Crimes and Misdemeanors (1989)

User Rating:

8.0/10   

Director:

Woody Allen

Writer (WGA):

Woody Allen (written by)

Release Date:

13 October 1989 (USA)

Genre:

Comedy | Drama

Tagline:

A film about humanity.

Plot:

An opthamologist's mistress threatens to reveal their affair to his wife, while a married documentary filmmaker is infatuated by another woman.

Plot Keywords:

Murder | Brother | Mistress | Adultery | Doctor

Awards:

Nominated for 3 Oscars. Another 7 wins & 9 nominations

Cast

Bill Bernstein	...	Testimonial Speaker
Martin Landau	...	Judah Rosenthal
Claire Bloom	...	Miriam Rosenthal
Stephanie Roth Haberle	...	Sharon Rosenthal (as Stephanie Roth)
Gregg Edelman	...	Chris
George J. Manos	...	Photographer (as George Manos)
Anjelica Huston	...	Dolores Paley
Woody Allen	...	Cliff Stern
Jenny Nichols	...	Jenny
Joanna Gleason	...	Wendy Stern
Alan Alda	...	Lester
Sam Waterston	...	Ben
Zina Jasper	...	Carol
Dolores Sutton	...	Judah's Secretary
Joel Fogel	...	T.V. Producer (as Joel S. Fogel)

Runtime:

104 min

Country:

USA

Language:

English

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Iceland:L | Brazil:12 | Norway:10 | Norway:15 (self applied) | Argentina:13 | Chile:14 | Finland:K-12 | France:U | Spain:13 | Sweden:11 | USA:PG-13 | UK:15 | West Germany:12 | Singapore:PG | Australia:M

Filming Locations:

5th Avenue, Manhattan, New York City, New York, USA

Trivia:

Lester is based on Larry Gelbart, whom both Woody Allen and Alan Alda worked with and reportedly disliked because of his despotic way. Lester's various comments such as "Comedy is tragedy plus time" and "If it bends, it's funny; if it breaks, it's not funny" were actual Gelbart quotes.

Goofs:

Factual errors: When Judah decides to have Delores killed, he only dials seven digits on the phone calling his brother, Jack. Judah lives in Connecticut and Jack lives in New York, so he would have to dial at least 10 digits to call him.

Quotes:

[first lines]
Testimonial Speaker: We're all very proud of Judah Rosenthal's philanthropic efforts. His endless hours of fund raising for the hospital, the new medical center, and now, the ophthalmology wing, which until this year had just been a dream. But it's due to Rosenthal our friend that we most appreciate. The husband, the father, the golf companion. Naturally if you have a medical problem you can call Judah...
Miriam Rosenthal: You're blushing darling.
Testimonial Speaker: ...day or night, weekends or holidays. But you can also call Judah to find out which is the best restaurant in Paris - or Athens. Or which hotel to stay at in Moscow. Or the best recording of a particular Mozart symphony...
[...]

Movie Connections:

Referenced in "Charmed: Crimes & Witch Demeanors (#6.19)" (2004)

Soundtrack:

Beautiful Love

A film that explores the human soul.

When I registered with the IMDb, one of the survey questions asked what my favorite film was. I listed Allen's Crimes and Misdemeanors. I don't know if this is always true, but for the most part I feel fairly confident regarding my choice. Allen's story here works, like most well written literature, on many levels. It is funny (Woody's lessons), symbolic (the Rabbi going blind), ironic (the good suffer and the evil go unpunished), deep (faith and suicide), and is a film that leaves you with something to identify with and learn from. Even Hally Reed's (Mia Farrow) surprising revelation at the end of the film, which I won't reveal of course, shows us a bit about the dangers of prejudging others. Woody shows us that we shouldn't judge on the surface, but must look deeper into the individual value of people. Do we trust Hally, or do we stick to what we see as the truth about Lester (Alan Alda)? This is a lesson that Woody's character, Cliff, doesn't even fully grasp at the end of the film, but Allen gives us the insight, even though what Hally reveals about Lester goes against what we've seen of him.

Crimes and Misdemeanors is certainly not for all tastes. It's not exactly a film that people would watch for pure escapism. This is a film to be treasured, revisited and held up with some of the greatest films of all time. Not for how it looks or sounds, but for what it says. This is a film aimed at both the heart and the mind and succeeds in capturing both.