effects art director (uncredited) | |
Stunts | |||
| Michael Adams | .... | stunts | |
| G.A. Aguilar | .... | stunts | |
| Bruce Paul Barbour | .... | stunts | |
| Richard L. Blackwell | .... | stunts | |
| Tim Card | .... | stunts | |
| Binh Dang | .... | stunts | |
| Jeffrey J. Dashnaw | .... | stunt coordinator (as Jeff Dashnaw) | |
| Jeffrey J. Dashnaw | .... | stunts | |
| Steve M. Davison | .... | stunts | |
| James Deeth | .... | stunts | |
| Greg Wayne Elam | .... | stunts | |
| Lance Gilbert | .... | stunts | |
| Carlos Gonzales | .... | stunts | |
| Dick Hancock | .... | stunts | |
| Clifford Happy | .... | stunt double: Mr. Jones | |
| Tom Harper | .... | stunts | |
| Kane Hodder | .... | stunts | |
| Norman Howell | .... | stunts | |
| Terry Jackson | .... | stunts | |
| Jeff Jensen | .... | stunts | |
| K. Lee Johnson | .... | utility stunts | |
| Kevin LaRosa | .... | stunts | |
| Anderson Martin | .... | stunts | |
| Gary Morgan | .... | stunts | |
| Dean Mumford | .... | stunts | |
| Conrad E. Palmisano | .... | stunt coordinator | |
| John Rottger | .... | stunts | |
| Mark Stefanich | .... | stunts | |
| Nils Allen Stewart | .... | stunts | |
| Brian J. Williams | .... | stunts | |
| Dick Ziker | .... | stunts | |
Casting Department | |||
| Shirley Fulton Crumley | .... | location casting | |
Costume and Wardrobe Department | |||
| Victoria Bruno | .... | costumer | |
| Wingate Jones | .... | costume supervisor | |
| Laurie Riley | .... | costumer (uncredited) | |
Editorial Department | |||
| Richard Byard | .... | assistant editor | |
| Phil Downey | .... | color timer | |
| Rolf Fleischmann | .... | first assistant editor | |
| William Marrinson | .... | assistant editor | |
| Bob Putynkowski | .... | color timer | |
| Brian Ralph | .... | negative cutter | |
| John Reul | .... | assistant editor | |
| Frank Sacco | .... | consulting editor | |
| Ed Stabile | .... | assistant editor (uncredited) | |
Music Department | |||
| Sally Boldt | .... | music editor | |
| Sharon Boyle | .... | music consultant | |
| Christine Cholvin | .... | assistant music editor | |
| Todd Hayen | .... | composer: additional music | |
| Todd Hayen | .... | conductor | |
| Todd Hayen | .... | orchestrator | |
| Carlton Kaller | .... | music editor | |
| Brian Reeves | .... | music recording & mixing | |
| Ed Stabile | .... | assistant music editor | |
| Armin Steiner | .... | music recorder: orchestral | |
| Dan Wallin | .... | music recorder: orchestral | |
Transportation Department | |||
| Linda Cipperley | .... | transportation | |
| Hugh Kelly | .... | driver | |
| Timothy Stephens | .... | driver | |
Other crew | |||
| Michael Battaglia | .... | unit publicist | |
| Howard Fannon | .... | assistant propmaster: weapons | |
| Wayne Fitzgerald | .... | title designer | |
| James Griffin | .... | assistant marine coordinator | |
| Moby Griffin | .... | marine coordinator | |
| Kurt Hall | .... | laboratory technician: Continental Film Laboratories | |
| Laurie Hansen | .... | assistant: Mr. Davis | |
| Joe Humphreys | .... | set electricity | |
| Sarah Knight | .... | production office coordinator: Los Angeles | |
| Bertram McCann | .... | marine coordinator | |
| Jim McCarthy | .... | post-production accountant | |
| Saty Raghavachary | .... | graphics programmer | |
| John Rottger | .... | technical advisor | |
| Robert Schick | .... | key set production assistant | |
| Ricki L. Stein | .... | production accountant | |
| James Stotler | .... | assistant marine coordinator | |
| Sarah Nean Bruce | .... | production consultant (uncredited) | |
| Jeff Coopwood | .... | adr voice (uncredited) | |
| Bill Daly | .... | post-production accountant (uncredited) | |
| Laura Tiz | .... | accounting clerk (uncredited) | |
Dreadnought (USA) (original script title)
Piège en haute mer (France)
more
Rated R for strong violence, and for language and brief nudity.
