| Photos (See all 30 | slideshow) | Videos (see all 2) |
| Richard Dreyfuss | ... | Pete Sandich | |
| Holly Hunter | ... | Dorinda Durston | |
| Brad Johnson | ... | Ted Baker | |
| John Goodman | ... | Al Yackey | |
| Audrey Hepburn | ... | Hap | |
| Roberts Blossom | ... | Dave | |
| Keith David | ... | Powerhouse | |
| Ed Van Nuys | ... | Nails | |
| Marg Helgenberger | ... | Rachel | |
| Dale Dye | ... | Don | |
| Brian Haley | ... | Alex | |
| James Lashly | ... | Charlie | |
| Michael Steve Jones | ... | Grey | |
| Kim Robillard | ... | Air Traffic Controller | |
| Jim Sparkman | ... | Dispatcher | |
| Doug McGrath | ... | Bus Driver | |
| Shereil L. Bowens | ... | Child on Bus | |
| Acencion Fuentes | ... | Child on Bus | |
| Todd Jacobson | ... | Child on Bus | |
| DeMarious T. Morganfield | ... | Child on Bus | |
| Mike O'Neal | ... | Ground Pounder #1 | |
| Larry Landless | ... | Ground Pounder #2 | |
| Steve Shatnyski | ... | Ground Pounder #3 (as Steve Shatynski) | |
| James Pruitt | ... | Ground Pounder #4 | |
| Joseph McCrossin | ... | Mechanic #1 | |
| J.D. Souther | ... | The Singer | |
| David Jackson | ... | Band | |
| David Kitay | ... | Band | |
| Gene Strimling | ... | Band | |
| Roy E. Harrison | ... | Fisherman #1 (as Roy Harrison) | |
| Ted Grossman | ... | Fisherman #2 | |
| Gerry Rothschild | ... | Carl the Barkeep | |
| Loren Smothers | ... | Bartender | |
| Taleena Ottwell | ... | Bar Girl | |
| rest of cast listed alphabetically: | |||
| Tim Hiser | ... | Pilot (uncredited) | |
| Joseph Michael Roth | ... | Fireman (uncredited) | |
Directed by | |||
| Steven Spielberg | |||
Writing credits(WGA) | ||
| Jerry Belson | (screenplay) | |
| Dalton Trumbo | (screenplay "A Guy Named Joe") | |
| Frederick Hazlitt Brennan | (screenplay adaptation "A Guy Named Joe") | |
| Chandler Sprague | (story "A Guy Named Joe") and | |
| David Boehm | (story "A Guy Named Joe") | |
Produced by | |||
| Kathleen Kennedy | .... | producer | |
| Frank Marshall | .... | producer | |
| Steven Spielberg | .... | producer | |
| Richard Vane | .... | co-producer | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| Mikael Salomon | |||
Film Editing by | |||
| Michael Kahn | |||
Casting by | |||
| Lora Kennedy | |||
Production Design by | |||
| James D. Bissell | (as James Bissell) | ||
Art Direction by | |||
| Christopher Burian-Mohr | |||
Set Decoration by | |||
| Jackie Carr | |||
Costume Design by | |||
| Ellen Mirojnick | |||
Makeup Department | |||
| Don L. Cash | .... | makeup artist | |
| Carolyn Elias | .... | hair stylist | |
| Susan V. Kalinowski | .... | hair stylist | |
| James Lee McCoy | .... | makeup artist (as James McCoy) | |
| Dione Taylor | .... | hair stylist (as Dione Taylor-Demsky) | |
Production Management | |||
| Martin Cohen | .... | post-production supervisor: Amblin | |
| Gary Daigler | .... | unit production manager | |
Sound Department | |||
| Sandina Bailo-Lape | .... | sound effects editor | |
| Willie D. Burton | .... | sound mixer | |
| Ben Burtt | .... | sound designer | |
| Ben Burtt | .... | sound re-recording mixer | |
| Gloria D'Alessandro | .... | dialogue editor | |
| Teresa Eckton | .... | sound effects editor | |
| Ken Fischer | .... | sound effects editor | |
| Robert W. Harris | .... | cable person | |
| Ruth Hasty | .... | assistant sound effects editor | |
| Tim Holland | .... | sound effects editor | |
| Richard Hymns | .... | supervising sound editor | |
| Marvin E. Lewis | .... | boom operator | |
| Robert Marty | .... | assistant sound effects editor (as Bob Marty) | |
| Marilyn McCoppen | .... | dialogue editor | |
| Shawn Murphy | .... | re-recording mixer | |
| Larry Oatfield | .... | assistant sound effects editor (as E. Larry Oatfield) | |
| Philip Olbrantz | .... | apprentice sound effects editor (as Philip B. Olbrantz) | |
