at Crackle

| Photos (see all 44 | slideshow) | Videos (see all 6) |
Luc Besson (writer)
April 1991 (USA) more
The Hit of Paris and London Has Come to America. [US Poster] more
Convicted felon Nikita, instead of going to jail, is given a new identity and trained, stylishly, as a top secret spy/assassin. full summary | add synopsis
Nominated for Golden Globe. Another 4 wins & 10 nominations more
10 Most Fascinating 'End of the World' Movies
(From The Movie Fanatic. 8 November 2009, 4:59 AM, PST)
10 Most Fascinating 'End of the World' Movies
(From The Movie Fanatic. 8 November 2009, 4:59 AM, PST)
Exciting, romantic, and stylish! more (111 total)
| Anne Parillaud | ... | Nikita | |
| Marc Duret | ... | Rico | |
| Patrick Fontana | ... | Coyotte | |
| Alain Lathière | ... | Zap | |
| Laura Chéron | ... | La punk | |
| Jacques Boudet | ... | Le pharmacien | |
| Helene Aligier | ... | La pharmacienne | |
| Pierre-Alain de Garrigues | ... | Flic pharmacie | |
| Patrick Pérez | ... | Flic pharmacie (as Patrick Perez) | |
| Bruno Randon | ... | Flic pharmacie | |
| Vincent Skimenti | ... | Flic pharmacie | |
| Roland Blanche | ... | Flic interrogatoire | |
| Joseph Teruel | ... | Stagiaire flic | |
| Jacques Disses | ... | Avocat | |
| Stéphane Fey | ... | Président tribunal (as Stephane Fey) | |
| Philippe Dehesdin | ... | 1er magistrat | |
| Michel Brunot | ... | 2ème magistrat | |
| Rodolph Freytt | ... | 1er infirmier | |
| Pavel Slaby | ... | 2ème infirmier | |
| Tchéky Karyo | ... | Bob (as Tcheky Karyo) | |
| Jean-Luc Caron | ... | Professeur d'informatique | |
| Rénos Mandis | ... | Professeur de tir (as Renos Mandis) | |
| Jean-Marc Merchet | ... | Professeur de judo | |
| Jeanne Moreau | ... | Amande | |
| Philippe Leroy | ... | Grossman (as Philippe Leroy Beaulieu) | |
| Patrick Serrière | ... | Chauffeur Bob | |
| Iska Khan | ... | Homme restaurant | |
| Heike Fisher | ... | Femme restaurant | |
| Patrick Buiquangda | ... | 1er garde du corps | |
| Eddie Gaydu | ... | 2ème garde du corps | |
| Jose Steinmann | ... | 3ème garde du corps | |
| Philippe Hernando | ... | 4ème garde du corps | |
| Gérard Touratier | ... | Gardien porte blindée (as Gerard Touratier) | |
| Jean Bedin | ... | Armurier | |
| Edith Perret | ... | Dame agence | |
| Jean-Hugues Anglade | ... | Marco | |
| Jean-Pierre Pauty | ... | Homme bar hôtel | |
| Michel Campa | ... | Homme écoute | |
| Murray Gronwall | ... | Responsable hôtel (as Murray Grunwall) | |
| Pierrick Charpentier | ... | Flic hôtel | |
| Rafael Sultan | ... | Flic hôtel | |
| Hubert Gillet | ... | Flic hôtel | |
| Fausto Costantino | ... | Garde du corps | |
| Roberto Talanno | ... | Serveur hôtel Venise | |
| Pétronille Moss | ... | Serveuse salon de thé (as Petronille Moss) | |
| Eric Prat | ... | Agent immobilier | |
| Mia Frye | ... | Femme pressée | |
| Olivier Hémon | ... | Homme en retard (as Olivier Hemon) | |
| Philippe du Janerand | ... | Ambassadeur - Jules | |
| Christian Gazio | ... | Garde ambassadeur | |
| Jérôme Chalou | ... | Chauffeur ambassadeur (as Jerome Chalou) | |
| Jean Reno | ... | Victor nettoyeur | |
| Jean-Claude Bolle-Reddat | ... | Gardien ambassade (as Jean-Claude Bolle Reddat) | |
| Jean Bouise | ... | L'attaché ambassade | |
| Patrick Chauveau | ... | Gardien ambassade | |
| Maurice Antoni | ... | Gardien ambassade | |
| Mathieu Archer | ... | Flic Bob | |
| Alexis Dupuy | ... | Flic Bob | |
| Michèle Amiel | ... | Femme police (as Michele Amiel) | |
| Guy Van Riet | ... | Flic paternel | |
| rest of cast listed alphabetically: | |||
| Xavier Bonastre | ... | Homme restaurant (uncredited) | |
Directed by | |||
