| Photos (see all 3 | slideshow) |
| Powers Boothe | ... | Maj. Cassidy | |
| Rebecca De Mornay | ... | Capt. Moreau | |
| James Earl Jones | ... | Looking Glass General - 'Alice' | |
| Martin Landau | ... | President | |
| Darren McGavin | ... | Condor - Secretary of Interior | |
| Jeffrey DeMunn | ... | E-4 Admiral - 'Harpoon' | |
| Rip Torn | ... | E-4 Col. Fargo | |
| Peter MacNicol | ... | Lt. Cmdr. Tom Sedgewicke | |
| Glenn Withrow | ... | Lt. Tyler | |
| Ronald William Lawrence | ... | Lt. Hooker | |
| Kieran Mulroney | ... | Lt. Radnor | |
| Nicolas Coster | ... | Gen. Renning - 'Icarus' | |
| Ken Jenkins | ... | Looking Glass Colonel - 'Sam' | |
| Randal Patrick | ... | Maj. O'Toole | |
| Daniel Benzali | ... | FEMA Director Bascombe | |
| Robert O'Reilly | ... | FEMA Radioman | |
| Annabella Price | ... | FEMA Bunker Nurse | |
| Ann Gillespie | ... | Looking Glass Captain | |
| Dana Kimmell | ... | Tyler's Wife | |
| Glenn Morshower | ... | F-18 Pilot | |
| Jon Steuer | ... | Timmy Tyler | |
| Danielle von Zerneck | ... | Radnor's Wife | |
| Katherine Cortez | ... | Moreau's Roommate | |
| Jon Cedar | ... | SAC Colonel | |
| Paul Tompkins | ... | SAC Aide #1 | |
| Tony Rayner | ... | SAC Computer Operator | |
| Richard Speight Jr. | ... | SAC Guard (as Richard Speight) | |
| T.R. Marino | ... | SAC Aide #2 | |
| Steve Eastin | ... | Smitty | |
| Steve Rankin | ... | Col. Flanders - E-4 Pilot | |
| Mike Gomez | ... | E-4 Co-Pilot | |
| Scott Trost | ... | E-4 Radioman | |
| Pat Skipper | ... | Secret Service Agent | |
| Adrian Ricard | ... | Mother in Woods | |
| Douglas Tolbert | ... | Little Boy in Woods | |
| Bill Moynihan | ... | Hooded Medic | |
| Dagmar Stanec | ... | Turkish Controller | |
| Ray Nazzari | ... | Turkish Coordinating Inspector | |
| Richard Assad | ... | Turkish Controller |
Directed by | |||
| Jack Sholder | |||
Writing credits(WGA) | ||
| William Prochnau | (novel "Trinity's Child") | |
| Bruce Gilbert | (teleplay) | |
Produced by | |||
| Bruce Gilbert | .... | executive producer | |
| Thomas M. Hammel | .... | producer | |
| Susan Moore | .... | associate producer | |
Original Music by | |||
| Trevor Jones | |||
Cinematography by | |||
| Alexander Gruszynski | |||
Film Editing by | |||
| Tony Lombardo | |||
Casting by | |||
| Junie Lowry-Johnson | (as Junie Lowry) | ||
Production Design by | |||
| Michael Novotny | |||
Art Direction by | |||
| David Goldberg | |||
Set Decoration by | |||
| Anthony R. Stabley | |||
Costume Design by | |||
| Barbara Scott | |||
Makeup Department | |||
| Karen Stephens | .... | assistant makeup artist | |
| Ron Wild | .... | key makeup artist | |
Production Management | |||
| Ephraim 'Red' Schaffer | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Robert D. Nellans | .... | second assistant director | |
| Robin R. Oliver | .... | first assistant director (as Robin Oliver) | |
Art Department | |||
| Jacqueline Anteau | .... | art department coordinator | |
| Curtis Baruth | .... | construction coordinator | |
| Will Blount | .... | property master | |
| David J. Bomba | .... | set designer | |
| Bruton Jones | .... | set designer | |
| Roger L. King | .... | construction gang boss | |
| Rod Schumacher | .... | assistant art director | |
| Wayne Shepherd | .... | lead man | |
| Lisa Yarick | .... | assistant property master | |
| Jamie Upham | .... | carpenter (uncredited) | |
Sound Department | |||
| Christopher Assells | .... | sound editor | |
| Bob Beemer | .... | sound re-recording mixer | |
| Bruce Bisenz | .... | sound mixer | |
| Jan Brodin | .... | sound mixer | |
| Karla Caldwell | .... | supervising adr editor | |
| Dave McMoyler | .... | supervising sound editor | |
| Andy Nelson | .... | sound re-recording mixer | |
| David Sanucci | .... | boom operator | |
