IMDb RATING
3.8/10
668
YOUR RATING
A murdered couple return from the beyond to care for their two young children, as well as seek revenge against their killer, accept their children's step parents, and try to prevent their ho... Read allA murdered couple return from the beyond to care for their two young children, as well as seek revenge against their killer, accept their children's step parents, and try to prevent their house from being sold.A murdered couple return from the beyond to care for their two young children, as well as seek revenge against their killer, accept their children's step parents, and try to prevent their house from being sold.
Jean-Christophe Brétignière
- Carlo
- (as Jean Christophe Bretigniere)
Lubka Lenzi
- Mary Valdi
- (as Lubka Cibulova)
Vernon Dobtcheff
- The Exorcist
- (as Alexander Vernon Dobtcheff)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFirst part of the cycle "Le case maledette" (Doomed Houses) produced by Reteitalia. Other titles of the series are The House of Clocks (1989), La casa del sortilegio (1989) and House of Lost Souls (1989).
- GoofsWhen the car with the corpses is pushed down the cliff, it's obviously empty.
- ConnectionsFollowed by La casa del sortilegio (1989)
Featured review
Mum! Dad! Come back from the moon!
After the first few minutes of re-watching this film, I thought I'd been a bit harsh on it. It looked great, had a really excellent opening scene, and seemed to have all the Fulci trademarks out there loud and proud. Then those damn kids turned up and the whole film turned into a pile of crap.
One night, two people arrive at their house after a night out, talking complete boll*cks about this and that, and discussing their children, wherever they are at the time. After getting themselves geared up for a bit of filthy squeezy, they discover the world's worst burglar, who proceeds to smash the guy's brains out and do a bit of good old eyeball removal on the lady (just like Ghosthouse and Killing Birds), then for good measure, he smashes in the guy's face with a poker. He then wraps the corpses in sheets, chucks them in a car, chucks the car over a cliff, then burns the sheets. So far, so Italian horror film.
We then switch to the funeral, where Auntie and Uncle (don't ask me to remember their names) are in attendance with the recently orphaned kids, and I'm no doctor but these two kids are seriously bi-polar. One minute they're crying their eyes out, and the next they're laughing their arses off at the priest getting a fly on his nose. Also, Lino Salemme (Demons, Delerium) shows up as Guido the caretaker, looking pretty guilty.
So off we go back to the house, with Aunt and Uncle, and Auntie doesn't like the house one bit. For starters, there's all sorts of creepy crap going on in the attic, and the kids aren't acting too sane either. They invite a real estate agent over to value the house, whom the kids call Mr Sausage. He's trying to walk up a flight of stairs when the ghosts of Mum and Dad cause him to fall, which makes the kids bust a guy laughing, even after Auntie tells them off.
They kids also start to creep out Guido, who starts hallucinating bloody sheets everywhere, which gives us an extended version of what happened at the start of the film (probably also to give us some gore, which this film is sorely lacking). Of course, Guido was the murderer at the start (and that's no spoiler as we kind of know this anyway) and the ghosts drive him insane and to his death.
For some reason (and "For Some Reason" would make a great alternative title for this film) Fulci decides to do this in the middle of the film, which leaves us with roughly forty five minutes of film left with these two kids and their parents. The parents, by the way, periodically turn up as crappy, giggling flames that dance around the place while the son wants them to come back from the moon while crying his eyes out before laughing his ass off. Jesus.
Aunt, like the audience by this point, has had enough of this crap and wants out of the house, so we get another scene of grievous bodily harm being enacted on Mr Sausage while the kids roll about on the floor laughing. The parents also turn up as ghosts so now you get some cheeseball smooshy family stuff with the family (and dog! The family dog comes back too for some reason!) running around laughing and talking in Conquest-style reverbed voices while Aunt and Uncle arrange for an exorcist to show up.
Also For Some Reason, some glowing rocks appear outside of the house. The exorcist tries his best to rid the ghosts of the house and then Mr Sausage turns up with a bulldozer and then it goes haywire and then the exorcist picks up one of those rocks and then his hand melts and then the kids crack up and then the film ends and then Fulci's ghost comes out of your television like Ring and batters you around the head with a baseball bat before pointing and laughing at you for three hours.