| Terrence Peck | .... | assistant sound effects editor (as Terry Peck) | |
| Martha Pike | .... | assistant sound effects editor | |
| E. Jeane Putnam | .... | assistant sound effects editor | |
| Gary Rydstrom | .... | sound re-recording mixer | |
| Michael Silvers | .... | dialogue editor | |
| David Slusser | .... | foley recordist | |
| Karen Spangenberg | .... | dialogue editor | |
| Gary Summers | .... | sound re-recording mixer | |
| Ewa Sztompke | .... | assistant sound effects editor | |
| Randy Thom | .... | foley artist | |
| Randy Thom | .... | sound re-recording mixer | |
| Dennie Thorpe | .... | foley artist | |
| Gwendolyn Yates Whittle | .... | assistant sound effects editor | |
Special Effects by | |||
| Jay Bartus | .... | forest fire special effects | |
| Frank Ceglia | .... | forest fire special effects | |
| Bill Cobb | .... | forest fire special effects | |
| Mike Edmonson | .... | special effects foreman | |
| Bob Finley III | .... | key pyrotechnician | |
| Scott Forbes | .... | special effects technician | |
| Lloyd Hamlett | .... | forest fire special effects | |
| Jeff Jarvis | .... | forest fire special effects foreman | |
| Mike Reedy | .... | special effects foreman | |
| Mike Reedy | .... | special effects gang boss | |
| Gintar Repecka | .... | special effects | |
| Andrew Sebok | .... | forest fire special effects | |
| Michael P. Stipe | .... | forest fire special effects | |
| Michael Wood | .... | special effects supervisor | |
| Michael Meier | .... | pyrotechnician (uncredited) | |
| Michael Smith | .... | pyrotechnician (uncredited) | |
Visual Effects by | |||
| Jon Alexander | .... | optical cameraman | |
| Carl Assmus | .... | visual effects construction chief | |
| Charles Bailey | .... | chief model maker | |
| Barbara Brennan | .... | rotoscope supervisor | |
| Terry Chostner | .... | visual effects cameraman | |
| Robbie Clot | .... | visual effects rigger | |
| Steve Collins | .... | visual effects transportation captain | |
| Michael Cooper | .... | optical line-up | |
| Elise Couvillion | .... | visual effects second camera assistant | |
| Robert Dougherty | .... | visual effects electrician | |
| Dick Dova | .... | visual effects key grip (as Richard Dova Spah) | |
| Jim Dyck | .... | model aircraft engineering | |
| Bob Fernley | .... | lab technician | |
| Bob Finley III | .... | visual effects gaffer | |
| Joe Fulmer | .... | visual effects best boy grip | |
| Michael Fulmer | .... | model supervisor | |
| John Gazdik | .... | visual effects camera assistant | |
| Bill George | .... | visual effects art director | |
| Brian Gernand | .... | model maker: ILM | |
| Michael Gleason | .... | visual effects editor | |
| Monty Hancock | .... | model aircraft engineering | |
| Donald Hansard Sr. | .... | process coordinator | |
| Jack Haye | .... | visual effects set dresser | |
| David Heron | .... | visual effects gantry rig design | |
| Andy Hershkind | .... | model aircraft engineering | |
| Edward Hirsh | .... | visual effects project manager | |
| Tony Hudson | .... | modeler: ILM | |
| Rod M. Janusch | .... | visual effects best boy pyrotechnician (as Rod Janusch) | |
| Ed Jones | .... | executive in charge of post-production: ILM | |
| Ira Keeler | .... | model maker | |
| Paul Kraus | .... | model maker | |
| Keith London | .... | visual effects set dresser | |
| Kim Marks | .... | visual effects camera operator | |
| Patrick McArdle | .... | visual effects camera assistant | |
| Roni McKinley | .... | visual effects coordinator (Roni L. McKinley) | |
| Carl Miller | .... | visual effects camera assistant | |
| George Miller | .... | model aircraft engineering | |
| Craig Mohagen | .... | visual effects best boy pyrotechnician | |
| Robert J. Mooney | .... | miniature unit coordinator | |
| Jim Morris | .... | visual effects producer | |
| Hiro Narita | .... | visual effects director of photography | |