| Luc Besson | |||
Writing credits(in alphabetical order) | ||
| Luc Besson | writer | |
Produced by | |||
| Claude Besson | .... | executive producer (uncredited) | |
| Luc Besson | .... | co-producer (uncredited) | |
| Mario Cecchi Gori | .... | co-producer (uncredited) | |
| Vittorio Cecchi Gori | .... | co-producer (uncredited) | |
| Patrice Ledoux | .... | producer (uncredited) | |
Original Music by | |||
| Eric Serra | |||
Cinematography by | |||
| Thierry Arbogast | (director of photography) | ||
Film Editing by | |||
| Olivier Mauffroy | |||
Casting by | |||
| Nathalie Cheron | (as Nathalie Chéron) | ||
Production Design by | |||
| Dan Weil | |||
Set Decoration by | |||
| Julie Sfez | |||
Costume Design by | |||
| Anne Angelini | |||
| Valentin Breton Des Loys | |||
| Mimi Lempicka | |||
Makeup Department | |||
| Paul de Fisser | .... | chief hair stylist | |
| Claudine Grumelart | .... | special makeup effects artist | |
| Geneviève Peyralade | .... | key makeup artist (as Genevieve Peyralade) | |
Production Management | |||
| Didier Carrel | .... | assistant unit manager | |
| Jérôme Chalou | .... | production manager | |
| Deden | .... | unit manager trainee | |
| Christine De Jekel | .... | unit manager | |
| Loïc Dugue | .... | unit manager trainee (as Loïc Dugue) | |
Second Unit Director or Assistant Director | |||
| Guillaume De Bary | .... | second assistant director | |
| Anne Guillard | .... | apprentice assistant director | |
| Christine Perrin | .... | apprentice assistant director | |
| Coralie Roy | .... | second assistant director | |
| Christophe Vassort | .... | first assistant director | |
Art Department | |||
| Jean-Marc Alary | .... | constructor | |
| Andre Antona | .... | constructor | |
| Catherine Autefage | .... | painter | |
| Marie Brand | .... | set designer | |
| Xavier Buffin | .... | painter | |
| Jeremy Chapelet | .... | constructor (as Jeremie Chapelet) | |
| Thierry Chavenon | .... | set trainee | |
| Alain Darthou | .... | construction manager (as Alain Henri Darthou) | |
| Jean-Louis Darthou | .... | second assistant set decorator | |
| Marcel Daudin | .... | buyer | |
| Michel Dechaud | .... | chief carpenter | |
| Nicolas Denis | .... | constructor | |
| Pascal Fasola | .... | painter | |
| Pascale Fernández | .... | first assistant set decorator (as Pascale Fernandez) | |
| Jerome Fortier | .... | constructor | |
| Herve Gavillet | .... | constructor | |
| Christian Gazio | .... | property master | |
| Richard Guille | .... | second assistant set decorator (as Richard Guillé) | |
| Noël Guillot | .... | painter | |
| Michel Karyo | .... | set trainee | |
| Stéphane Le Lièvre | .... | painter: decorations (as Stephane Lelievre) | |
| Padou | .... | constructor | |
| Cyrille Perron | .... | key painter | |
| Christine Pruvot | .... | set trainee | |
| Nathalie Sarret | .... | painter: decorations | |
| Mona Soliman | .... | second assistant set decorator | |
| Jean-Marc Vidonne | .... | carpenter | |
| Carole Weiss | .... | painter | |
| Patrick Widdrington | .... | carpenter | |
Sound Department | |||
| Jean-François Auger | .... | foley engineer | |
| Michel Barlier | .... | sound | |
| Pierre Befve | .... | sound | |
| Dominik Borde | .... | sound engineer | |
| Xavier Griette | .... | boom operator | |
| Patrice Grisolet | .... | sound | |
| Marie Guesnier | .... | sound | |
| Gérard Lamps | .... | sound re-recording mixer (as Gerard Lamps) | |
| Alain Lévy | .... | assistant foley artist (as Alain Levy) | |
| Jacques Lévy | .... | post-synchronization | |
| Jérôme Lévy | .... | foley artist (as Jerome Levy) | |
| Isabelle Martin | .... | assistant sound engineer | |