102 min
1.85 : 1 more
Canada:13+ (Québec) (re-rating) (2003) | Canada:16+ (Québec) (original rating) | Canada:AA (Ontario) | Canada:PA (Manitoba) | Canada:A (Nova Scotia) | Finland:K-16 (cut) | Iceland:16 | Finland:K-15 (uncut) (VHS rating) | UK:15 (uncut) (cinema release) | UK:18 (uncut) | Norway:15 (cut) (cinema rating) | New Zealand:M | Canada:14A | Argentina:16 | Australia:M | Finland:K-18 | Germany:18 | Norway:18 | Singapore:M18 | South Korea:15 (original rating) (cut) | South Korea:18 (re-rating) (uncut) | Spain:13 | Sweden:15 | USA:R (Certifitcate #32058) | UK:15 (cut)
Patrick O'Neal's final movie. more
Factual errors: When Ryback is preparing to blow up the helicopter on the deck he grabs a name-brand can of paint thinner. Firstly flammables such as this would not just be lying around on a flight deck area. Secondly any substance like this would have come from the Navy supply system and would have a very generic-looking label. more
Tom Breaker:
Look, Bill, if this is about reliving the 60's, you can forget about it, buddy. The movement is dead.
William Strannix:
Yes, of course! Hence the name: movement. It moves a certain distance, then it stops, you see? A revolution gets its name by always coming back around in your face. You tried to kill me you son of a bitch... so welcome to the revolution.
more
Referenced in I Now Pronounce You Chuck & Larry (2007) more
WHISKEY FEVER more
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I gave this movie a solid ten, and I stick with it. I'm not in particular a fan of Steven Seagal, though I don't arbitrarily hate him like many critics do. In fact, this was the first of his movies I'd seen, and I liked it immediately.
For any people expecting this movie to deviate from the usual formula of (1): Seagal is wronged, (2): Seagal becomes killing machine, you'll be disappointed. Almost everything in this movie is to be expected, as Seagal plays his usual tough but lovable good guy who gets pushed just a bit too far and goes into full-on expert martial arts killer to enact revenge. A dozen or so people will die, as many or more limbs will be broken, and Seagal will do it all with as much emotion as a stick. To those expecting more of Seagal's usual stuff, that's what you'll get.
But in my opinion, what we also get are some inexplicably high level bad guys for this outing. Although about a decade or two behind today's times (keeping in mind the film itself is a decade and a half old), the two antagonists are the well known actors Tommy Lee Jones and Gary Busey. While getting on in their age nowadays, these two were some of the most crazed and entertaining actors of the 70s and 80s. Jones is probably best known from The Fugitive, for which he won an academy award, while Gary Busey has done a boatload of famous, not-so famous, and video game voiceover work. Together, these veterans almost steal the show as they chew the scenery and provide Seagal's most colorful and charismatic characters. Busey is a former ship's commander who's willing to drown his crew simply to taunt Seagal, whereas Jones' character used to send body parts to his ex-bosses at the CIA before turning up here.
The plot of this movie is that the two aforementioned crazies, with an entire crew of inside tech guys and hired muscle, have overtaken the aircraft carrier USS Missouri, with plans to extort various things from the big guys in Washington with the ship's small but capable arsenal of weapons at their disposal. The catch is that a high-ranking ex-navy seal is on the ship, serving a commuted sentence for misbehavior. Stuck here as the ship's cook, Seagal plays Casey Ryback who must do whatever he can to rally the ship back into responsible hands.
Strangely enough, the movie departs in several ways from the regular formula. The aforementioned bad guys are not only one head honcho but two equally ambitious ones, as well as a capable force of a dozen or so armed men. But where one would expect Seagal to be alone, this time the film adds at least a little credibility to the mix: Seagal still raises hell, but he also has to get the help of several others stowed on the ship if he's to have any chance in operating its guns and other functions. In a film rooted in implausability, it's at least nice to see old Steve actually running around with some admitted help.
The pace is interesting, as the early scenes in the movie set up some beautiful shots of the ship as well as some of its intricate interiors and set pieces. Some characters are the token one-line kills, but then there are some side characters who are given their own personality and a scene or two to take advantage of. Many characters from the aforementioned Fugitive (1993) make returns in this movie, as well as a decent character played by Colm Meaney, who was Miles 'O Brien to Star Trek fans.
Probably the only annoying bit of this movie is the female lead, played by Playboy model Erika Eleniak. She does a serviceable job, shows her breasts for a minute like she's expected to, and sometimes comes across as a believable person. But for the most part, she's there to lend support to Seagal, and add a little comic repartee between them. I didn't really mind her until she had a silly turn as hero(ine) for a minute or two.
But that's a minor quibble, in a film that I still love as being Seagal's most tight, interesting and energetic. It somehow seems more well written or polished than all his other efforts, and this is no doubt aided by the considerable time that is spent establishing the villains, who I've already noted as being the best Seagal's had to tackle. The sequel to this one was quite a letdown but still fun on its own, but in my opinion the original is Seagal's best and a great choice for those looking for some good old fashioned action heroics