| Dan Nelson | .... | visual effects best boy rigger | |
| Bruce Nicholson | .... | visual effects supervisor | |
| Michael Ohta | .... | visual effects grip | |
| Michael Olague | .... | visual effects electrician | |
| Jeff Olson | .... | visual effects key sets (as Jeffrey Olson) | |
| Martin Rosenberg | .... | visual effects cameraman | |
| Scott Ross | .... | visual effects general manager | |
| Penny Runge | .... | visual effects key production assistant | |
| Tony Sommers | .... | model maker | |
| Bruce Vecchitto | .... | optical supervisor | |
| Danny Wagner | .... | model maker: ILM | |
| Wayne Baker | .... | assistant camera: underwater miniatures (uncredited) | |
| Susan Adele Colletta | .... | visual effects post production coordinator (uncredited) | |
Stunts | |||
| Dave Bartholomew | .... | stunts (as David Bartholomew) | |
| Janet Brady | .... | stunts | |
| R.J. Chambers | .... | stunts | |
| Tom Elliott | .... | stunts | |
| Eddie Hice | .... | stunts | |
| Robert Jauregui | .... | stunts (as Bob Jaurequi) | |
| Jeff Jensen | .... | stunts | |
| Steven Lambert | .... | stunt coordinator | |
| Paul M. Lane | .... | stunts (as Paul Lane) | |
| Bernie Pock | .... | stunts | |
| Andy Armstrong | .... | stunts (uncredited) | |
| David Powledge | .... | stunt double (uncredited) | |
Casting Department | |||
| Helen Dollan | .... | extras casting: Montana | |
| Helen Mayer | .... | local extras casting | |
Costume and Wardrobe Department | |||
| Elaine Maser | .... | costumer: women | |
| Jennifer L. Parsons | .... | costumer supervisor | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Patrick Crane | .... | assistant editor | |
| Michelle Fandetti | .... | post-production assistant: Amblin | |
| Brad Goodman | .... | post-production coordinator: Amblin | |
| Scot Scalise | .... | assistant editor | |
| Jim Schurmann | .... | color timer | |
| Colin Wilson | .... | assistant editor | |
| L. James Langlois | .... | assistant editor (uncredited) | |
Music Department | |||
| Sandy DeCrescent | .... | music contractor | |
| Shawn Murphy | .... | score mixer | |
| Michael Smotherman | .... | composer: additional music | |
| Herbert W. Spencer | .... | orchestrator | |
| Kenneth Wannberg | .... | music editor | |
| James Thatcher | .... | musician: French horn solos (uncredited) | |
Transportation Department | |||
| Tim Roslan | .... | transportation captain | |
| Kenny Searle | .... | transportation coordinator | |
Other crew | |||
| Janie Allison | .... | production assistant | |
| Arne Anderson | .... | production assistant | |
| Robert Banas | .... | choreographer (as Bob Banas) | |
| Renny Berger | .... | production assistant | |
| Kevin Berman | .... | location security | |
| James D. Bissell | .... | forest fire plates director | |
| Sue Bokobza | .... | assistant production accountant | |
| Don Buchanan | .... | pilot: picture plane | |
| Michael J. Burmeister | .... | location manager | |
| Cynthia Curtiss | .... | unit production assistant: Montana | |
| Gregg L. Daniel | .... | production assistant | |
| Jeff DeSmet | .... | production assistant | |
| Lisa Donnelley | .... | unit production assistant: Montana | |
| Susan Dowaliby | .... | unit production secretary: Montana | |
| Jim Ealy | .... | first aid | |
| Mike Fantasia | .... | US forest service coordinator: Montana | |
| Patricia Fay | .... | unit location manager: Montana | |
| Fred Gabrielli | .... | caterer | |
| Ron Garlick | .... | pilot: picture plane | |
| James W. Gavin | .... | pilot: picture plane | |
| Dow Griffith | .... | location manager | |
| Vincent Heileson | .... | production accountant | |
| Steve Hinton | .... | pilot: picture plane | |
| Joe Johnston | .... | aerial sequence designer | |
| Michael Lucker | .... | production assistant | |
| Denny Lynch | .... | pilot: picture plane | |
| John Maloney | .... | pilot: picture plane | |