I've watched nineteen Fulci films from Lizard in a woman's skin up until Demonia and this is by far the worst. In addition, I've recently been watching every Italian horror I can get my hands on from 1985 up until the industry died a death roughly around the mid nineties, and this is the worst of them too! Sometimes I think something gets lost in translation with these films, but here I have no idea what Fulci was aiming for with this one – It's like a horror comedy with extreme gore that is neither scary or funny. Or makes any sense. Looks good though. Next up: Ratman!
One night, two people arrive at their house after a night out, talking complete boll*cks about this and that, and discussing their children, wherever they are at the time. After getting themselves geared up for a bit of filthy squeezy, they discover the world's worst burglar, who proceeds to smash the guy's brains out and do a bit of good old eyeball removal on the lady (just like Ghosthouse and Killing Birds), then for good measure, he smashes in the guy's face with a poker. He then wraps the corpses in sheets, chucks them in a car, chucks the car over a cliff, then burns the sheets. So far, so Italian horror film.
We then switch to the funeral, where Auntie and Uncle (don't ask me to remember their names) are in attendance with the recently orphaned kids, and I'm no doctor but these two kids are seriously bi-polar. One minute they're crying their eyes out, and the next they're laughing their arses off at the priest getting a fly on his nose. Also, Lino Salemme (Demons, Delerium) shows up as Guido the caretaker, looking pretty guilty.
So off we go back to the house, with Aunt and Uncle, and Auntie doesn't like the house one bit. For starters, there's all sorts of creepy crap going on in the attic, and the kids aren't acting too sane either. They invite a real estate agent over to value the house, whom the kids call Mr Sausage. He's trying to walk up a flight of stairs when the ghosts of Mum and Dad cause him to fall, which makes the kids bust a guy laughing, even after Auntie tells them off.
They kids also start to creep out Guido, who starts hallucinating bloody sheets everywhere, which gives us an extended version of what happened at the start of the film (probably also to give us some gore, which this film is sorely lacking). Of course, Guido was the murderer at the start (and that's no spoiler as we kind of know this anyway) and the ghosts drive him insane and to his death.
For some reason (and "For Some Reason" would make a great alternative title for this film) Fulci decides to do this in the middle of the film, which leaves us with roughly forty five minutes of film left with these two kids and their parents. The parents, by the way, periodically turn up as crappy, giggling flames that dance around the place while the son wants them to come back from the moon while crying his eyes out before laughing his ass off. Jesus.
Aunt, like the audience by this point, has had enough of this crap and wants out of the house, so we get another scene of grievous bodily harm being enacted on Mr Sausage while the kids roll about on the floor laughing. The parents also turn up as ghosts so now you get some cheeseball smooshy family stuff with the family (and dog! The family dog comes back too for some reason!) running around laughing and talking in Conquest-style reverbed voices while Aunt and Uncle arrange for an exorcist to show up.
Also For Some Reason, some glowing rocks appear outside of the house. The exorcist tries his best to rid the ghosts of the house and then Mr Sausage turns up with a bulldozer and then it goes haywire and then the exorcist picks up one of those rocks and then his hand melts and then the kids crack up and then the film ends and then Fulci's ghost comes out of your television like Ring and batters you around the head with a baseball bat before pointing and laughing at you for three hours.
I've watched nineteen Fulci films from Lizard in a woman's skin up until Demonia and this is by far the worst. In addition, I've recently been watching every Italian horror I can get my hands on from 1985 up until the industry died a death roughly around the mid nineties, and this is the worst of them too! Sometimes I think something gets lost in translation with these films, but here I have no idea what Fulci was aiming for with this one – It's like a horror comedy with extreme gore that is neither scary or funny. Or makes any sense. Looks good though. Next up: Ratman!
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- Bezenby
- Aug 28, 2014
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- Милый дом ужасов
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Top Gap
By what name was The Sweet House of Horrors (1989) officially released in Canada in English?
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