Mary Agnes Donoghue (screenplay)
(more)
4 October 1991 (USA) more
They gave a boy a summer he'd always remember. He gave them back the love they lost. more
Melanie Griffith and Don Johnson (at the time married to each other) play Lily and Ben Reed, a young couple torn apart by a family tragedy... more | full synopsis
1 win & 2 nominations more
Elijah Wood on '9,' 'The Hobbit' and Being a Child Star
(From Moviefone. 4 September 2009, 1:21 PM, PDT)
Touches the heart and soul more (17 total)
| Melanie Griffith | ... | Lily Reed | |
| Don Johnson | ... | Ben Reed | |
| Elijah Wood | ... | Willard Young | |
| Thora Birch | ... | Billie Pike | |
| Sheila McCarthy | ... | Sally Pike | |
| Eve Gordon | ... | Rosemary Young | |
| Louise Latham | ... | Catherine Reston Lee | |
| Greg Travis | ... | Earl McCoy | |
| Sarah Trigger | ... | Darlene Pike | |
| Richard K. Olsen | ... | Minister | |
| Rick Andosca | ... | Ernest Parkett | |
| Anthony Romano | ... | Popular Boy | |
| Timothy Erskine | ... | Darlene's Boyfriend | |
| Chestley Price | ... | Bus Driver | |
| Dave Hager | ... | Bartender | |
| John R. Copeman | ... | Other Fisherman | |
| Jeff Jeffcoat | ... | Eddie - the Attendant | |
| Scott Hubacek | ... | Greyhound Bus Driver | |
| Melanie Van Betten | ... | Marliss | |
| Jason Robert Somrak | ... | Neighborhood Tough | |
| William Thomas Crumby | ... | Lou | |
| Carl McIntyre | ... | Wiilard's Father | |
| Lucy Alpaugh | ... | Old Lady #1 | |
| Kay Shroka | ... | Old Lady #2 | |
| Eric Vest | ... | DJ | |
| rest of cast listed alphabetically: | |||
| Jerzy Zielinski | ... | (uncredited) | |
Directed by | |||
| Mary Agnes Donoghue | |||
Writing credits(WGA) | ||
| Mary Agnes Donoghue | (screenplay) | |
| Jean-Loup Hubert | (novel "Le Grand Chemin") uncredited | |
Produced by | |||
| Robert W. Cort | .... | executive producer | |
| Ted Field | .... | executive producer | |
| Scott Kroopf | .... | producer | |
| Jean-François Lepetit | .... | executive producer | |
| Patrick J. Palmer | .... | producer | |
Original Music by | |||
| David Newman | |||
Cinematography by | |||
| Jerzy Zielinski | |||
Film Editing by | |||
| Éva Gárdos | |||
| Debra McDermott | |||
Casting by | |||
| Len Hunt | |||
| Johanna Ray | |||
Production Design by | |||
| Marcia Hinds | |||
| Evelyn Sakash | |||
Art Direction by | |||
| Kyung W. Chang | (uncredited) | ||
Set Decoration by | |||
| Donna J. Hattin | |||
Costume Design by | |||
| Linda Donahue | |||
Makeup Department | |||
| Jay Cannistraci | .... | makeup artist | |
| Kathy W. Estocin | .... | hair stylist (as Kathy Foley) | |
| Kathy W. Estocin | .... | makeup artist (as Kathy Foley) | |
| Robert Hallowell II | .... | key hair stylist | |
| Peggy Teague | .... | key makeup artist | |
| Nick Troiano | .... | hair stylist | |
Production Management | |||
| Tikki Goldberg | .... | unit production manager | |
| Daniel J. Heffner | .... | executive in charge of production | |
| Charles Miller | .... | assistant unit production manager | |
Art Department | |||
| Jamie Arbuckle | .... | on-set dresser | |
| Maureen Farley | .... | property master | |
| Frank M. Fleming | .... | set dresser | |
| Robert F. Gale | .... | storyboard artist | |
| Bo Johnson | .... | construction coordinator | |
| Dane Pizzuti Krogman | .... | scenic artist | |
| Michael Lane | .... | set dresser | |
| David Lazan | .... | assistant art director | |
| Dick Miller | .... | construction coordinator | |
| Thomas A. Morris Jr. | .... | construction foreman | |
| Haven Storey | .... | scenic artist | |
| Ric Rawlins | .... | head scenic (uncredited) | |
| Steve A. Stephenson | .... | carpenter (uncredited) | |
Sound Department | |||
| Gary Blufer | .... | sound effects recordist | |
| David E. Campbell | .... | sound re-recording mixer | |
| Paul Coogan | .... | boom operator | |
| Gordon Ecker | .... | supervising sound editor | |
| Gary A. Hecker | .... | foley mixer | |
| Scott D. Jackson | .... | foley supervisor | |
| Scott D. Jackson | .... | supervising foley editor | |
| Lance Laurienzo | .... | first assistant sound editor | |
| Richard Lightstone | .... | production sound mixer | |
| Anthony Milch | .... | sound editor | |
| Rocky Moriana Jr. | .... | sound editor | |
| John T. Reitz | .... | sound re-recording mixer | |
| Katie Rowe | .... | foley walker | |