| Eric Mauer | .... | sound effects | |
| Françoise Maulny | .... | sound detection (as Françoise Levy) | |
Special Effects by | |||
| Jacques Martin | .... | special effects | |
Stunts | |||
| Isabelle Adnot | .... | stunts | |
| Jean-Louis Airola | .... | stunts | |
| Franck Bedu | .... | stunts | |
| Gaetano Falzone | .... | stunts | |
| Yves Gabrielli | .... | stunts | |
| Sonia Le Henaff | .... | stunts | |
| Michel Norman | .... | stunt consultant | |
| Leslie Rain | .... | stunts | |
Camera and Electrical Department | |||
| Jacques Barbazange | .... | grip | |
| Patrick Camboulive | .... | still photographer | |
| Germain Desmoulins | .... | second assistant camera | |
| Christophe Dural | .... | electrician | |
| Bernard Estève | .... | electrician (as Bernard Esteve) | |
| Gilles Floquet | .... | grip | |
| François Gentit | .... | additional camera operator | |
| Vincent Jeannot | .... | additional camera operator | |
| Jeanne Lapoirie | .... | first assistant camera | |
| Jean-Pierre Mas | .... | key grip | |
| Jean-Claude Reux | .... | chief electrician | |
Casting Department | |||
| Nathalie Serfaty | .... | extras casting | |
Costume and Wardrobe Department | |||
| Marie Rodriguez | .... | dresser | |
| Tammera Tudor | .... | dresser | |
Editorial Department | |||
| Fanchon Brûlé | .... | assistant editor (as Fanchon Brulé) | |
| Catherine Constant | .... | assistant editor | |
| Sophie Duvillier | .... | apprentice editor | |
| Nathalie Hureau | .... | assistant editor | |
| Annie Marciniak | .... | assistant editor | |
| Pascale Mons | .... | apprentice editor | |
| Yvan Lucas | .... | color timer (uncredited) | |
| Bob Wenokur | .... | studio post-production representative (uncredited) | |
Other crew | |||
| Lise Bèraha | .... | production assistant (as Lise Beraha) | |
| Fred Bouchaour | .... | location manager | |
| Elisabeth Chochoy | .... | script supervisor | |
| Nicole Cobac | .... | production administrator | |
| Marie-Laure Compain | .... | production secretary | |
| Claude Fugain | .... | voice coach | |
| Jean-Michel Gageat | .... | groupman | |
| Jérôme Giroux | .... | locksmith (as Jerome Giroux) | |
| Marcel Khelifa | .... | sales | |
| Amy Lavietes | .... | singing coach | |
| Jules Lefevre | .... | shooting coach | |
| Laurent Lesdema | .... | dance teacher | |
| Pascal Luneau | .... | acting coach (as Pascal Emmanuel Luneau) | |
| Gabrielle Mairesse | .... | press attache | |
| Christophe Maratier | .... | weapons | |
| Jean-Charles Maratier | .... | weapons | |
| André Noël | .... | dog trainer | |
| Monique Pautas | .... | production accountant | |
| Laurent Rabillon | .... | coach: judo | |
| Alexis Tikovoi | .... | acting coach | |
Thanks | |||
| Jean Bouise | .... | dedicatee | |
| Alain Gillot | .... | thanks | |
| Michèle Pétin | .... | thanks (as Michele Halberstadt) | |
La Femme Nikita (USA)
Nikita (UK)
more
115 min | Portugal:118 min | Spain:112 min (DVD edition)
Colour (Eastmancolor)
2.35 : 1 more
Canada:R (Nova Scotia/Ontario) | Iceland:16 | South Korea:15 | Italy:T | Argentina:16 | Australia:M | Canada:13+ (Quebec) | Canada:PG (Manitoba) | Chile:18 | Finland:K-16 | Netherlands:16 | Norway:15 | Portugal:M/16 | Singapore:PG | Spain:18 | Sweden:15 | UK:18 | USA:R | West Germany:16
Director Trademark: [Luc Besson] [reno] more
Continuity: During the opening sequence, Zap is first shown carrying an axe in his right hand and dragging unconscious person with his left. In the next shot these have changed over. more
[after Nikita obliterates her target with a large automatic pistol]
Professeur de tir:
You've used one of these before?
