Rain Man (1988)

User Rating:

7.9/10   

Director:

Barry Levinson

Writers (WGA):

Barry Morrow (story)
Ronald Bass (screenplay) ...

Release Date:

16 December 1988 (USA)

Genre:

Drama

Plot:

Selfish yuppie Charlie Babbitt's father left a fortune to his savant brother Raymond and a pittance to Charlie; they travel cross-country.

Plot Keywords:

Road Movie | Film With Ambiguous Title | Kidnapping | Female Nudity | Las Vegas Strip

Awards:

Won 4 Oscars. Another 19 wins & 13 nominations

Cast

Dustin Hoffman	...	Raymond Babbitt
Tom Cruise	...	Charlie Babbitt
Valeria Golino	...	Susanna
Gerald R. Molen	...	Dr. Bruner (as Jerry Molen)
Jack Murdock	...	John Mooney
Michael D. Roberts	...	Vern
Ralph Seymour	...	Lenny
Lucinda Jenney	...	Iris
Bonnie Hunt	...	Sally Dibbs
Kim Robillard	...	Small Town Doctor
Beth Grant	...	Mother at Farm House
Dolan Dougherty	...	Farm House Kid
Marshall Dougherty	...	Farm House Kid
Patrick Dougherty	...	Farm House Kid
John-Michael Dougherty	...	Farm House Kid

Runtime:

133 min

Country:

USA

Language:

English | Italian

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby SR

Certification:

Portugal:M/12 | South Korea:12 | Iceland:L | Ireland:15 | Brazil:12 | Argentina:13 | Australia:M | Canada:14 (Nova Scotia) | Canada:AA (Ontario) | Canada:G (Quebec) | Canada:PG (Manitoba) | Chile:14 | Finland:K-12 | New Zealand:PG | Norway:10 (original rating) | Norway:11 (re-rating) | Peru:14 | Singapore:NC-16 | Sweden:11 | UK:15 | USA:R | West Germany:12

Filming Locations:

Caesar's Palace - 3570 Las Vegas Boulevard South, Las Vegas, Nevada, USA

Company:

United Artists

Trivia:

The character of Raymond Babbitt was inspired by real-life American savant Kim Peek, born 1952, whom Rain Man writer Barry Morrow first met in 1986. When Barry Morrow won an Oscar for the screenplay of "Rain Man" in 1989, he gave his Oscar trophy to Kim Peek.

Goofs:

Continuity: In Raymond's final evaluation scene, the tray of glasses in the middle of the table moves back and forth.

Quotes:

[first lines]
Charlie: [on telephone] Now it's five and a half weeks and I'm still sitting on four Lamborghinis that can't meet spot emissions standards. Now, how many times you wash out with EPA?
Lenny: [on a separate line] Uh, yes sir, they're finally, uh, clearing EPA; uh, just one or two more days.
Charlie: Three times? You're really on a roll here, my friend; four cars, three times each - that's zip for twelve. What are you, a... mechanic, or a NASA engineer? Now listen, now, I told you I've never dealt with these Lamborghinis before, and yet you assured me that you can deliver these cars within that time frame. Don't, don't tell me that, 'cause I - I'm not even listening.

Movie Connections:

Featured in "Best! Movies! Ever!: Goodbyes (#1.18)" (2007)

Soundtrack:

Bouncin' the Blues

My main man Charlie Babbitt.

It is something of a great cinematic achievement that Rain Man became the great film it clearly is because the story surrounding it is interestingly Hollywood in itself.

Four directors, six screenwriters, two cinematographers, eight producers, writers strikes, crew change, and a studio fighting for its life.

All of the above are common knowledge but it doesn't hurt to remember these facts when viewing the award wining triumph of a movie that stands the test of time today. The film is so simple in structure it really needed something special to pull it out of the prospective banality of being "just another road movie about finding oneself", Rain Man achieves something special by tackling its subjects with very sensitive hands and splicing a believable human concept into the story via the incredible shows from its two leading men.

Dustin Hoffman gives a magical moving performance as the Autistic Savant Raymond, the ultimate complement I can pay the performance is that it really is believable, both moving and clever rolled into one artistic result. Tom Cruise is equally as great in a role that called for drastic layer changes, a role that demanded much conviction from the actor taking it on, and Cruise gives the role much depth as he goes from shallow bastard to a very emotive and feeling human being, it's a great show that stands up to reevaluation these days.

With a film such as this you pray that the ending can do it justice, and I'm glad to say that there is no pandering here, it's an ending that says so much because it doesn't cop out, I thank god for those rewrites because the endings to the original scripts would of had me booting the TV set out of the window.

Essential cinema, 10/10.