Nuovo cinema Paradiso (1988)

User Rating:

8.4/10   

Director:

Giuseppe Tornatore

Writers:

Giuseppe Tornatore (story)
Giuseppe Tornatore (screenplay) ...

Release Date:

23 February 1990 (USA)

Genre:

Comedy | Drama | Romance

Tagline:

A celebration of youth, friendship, and the everlasting magic of the movies.

Plot:

A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.

Plot Keywords:

Projectionist | Village | Theater | Young Boy | Cinema

Awards:

Won Oscar. Another 19 wins & 12 nominations

Cast

Antonella Attili	...	Maria Di Vita - Younger
Enzo Cannavale	...	Spaccafico
Isa Danieli	...	Anna
Leo Gullotta	...	Usher
Marco Leonardi	...	Salvatore 'Toto' Di Vita - Teenager
Pupella Maggio	...	Maria Di Vita - Older
Agnese Nano	...	Elena Mendola
Leopoldo Trieste	...	Father Adelfio
Salvatore Cascio	...	Salvatore 'Toto' Di Vita - Child
Tano Cimarosa	...	Blacksmith
Nicola Di Pinto	...	Village Idiot
Roberta Lena	...	Lia
Nino Terzo	...	Peppino's Father
Jacques Perrin	...	Salvatore 'Toto' Di Vita - Adult
Philippe Noiret	...	Alfredo

Also Known As:

Cinema Paradiso (Australia) (France) (UK) (USA)
Cinéma Paradiso (France)
Cinema Paradiso: The New Version (USA) (director's cut)

MPAA:

Rated R for some sexuality. (director's cut)

Runtime:

155 min | Italy:170 min (extended version) | 124 min (International version)

Country:

Italy | France

Language:

Italian | English | Portuguese

Colour:

Colour

Aspect Ratio:

1.66 : 1

Sound Mix:

Dolby

Certification:

Iceland:L | South Korea:15 (director's cut) | Spain:T | South Korea:All (original rating) | West Germany:12 (f) | Italy:T | Argentina:Atp | Australia:PG | Canada:G (Quebec) | Canada:PG | Chile:TE | Finland:S | France:U | Germany:12 | Hong Kong:IIB | Norway:10 | Peru:PT | Singapore:M18 (director's cut) | Singapore:PG | Sweden:11 | UK:15 (director's cut) | UK:PG | USA:PG (original rating) | USA:R (director's cut) (2002)

Filming Locations:

Bagheria, Palermo, Sicily, Italy

Company:

Cristaldifilm

Trivia:

The new film projector installed after the fire accident in the projector room is a model Victoria IV manufactured by Cinemeccanica S.p.a, Milano, Italy.

Goofs:

Continuity: When Toto is young, the films that Alfredo gave him catch fire. They burn and ruin the only picture that his mother had of his father. When Toto is a grown up, this "burnt" picture is hanged on the wall totally unharmed.

Quotes:

Salvatore 'Toto' Di Vita - Adult: Elena, perhaps in the future we could...
Elena Mendola - Adult, Director's cut only: No, Salvaotre, there is no future. There is only the past. Even last night's encounter was just a dream. A wonderful dream. When we were young, we never did it. Do you remember? Now that it has happened, I can't imagine a better ending.
Salvatore 'Toto' Di Vita - Adult: I'll never agree with you. Never.

Movie Connections:

Referenced in The Adventures of George the Projectionist (2006)

As Good as Movies Get

Movies can wield a strange power over those who sit in the darkened seats of a theatre. The truly great ones manipulate your perception of reality, suspend your disbelief, and ultimately either alter or affirm your view on life. NUOVO CINEMA PARADISO is just such a movie. It is the near-perfect melding of direction, acting, script, sound track, and cinematography. Phillipe Noiret and Salvatore Cascio give the kind of performances usually associated with much more recognizable actors. The supporting cast looks like they could all be full-blooded Sicilians. The location shots add depth and realism to the entire production. Ennio Morricone's music is simply the most appropriate and emotive I have ever had the pleasure to hear in a theatre. Tornatore's script and direction are a joy, a breath of fresh air.

I will not spoil this story by repeating it, nor will I give away the ending, although it matters not a whit. I could disclose fully everything in this movie, and in seeing it, all my words would evaporate. There is nothing like the experience of sitting through it, becoming engulfed by it, and in the end, being changed.