Directed by
| Peter Chelsom | ||
Writing Credits (in alphabetical order)
| Peter Chelsom | ... | (screenplay) |
| Peter Chelsom | ... | (story) |
| Adrian Dunbar | ||
Cast (in credits order) verified as complete
Produced by
| David Brown | ... | associate producer |
| John Paul Chapple | ... | executive producer |
| Simon Fields | ... | executive producer |
| Alison Owen | ... | producer |
| Russ Russell | ... | executive producer |
Music by
| John Altman | ||
Cinematography by
| Sue Gibson | ... | director of photography |
Editing by
| Martin Walsh | ||
Casting By
| Jane Frisby | ||
Production Design by
| Caroline Hanania | ||
Art Direction by
| Kave Quinn | ... | (as Katharine Naylor) |
Costume Design by
| Lindy Hemming | ||
Makeup Department
| Toni Delaney | ... | makeup artist |
| Anne Dunne | ... | hair stylist |
| Carole Dunne | ... | assistant hair stylist |
| Ailbhe Lemass | ... | assistant makeup artist |
| Moira O'Connell | ... | assistant hair stylist |
Production Management
| John Downes | ... | post-production supervisor |
| Gemma Fallon | ... | production manager |
| Anne Greenhalgh | ... | post-production supervisor: Miramax Films |
| Adam Park | ... | executive in charge of production |
Second Unit Director or Assistant Director
| Julian Bolger | ... | trainee assistant director |
| Peter Diamond | ... | second unit director |
| Lisa Mulcahy | ... | third assistant director |
| Crispin Reece | ... | first assistant director |
| Michael Rowland | ... | second assistant director |
Art Department
| Hazel Archer | ... | trainee props buyer |
| Dave Clarke | ... | assistant props |
| June Connell | ... | stand-by props |
| Fiona Daly | ... | art department trainee |
| Mike Deegan | ... | constructor |
| Frank Hallinan-Flood | ... | assistant art director |
| Pat Harkins | ... | props |
| Patrick Harkins | ... | stand-by props |
| Kevin Hudson | ... | dressing props |
| Rene Knol | ... | dressing props |
| Joe Nevin | ... | property buyer |
| Annie Siggins | ... | assistant art director |
| Brian Wells | ... | property master |
Sound Department
| David Anderson | ... | dubbing mixer |
| Philip Bothamley | ... | dialogue editor |
| Darryl Byrne | ... | sound editing assistant |
| Glenn Freemantle | ... | supervising sound editor |
| John Hayward | ... | chief dubbing mixer |
| Peter Holt | ... | foley editor |
| Nicolas Le Messurier | ... | dubbing mixer |
| Peter Lindsay | ... | sound mixer |
| Mervyn Moore | ... | boom operator |
| Bob Robinson | ... | assistant dialogue editor |
| Michael Rudman | ... | assistant sound editor |
| Sandy Buchanan | ... | post-production sound assistant (uncredited) |
Special Effects by
| Maurice Foley | ... | special effects supervisor |
Visual Effects by
| Simon Dowling | ... | main title designer (uncredited) |
Stunts
| Marc Boyle | ... | stunt coordinator (as Mark Boyle) |
| Terry Cade | ... | stunt performer / stunts |
| Peter Diamond | ... | stunt coordinator |
| Steve Emerson | ... | stunts |
| Dorothy Ford | ... | stunts (as Dorothy Anne Ford) |
Camera and Electrical Department
| Tom Collins | ... | still photographer |
| Noel Cullen | ... | electrician |
| P.J. Dillon | ... | trainee clapper loader |
| Peter Dorney | ... | additional camera operator |
| Jim Farrell | ... | best boy electric |
| George Fullegar | ... | gaffer |
| Donal Gilligan | ... | clapper loader |
| Christopher McDonough | ... | grip |
| Terry Mulligan | ... | electrician |
| Shane O'Neill | ... | focus puller |
| Gerry O'Sullivan | ... | generator operator |
| Luke Quigley | ... | key grip |
| Peter Versey | ... | camera operator |
| Des Whelan | ... | additional camera operator |
Costume and Wardrobe Department
| Wendy Asher | ... | wardrobe assistant |
| Rhona McGuirke | ... | wardrober |
| Debbie Scott | ... | assistant costume designer: London |
Editorial Department
| Mark Harris | ... | second assistant film editor: London |
| Daryl Jordan | ... | first assistant film editor |
| Bernadette Moloney | ... | second assistant film editor: Dublin |
| Sylvia Wheeler | ... | negative cutter |
Location Management
| Jud Cooper | ... | location manager: Liverpool |
| John McDonald | ... | location manager |
| Robert Quinn | ... | assistant location manager |
Music Department
| Mark Berrow | ... | musician: violin |
| Ernesto De Curtis | ... | composer: song "Torna a Sorrento" (as Ernesto de Curtis) |
| Isobel Griffiths | ... | orchestral contractor |
Script and Continuity Department
| June McDonald | ... | script supervisor |
Transportation Department
| Arthur Dunne | ... | transportation captain |
Additional Crew
| Casper Campbell | ... | assistant to producer |
| Jeanne Liscombe | ... | production coordinator: Liverpool |
| Poll Moussoulides | ... | dialogue coach |
| Paul Myler | ... | production accountant |
| Fiona Traynor | ... | production coordinator |
| Sally Woodward Gentle | ... | limelight production coordinator (as Sally Woodward) |