| Gregg Rudloff | .... | sound re-recording mixer | |
| Becky Sullivan | .... | supervising adr editor | |
| Shawn Sykora | .... | foley editor | |
| Jeffrey Wilhoit | .... | foley walker | |
| Richard E. Yawn | .... | supervising sound editor | |
| Rickley W. Dumm | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| A.J. Bosnengo | .... | special effects coordinator | |
| Frank M. Fleming | .... | special effects coordinator | |
Stunts | |||
| Elyse Garfinkel | .... | stunts | |
| Max Kleven | .... | stunt coordinator | |
| Gene LeBell | .... | stunts | |
| Larry Nicholas | .... | stunts | |
| Lee Poppie | .... | stunts | |
| Merritt Yohnka | .... | stunts | |
Camera and Electrical Department | |||
| Stephen Beasley | .... | best boy grip | |
| Murray K. Campbell | .... | gaffer | |
| Casey Cook | .... | best boy electric | |
| Richard Foreman Jr. | .... | still photographer | |
| Gerrit Garretsen | .... | dolly grip | |
| Peter Gulla | .... | second assistant camera | |
| Scott Hillman | .... | rigging grip | |
| Martin Hume | .... | camera operator | |
| Simon Hume | .... | first assistant camera | |
| John Knight | .... | key grip | |
| Peter Pilafian | .... | photographer: wildlife | |
| Marcia Reed | .... | still photographer | |
| Bryan Yaconelli | .... | second assistant camera | |
Casting Department | |||
| Joey Alfieris | .... | location casting | |
| Len Hunt | .... | location casting | |
| Mark Fincannon | .... | location casting (uncredited) | |
Costume and Wardrobe Department | |||
| Fred Lloyd | .... | costume supervisor | |
| Gregory B. Peña | .... | set costumer | |
Editorial Department | |||
| Brian Fassett | .... | assistant editor | |
| Dale E. Grahn | .... | color timer | |
| Pamela Reisenleiter | .... | assistant editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
Music Department | |||
| Tim Boyle | .... | score mixer | |
| Sandy DeCrescent | .... | orchestra contractor | |
| David Newman | .... | orchestrator | |
| Steven L. Smith | .... | music preparation | |
| Tom Villano | .... | supervising music editor | |
Transportation Department | |||
| Bob Burkhart | .... | transportation coordinator (as B.R. Burkhart) | |
Other crew | |||
| Julia Alexander | .... | assistant to director | |
| Nathan Gendzier | .... | location manager (as Nathan Paul Gedzier) | |
| Tom Gray | .... | unit publicist | |
| Charles Miller | .... | location manager | |
| Mamie Mitchell | .... | script supervisor | |
| Christopher Noice | .... | production assistant | |
| Steve Rhea | .... | location manager | |
| Kathy Sarreal | .... | production coordinator | |
| Ricki L. Stein | .... | production accountant | |
| John V. Stuckmeyer | .... | production executive | |
| Neal Thompson | .... | title designer | |
| Anne Wilson | .... | key assistant production accountant | |
111 min
Colour (Technicolor)
1.85 : 1 more
Iceland:L | UK:12 (original rating) (cut) | UK:12 (video re-rating) (2003) (uncut version) | Argentina:13 | Australia:PG | Spain:T | Sweden:7 | USA:PG-13 | Canada:PG
Remake of Le grand chemin (1987) more
PARADISE more
| Recent Posts (updated daily) | User |
|---|---|
| Music Score? | rye83 |
| trailer song | mhennings |
| remake | ryan-300 |
| just wondering... | dramaqueen51981 |
| Song!!! | Nsyane_213 |
| Ellhnikos titlos | gogokotr |
|
|
|
|
|
| The Notebook | December Boys | American Beauty | Ordinary People | My Summer of Love |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
I wrote a short essay after watching this movie, not because it affected me, but that it left such a great impression. To me, the use of 'Paradise' as title is apt, as the movie goes to show how many people continue to live in their private hells, when all around them is a place which seems like paradise. These people, though socially interactive at times, seem more preoccupied with the ghosts of their pasts rather than the blessings of the moment. Only when these characters are able to let go of the demons that haunt them are they able to once again experience the joys of love and intimacy.
This film can help us to evaluate the things that we allow to control us, and help us to understand that instead of examining our lives under a microscope, we should allow ourselves to look up and out sometimes, and maybe discover all those things missing in our lives but which were right by us all the time.