Nikita:
Not on paper.
more
Referenced in Finding Interest (1994) more
LA PETITE MUSIQUE DE NUIT more
| Recent Posts (updated daily) | User |
|---|---|
| English Language Version | mknoiret |
| Gun used in the pharmacy scene ? | f_appy |
| Annoying | Smee83 |
| US movie title | skygiordana |
| Compare to Leon | bobfred1288 |
| DVD release | hans_kristian_a |
|
|
|
|
|
| Point of No Return | Shattered Image | Deadly Is the Female | Face/Off | Femme Fatale |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
| Add this title to MyMovies |
I fell in love with this film from the moment I first saw a brief clip of it on an entertainment program. At first I was drawn to the action elements (being young and somewhat immature in my dramatic tastes), but I was blown away by the romance and character interplay. I loved the composition of the scenes, the noirish lighting, and the quirky humor. This movie, along with Pedro Almodovar's films, really opened my eyes to European films, particularly those with a signature style.
The performances are great across the board. Anne Parillaud plays all facets of Nikita well, from her rebellious, drug-hazed beginning, to her growing confidence, and her near breakdown as her mission falls apart. Tcheky Karyo made a huge impression, mostly through his body language and his eyes. He says more with an expression than most actors do with dialogue. Jeanne Moraeu is a treasure, a truly beautiful woman in appearance and spirit. Jean-Hughues Anglade has the harder part, the "normal" guy who Nikita falls for. He is adept at comedy, but is tender in the love scenes. He carries himself well in his face-off with Bob. Finally, the actor who really stands out in memory, Jean Reno. Reno oozes charisma and talent, even in bad films. He steals the film the moment he enters.
Luc Besson is a tremendous stylist. His films are beautiful, even when the story is a bit obtuse. He is adept at using light to portray and enhance emotion and his compositions are stunning. His main fault is that he lets style overtake story, but he gets away with it because the style is always interesting. He is a fine writer, although more care seems to go into the scripts he directs than those he has written for others.
Finally, one can't discuss the films of Besson without discussing the music of Eric Serra. Serra creates an atmosphere that is much a part of the setting as the lighting or set decoration. His compositions convey mood and emotion, adding another layer to the story. His signature bass and percussion gets your heart pumping during action sequences, while the melodies bring a softness to intimate moments. He demonstrates the proper way to use synthesizers, to transform the music, rather than make up for lack of an orchestra (or talent). Serra's soundtracks were the first that I bought for instrumental music, rather than for pop songs used in the film.
This is a film that appeals to many audiences. There is plenty of action and intrigue for thrillseekers, unique character studies, quirky humor, and above all, romance. It has spawned many imitations (Point of No Return, Black Cat, Nikita TV series) but has never been equaled. If you are a fan of film noir, action/espionage, character drama, or romance, you should see this film; then you should own this film. You'll want to watch it again and again.