| Edward F. Suski | .... | sound re-recording mixer | |
| Bo Svensson | .... | boom operator | |
Special Effects by | |||
| Howard Jensen | .... | special effects coordinator | |
| Mark Lilienthal | .... | special effects technician | |
| William H. Schirmer | .... | special effects coordinator | |
| Roland Tantin | .... | special effects technician | |
| Harold Weed | .... | key model maker (uncredited) | |
Visual Effects by | |||
| Craig Barron | .... | visual effects supervisor: Matte World | |
| Krystyna Demkowicz | .... | executive in charge of production: Matte World | |
| Peter Kuran | .... | special optical effects | |
| Michael Pangrazio | .... | special visual effects supervisor | |
Stunts | |||
| Brian Davis | .... | stunts | |
| Buck McDancer | .... | stunt coordinator | |
| Pat Romano | .... | stunts | |
| Marshall Virtue | .... | stunt double | |
Camera and Electrical Department | |||
| Deirdre Arbucci | .... | second assistant camera | |
| Mark Burnett | .... | video playback operator | |
| John Chickanis | .... | electrician | |
| Henry Cline | .... | first assistant camera | |
| Mark Combs | .... | key grip | |
| Larry Edwards | .... | grip | |
| Michael Evans | .... | electrician | |
| Steven Frohardt | .... | best boy grip | |
| Tom Harjo | .... | grip | |
| Danny Jimenez | .... | dolly grip | |
| Shane D. Kelly | .... | gaffer | |
| William K. Koski | .... | electrician | |
| Jesse Mather | .... | best boy electric | |
| David Parker | .... | grip | |
| Martin Schaer | .... | camera operator | |
| David Stein | .... | grip | |
| Amy Vincent | .... | second assistant camera | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Ron Surma | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sybil Gray | .... | costumer | |
| Debra L. Wright | .... | costume supervisor | |
Editorial Department | |||
| Peter Fandetti | .... | first assistant film editor | |
| Judd H. Maslansky | .... | second assistant film editor | |
| Barbara Riley | .... | negative cutter | |
| Ron Wengler | .... | color timer | |
Music Department | |||
| Dan Carlin Sr. | .... | supervising music editor | |
| Paul Hulme | .... | music mixer | |
| Victoria Seale | .... | music coordinator | |
Transportation Department | |||
| Jim Chesney | .... | transportation coordinator | |
| Derek Raser | .... | driver | |
Other crew | |||
| Steve Austin | .... | video consultant | |
| Jeffrey Downer | .... | production coordinator | |
| Kevin Landry | .... | production accountant | |
| Toni Maier | .... | location manager | |
| T.R. Marino | .... | technical advisor | |
| Lollie Ortiz | .... | title designer | |
| Judith Saunders | .... | script supervisor | |
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| Fail-Safe | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Thirteen Days | Seven Days in May | The Sum of All Fears |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
It's a shame that there are few movies that depict the procedures, tactics, and escalating stages of nuclear warfare in as much detail and accuracy as "By Dawn's Early Light." Adapted from the novel Trinity's Child, Jack Shoulder's "By Dawn's Early Light" hits all the right notes in portraying the professionalism, training, and courage of American nuclear forces. The film's numerous scenes, including the E-4 NEACP (National Emergency Airborne Command Post), RC-135 "Looking Glass" plane, and even the Strategic Air Command operations room are incredibly realistic and well-detailed. The numerous conflicting personalities depicted in the film also give it great texture, taking the film a step closer to reality. Cold War buffs and military fans are sure to get a kick out of this film, especially with its stunningly dramatic, hardcore finale. "By Dawn's Early Light" is proof that low budget constraints do not have to derail an entire film.