| Christine Mathews | .... | production assistant: Washington | |
| Dana Mayer | .... | assistant: Mr. Spielberg | |
| Walter M. McCormick | .... | projectionist | |
| Jim McCown | .... | pilot: picture plane | |
| Denise Morgan | .... | assistant production accountant | |
| Sharon Morov | .... | production coordinator | |
| Heather Murphy | .... | production secretary: Washington | |
| Dan Nichols | .... | production liaison: Washington | |
| Ramon Pahoyo | .... | craft service | |
| Julie Pitkanen | .... | script supervisor | |
| Lonnie Porro | .... | unit production liaison: Montana | |
| Bonne Radford | .... | production controller | |
| Mary T. Radford | .... | assistant: Mr. Marshall | |
| Anne S. Reilly | .... | unit publicist (as Anne Reilly) | |
| Grey Rembert | .... | production associate | |
| Charles R. Renneisen | .... | pilot: picture plane | |
| Paul 'Sled' Reynolds | .... | animal trainer | |
| Robert P. Schlaefli | .... | pilot: picture plane | |
| Darrell Schmidt | .... | pilot: picture plane | |
| Sandra Sharkey-Knox | .... | unit nurse: Montana | |
| Jo Shilling | .... | assistant: Ms. Kennedy | |
| Robin Skelton | .... | production associate | |
| Wendy Spurrier | .... | unit production assistant: Montana | |
| Rob Stevens | .... | assistant production coordinator | |
| Brian Steward | .... | production assistant | |
| Andre van Commenee | .... | physiotherapist | |
| Dara Weintraub | .... | assistant: Mr. Vane (as Dara L. Weintraub) | |
| Ken Wyene | .... | production assistant: Washington | |
| Miaojun Yuan | .... | production assistant | |
| Camille Cellucci | .... | production assistant (uncredited) | |
| Jack Gallagher | .... | location scout (uncredited) | |
| Michelle Hartly | .... | location coordinator (uncredited) | |
| Steven Talmy | .... | production assistant (uncredited) | |
| Russ Tanaka | .... | set medic (uncredited) | |
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| Ghost | Heart and Souls | A Guy Named Joe | Flight of the Phoenix | Amelia |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Fantasy section | IMDb USA section |
An unexpected film from the director who made his name with box office hits like ET, The Jaws (to say nothing of Indiana Johnes series). Always comes from this period between all these kids' stories and a new wave of escapist fantasies about dinosaurs. When a kid I loathed this film because I did not understand it at all and was a big action special effects movies fan. Time changes a lot. I learned to appreciate this magnificent picture and it is one of its biggest secrets at the same time. I love this movie but can not clearly explain why, there are lots of films which appear to me to be much more interesting, lots of film which appear to me to be much more intellectual but still I can not help loving this simple low budget love/friendship story. I just want to tell you about some scenes from Always which are my personal favorites:1.The fire pilot club scene when Pete "remembered Dorinda's birthday wrong", He says:"Why do not we try signaling to the band, it works in the movies" and then everyone present wants to dance with Dorinda while Pete is watching the whole affair from upstairs. It is so ..so perfect. 2.Hepburn Dreyfull dialogue in the field with her telling him about Spiritus "something they get when they need it most".3. Dorinda and Ted dining with Dorinda dancing to Platters tune. Words fail to describe it.4 The final scene in the aircraft, and these Pete's last words:"You are going to have wonderful life". JohnWilliams' score is awesome, especially the closing titles theme-a sound of a lonely piano echoing . Away with the pretences this film weights 8 on my great movies scales because it moves me, inspires me and I keep 9 and 10 only for all time classic like Bergman's Virgin Spring or Griffith's Intolerance.